℗ 2022 Claves Records
| Released | October 28, 2022 |
| Duration | 1h 05m 01s |
| Record Label | Claves Records |
| Catalogue No. | CD-3056 |
| Genre | Classical (Choral) |
Herzblut: Swiss A Cappella Music
Florian Helgath, Zürcher Sing-Akademie
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Es flieht der Sunneschtrau
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1.1
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I. Vor Chummer
Kurt Widorski; Florian Helgath; Zürcher Sing-Akademie |
4:52 | |||
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1.2
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II. Cucù
Kurt Widorski; Florian Helgath; Zürcher Sing-Akademie |
3:06 | |||
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1.3
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III. Lueget!
Kurt Widorski; Florian Helgath; Zürcher Sing-Akademie |
5:12 | |||
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Sechs Lieder im Volkston für Männerchor, Op. 29
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1.4
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I. Im Maien zu Zweien
Hans Huber; Florian Helgath; Zürcher Sing-Akademie |
2:02 | |||
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1.5
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II. Lieber Schatz sei wieder gut
Hans Huber; Florian Helgath; Zürcher Sing-Akademie |
1:30 | |||
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1.6
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III. Sommerwende
Hans Huber; Florian Helgath; Zürcher Sing-Akademie |
2:20 | |||
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1.7
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IV. Nun hat mein Stecken gute Rast
Hans Huber; Florian Helgath; Zürcher Sing-Akademie |
2:00 | |||
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1.8
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V. Wenn ich’s nur wüsste
Hans Huber; Florian Helgath; Zürcher Sing-Akademie |
1:57 | |||
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1.9
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VI. Mein Schatz ist auf der Wanderschaft
Hans Huber; Florian Helgath; Zürcher Sing-Akademie |
2:20 | |||
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Werke für Frauenchor
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1.10
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I. Abstieg
Richard Flury; Florian Helgath; Zürcher Sing-Akademie |
1:54 | |||
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1.11
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II. Abend am See
Richard Flury; Florian Helgath; Zürcher Sing-Akademie |
2:25 | |||
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1.12
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III. Ave Maria
Richard Flury; Florian Helgath; Zürcher Sing-Akademie |
2:25 | |||
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1.13
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La Sera da bial’aura für Cornett, Violine, Dulcimer und Chor
Helena Winkelman; Florian Helgath; Zürcher Sing-Akademie |
4:17 | |||
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1.14
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Verbundenheit
Cyrill Schürch; Florian Helgath; Zürcher Sing-Akademie |
2:16 | |||
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1.15
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Begreifen
Cyrill Schürch; Florian Helgath; Zürcher Sing-Akademie |
2:42 | |||
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Herbstsynkopen
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1.16
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I. Herbstsynkope O (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
3:07 | |||
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1.17
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II. Nachtwache I (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
2:29 | |||
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1.18
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III. Herbstsynkope I (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
1:24 | |||
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1.19
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IV. Nachtwache II (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
1:22 | |||
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1.20
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V. Herbstsynkope II (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
1:02 | |||
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1.21
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VI. Letztes Glück (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
2:14 | |||
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1.22
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VII. Herbstsynkope III (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
1:12 | |||
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1.23
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VIII. Verlorene Jugend (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
2:03 | |||
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1.24
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IX. Herbstsynkope IV (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
1:39 | |||
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1.25
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X. Im Herbst (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
4:58 | |||
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1.26
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XI. Herbstsynkope V (Inspired from Brahm's 5 Gesänge, Op. 104)
Burkhard Kinzler; Johannes Brahms; Florian Helgath; Zürcher Sing-Akademie |
2:13 | |||
With its first own recording of a cappella repertoire, the Zürcher Sing-Akademie reveals its musical and emotional identity and opens the door to the unique Swiss musical landscape. Herzblut provides an insight into the multifaceted work of Swiss composers, from the Romantic period to the present day.
