℗ 2022 Birmingham Record Company
| Released | July 22, 2022 |
| Duration | 1h 04m 13s |
| Record Label | Birmingham Record Company |
| Catalogue No. | BRC016 |
| Genre | Classical (Contemporary Era) |
'Aria Cuntata and the Low Miracles
Thallein Ensemble, Daniele Rosina, Suzie Purkiss, Tianshun Lin, Michael Wolters, Paul Norman, Royal Birmingham Conservatoire Symphony Orchestra, Barry Wordsworth
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Hamburger Suite (Excerpts)
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1.1
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Overture (After Telemann)
Michael Wolters; Thallein Ensemble; Daniele Rosina |
2:43 | |||
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1.2
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Shapes Between Shapes
Kunling Liu; Thallein Ensemble; Daniele Rosina |
5:12 | |||
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Lieder Deutscher Natur
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1.3
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No. 1, Ich liebe die Natur
Michael Wolters; Suzie Purkiss; Thallein Ensemble; Daniele Rosina |
1:13 | |||
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1.4
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Music for Keeping Dogs Calm or for Dogs To Enjoy
Luke Harrison; Suzie Purkiss; Daniele Rosina |
6:50 | |||
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1.5
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Regentrude
Michael Wolters; Theodor Storm; Suzie Purkiss; Thallein Ensemble; Daniele Rosina |
4:11 | |||
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1.6
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No. 2, Adler
Michael Wolters; Suzie Purkiss; Thallein Ensemble; Daniele Rosina |
1:04 | |||
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1.7
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No. 3, Dormagen (After J.S. Bach)
Michael Wolters; Suzie Purkiss; Tianshun Lin |
1:50 | |||
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1.8
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Interlude (From "Ismène")
Michael Wolters; Thallein Ensemble; Daniele Rosina |
0:52 | |||
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1.9
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No. 4, Kegeltour
Michael Wolters; Suzie Purkiss; Thallein Ensemble; Daniele Rosina |
1:15 | |||
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1.10
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Rondeau (From "Ismène")
Michael Wolters; Suzie Purkiss; Thallein Ensemble; Michael Wolters; Daniele Rosina |
3:36 | |||
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1.11
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Antigone, Antigone (From "Ismène")
Michael Wolters; Paul Norman; Suzie Purkiss; Michael Wolters; Thallein Ensemble; Paul Norman; Daniele Rosina |
3:09 | |||
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Hamburger Suite (Excerpts)
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1.12
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Hamburg Port Bulk Handling
Michael Wolters; Thallein Ensemble; Daniele Rosina |
5:17 | |||
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1.13
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Gulf Stream {From "Das Ende des Golfstroms")
Michael Wolters; Thallein Ensemble; Daniele Rosina |
5:31 | |||
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1.14
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Become Invisible (From "Das Ende des Golfstroms")
Michael Wolters; Nye Ffarrabas; Suzie Purkiss; Thallein Ensemble; Daniele Rosina |
4:05 | |||
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1.15
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You're All Kunst (Arr. P. Norman & M. Wolters for Voice & Ensemble)
Michael Wolters; Paul Norman; Suzie Purkiss; Michael Wolters; Paul Norman; Thallein Ensemble; Daniele Rosina |
2:57 | |||
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There Are More of Them Than Us (A Queer Concertro for 9 Saxophones & Orchestra)
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1.16
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I. Largo (Live)
Michael Wolters; Royal Birmingham Conservatoire Symphony Orchestra; Barry Wordsworth |
2:33 | |||
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1.17
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II. Sequence (Live)
Michael Wolters; Royal Birmingham Conservatoire Symphony Orchestra; Barry Wordsworth |
1:42 | |||
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1.18
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III. Trio (Live)
Michael Wolters; Royal Birmingham Conservatoire Symphony Orchestra; Barry Wordsworth |
3:00 | |||
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1.19
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IV. Polka with Choreography (Live)
Michael Wolters; Royal Birmingham Conservatoire Symphony Orchestra; Barry Wordsworth |
1:59 | |||
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1.20
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V. Vivace (Live)
Michael Wolters; Royal Birmingham Conservatoire Symphony Orchestra; Barry Wordsworth |
5:14 | |||
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Digital Booklet
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48 kHz / 24-bit PCM – Birmingham Record Company Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.18 -10.36 to -0.03 | -19.46 -28.62 to -15.59 | -16.05 -25.00 to -11.90 | 12 9 to 17 | |
| 1 | Overture (After Telemann) | -0.10 | -16.35 | -13.5 | 12 |
| 2 | Shapes Between Shapes | -0.04 | -20.27 | -17.0 | 13 |
| 3 | No. 1, Ich liebe die Natur | -0.04 | -16.15 | -12.9 | 9 |
| 4 | Music for Keeping Dogs Calm or for Dogs To Enjoy | -10.36 | -28.62 | -25.0 | 9 |
| 5 | Regentrude | -0.04 | -15.97 | -11.9 | 9 |
| 6 | No. 2, Adler | -1.58 | -18.45 | -14.8 | 10 |
| 7 | No. 3, Dormagen (After J.S. Bach) | -0.04 | -18.81 | -15.0 | 11 |
| 8 | Interlude (From "Ismène") | -0.03 | -16.43 | -12.6 | 11 |
| 9 | No. 4, Kegeltour | -0.04 | -16.91 | -13.4 | 11 |
| 10 | Rondeau (From "Ismène") | -0.04 | -18.13 | -14.9 | 11 |
| 11 | Antigone, Antigone (From "Ismène") | -0.04 | -15.59 | -12.2 | 10 |
| 12 | Hamburg Port Bulk Handling | -1.19 | -18.89 | -15.8 | 12 |
| 13 | Gulf Stream {From "Das Ende des Golfstroms") | -0.04 | -20.97 | -18.1 | 13 |
| 14 | Become Invisible (From "Das Ende des Golfstroms") | -0.04 | -18.51 | -15.2 | 13 |
| 15 | You're All Kunst (Arr. P. Norman & M. Wolters for Voice & Ensemble) | -0.06 | -18.88 | -14.7 | 10 |
| 16 | I. Largo (Live) | -2.82 | -26.97 | -23.0 | 17 |
| 17 | II. Sequence (Live) | -1.43 | -18.46 | -15.8 | 12 |
| 18 | III. Trio (Live) | -3.02 | -25.42 | -22.0 | 15 |
| 19 | IV. Polka with Choreography (Live) | -2.56 | -22.18 | -18.7 | 12 |
| 20 | V. Vivace (Live) | -0.05 | -17.29 | -14.5 | 11 |