℗ 2022 New Focus Recordings
| Released | August 12, 2022 |
| Duration | 1h 09m 59s |
| Record Label | New Focus Recordings |
| Catalogue No. | FCR263 |
| Genre | Classical (Contemporary Era) |
Anthony Cheung: All Roads
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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All Roads
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1.1
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Introduction. First Detour
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
1:38 | |||
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1.2
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I. Forking Paths
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
3:31 | |||
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1.3
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Interlude. Second Detour
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
1:48 | |||
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1.4
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II. Circuitous Routes (Winding Passacaglias)
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
4:10 | |||
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1.5
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Interlude. Third Detour
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
0:57 | |||
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1.6
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III. Estuary
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
3:04 | |||
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1.7
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Interlude. Fourth Detour
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
2:09 | |||
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1.8
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IV. Convergence
Anthony Cheung; Gilles Vonsattel; Escher String Quartet |
7:56 | |||
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Elective Memory
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1.9
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I. Aubade, for a Golden Age
Anthony Cheung; Miranda Cuckson; Anthony Cheung |
6:42 | |||
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1.10
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II. Broken Scherzo. Tripping Up, Falling Down
Anthony Cheung; Miranda Cuckson; Anthony Cheung |
6:23 | |||
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1.11
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III. Nocturne. Half-Remembered
Anthony Cheung; Miranda Cuckson; Anthony Cheung |
5:42 | |||
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Character Studies
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1.12
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I. Dramatis Personae
Anthony Cheung; Miranda Cuckson |
4:00 | |||
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1.13
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II. —
Anthony Cheung; Miranda Cuckson |
5:00 | |||
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All Thorn, but Cousin to Your Rose
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1.14
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Three Grades of Evil
Anthony Cheung; Vladimir Nabokov; Paulina Swierczek; Jacob Greenberg |
7:53 | |||
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1.15
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Hear the Sledges with the Bells
Anthony Cheung; Edgar Allan Poe; Paulina Swierczek; Jacob Greenberg |
1:53 | |||
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1.16
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What Is Translation?
Anthony Cheung; Vladimir Nabokov; Paulina Swierczek; Jacob Greenberg |
2:30 | |||
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1.17
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How Sad Your Apparition Is to Me
Alexander Pushkin; Vladimir Nabokov; Anthony Cheung; Paulina Swierczek; Jacob Greenberg |
4:43 | |||
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Digital Booklet
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96 kHz / 24-bit PCM – New Focus Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.67 -7.89 to -0.79 | -23.50 -32.30 to -19.42 | -19.01 -27.00 to -15.10 | 14 12 to 16 | |
| 1 | Introduction. First Detour | -7.89 | -28.82 | -24.9 | 12 |
| 2 | I. Forking Paths | -0.81 | -20.04 | -16.3 | 13 |
| 3 | Interlude. Second Detour | -0.92 | -25.88 | -21.5 | 16 |
| 4 | II. Circuitous Routes (Winding Passacaglias) | -0.81 | -19.73 | -16.0 | 12 |
| 5 | Interlude. Third Detour | -6.90 | -32.30 | -27.0 | 15 |
| 6 | III. Estuary | -0.81 | -20.01 | -16.1 | 12 |
| 7 | Interlude. Fourth Detour | -0.79 | -26.95 | -22.9 | 15 |
| 8 | IV. Convergence | -0.81 | -20.17 | -16.6 | 12 |
| 9 | I. Aubade, for a Golden Age | -0.82 | -23.69 | -18.7 | 14 |
| 10 | II. Broken Scherzo. Tripping Up, Falling Down | -1.01 | -20.44 | -16.6 | 13 |
| 11 | III. Nocturne. Half-Remembered | -0.89 | -24.86 | -20.4 | 16 |
| 12 | I. Dramatis Personae | -0.95 | -24.22 | -18.4 | 16 |
| 13 | II. — | -1.37 | -26.26 | -20.4 | 16 |
| 14 | Three Grades of Evil | -0.86 | -23.56 | -18.9 | 14 |
| 15 | Hear the Sledges with the Bells | -0.92 | -19.42 | -15.1 | 12 |
| 16 | What Is Translation? | -0.87 | -21.45 | -16.8 | 13 |
| 17 | How Sad Your Apparition Is to Me | -0.97 | -21.67 | -16.6 | 12 |