The programme presents works deeply rooted in the Swiss cultural heritage. It enables the 32-member vocal ensemble to remarkably deploy its transparent and warm sound.
But above all, Herzblut embarks listeners on a journey into their inner selves, that infinitely rich and fragile world to which little attention is paid in everyday life. Yet it is precisely these delicate sounds that show us who we are and where we come from. We only need to listen.
96 kHz / 24-bit PCM – Claves Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.67 -23.66 to -0.54 | -27.10 -40.66 to -20.67 | -23.52 -37.90 to -16.20 | 13 9 to 19 | |
| 1 | I. Vor Chummer | -1.04 | -27.82 | -24.2 | 17 |
| 2 | II. Cucù | -0.77 | -23.29 | -19.7 | 15 |
| 3 | III. Lueget! | -1.23 | -26.77 | -22.7 | 16 |
| 4 | I. Im Maien zu Zweien | -4.73 | -27.33 | -24.0 | 14 |
| 5 | II. Lieber Schatz sei wieder gut | -6.11 | -26.41 | -23.0 | 13 |
| 6 | III. Sommerwende | -1.97 | -24.27 | -20.6 | 13 |
| 7 | IV. Nun hat mein Stecken gute Rast | -2.74 | -23.17 | -19.7 | 12 |
| 8 | V. Wenn ich’s nur wüsste | -7.21 | -28.64 | -25.6 | 13 |
| 9 | VI. Mein Schatz ist auf der Wanderschaft | -5.14 | -25.71 | -22.2 | 12 |
| 10 | I. Abstieg | -1.03 | -21.89 | -17.6 | 12 |
| 11 | II. Abend am See | -8.08 | -30.14 | -26.9 | 12 |
| 12 | III. Ave Maria | -2.77 | -23.96 | -19.5 | 11 |
| 13 | La Sera da bial’aura für Cornett, Violine, Dulcimer und Chor | -0.65 | -24.77 | -19.9 | 13 |
| 14 | Verbundenheit | -1.51 | -24.72 | -21.3 | 13 |
| 15 | Begreifen | -3.83 | -26.82 | -23.5 | 13 |
| 16 | I. Herbstsynkope O (Inspired from Brahm's 5 Gesänge, Op. 104) | -2.08 | -32.42 | -28.9 | 19 |
| 17 | II. Nachtwache I (Inspired from Brahm's 5 Gesänge, Op. 104) | -3.04 | -26.70 | -23.2 | 12 |
| 18 | III. Herbstsynkope I (Inspired from Brahm's 5 Gesänge, Op. 104) | -18.35 | -36.78 | -33.9 | 10 |
| 19 | IV. Nachtwache II (Inspired from Brahm's 5 Gesänge, Op. 104) | -1.03 | -21.84 | -18.1 | 12 |
| 20 | V. Herbstsynkope II (Inspired from Brahm's 5 Gesänge, Op. 104) | -0.54 | -20.67 | -16.2 | 10 |
| 21 | VI. Letztes Glück (Inspired from Brahm's 5 Gesänge, Op. 104) | -5.43 | -27.77 | -24.8 | 13 |
| 22 | VII. Herbstsynkope III (Inspired from Brahm's 5 Gesänge, Op. 104) | -12.54 | -33.21 | -30.5 | 12 |
| 23 | VIII. Verlorene Jugend (Inspired from Brahm's 5 Gesänge, Op. 104) | -0.68 | -23.94 | -20.1 | 13 |
| 24 | IX. Herbstsynkope IV (Inspired from Brahm's 5 Gesänge, Op. 104) | -4.33 | -28.98 | -25.3 | 14 |
| 25 | X. Im Herbst (Inspired from Brahm's 5 Gesänge, Op. 104) | -1.02 | -26.01 | -22.2 | 15 |
| 26 | XI. Herbstsynkope V (Inspired from Brahm's 5 Gesänge, Op. 104) | -23.66 | -40.66 | -37.9 | 9 |