℗ 2022 CPO
Released | July 1, 2022 |
Duration | 51m 24s |
Record Label | CPO |
Catalogue No. | 555461-2 |
Genre | Classical (Orchestral) |
The Magic of the Pan Flute
Andreea Chira, Pforzheim South West German Chamber Orchestra, Douglas Bostock
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring" (Arr. C. Pino-Quintana for Pan Flute & String Orchestra)
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1.1
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I. Allegro
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
3:21 | |||
1.2
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II. Largo e pianissimo sempre
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
2:10 | |||
1.3
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III. Danza pastorale. Allegro
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
4:21 | |||
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer" (Arr. C. Pino-Quintana for Pan Flute & String Orchestra)
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1.4
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I. Allegro non molto
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
5:43 | |||
1.5
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II. Adagio
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
2:12 | |||
1.6
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III. Presto
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
3:17 | |||
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn" (Arr. C. Pino-Quintana for Pan Flute & String Orchestra)
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1.7
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I. Allegro
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
4:53 | |||
1.8
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II. Adagio molto
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
2:02 | |||
1.9
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III. Allegro
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
3:33 | |||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter" (Arr. C. Pino-Quintana for Pan Flute & String Orchestra)
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1.10
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I. Allegro non molto
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
3:25 | |||
1.11
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II. Largo
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
1:59 | |||
1.12
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III. Allegro
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
3:39 | |||
Chamber Concerto in D major, RV 93 (Arr. C. Pino-Quintana for Pan Flute & String Orchestra)
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1.13
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I. —
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
3:37 | |||
1.14
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II. Largo
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
4:44 | |||
1.15
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III. Allegro
Antonio Vivaldi; Carlos Pino-Quintana; Andreea Chira; South West German Chamber Orchestra, Pforzheim; Douglas Bostock |
2:28 | |||
Digital Booklet
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Antonio Vivaldi's Four Seasons is a milestone in music. On the one hand, the cycle is firmly anchored in baroque aesthetics, on the other hand, one is already moving in the direction of the galant style. In our new recording, Vivaldi's works have been carefully arranged for pan flute with orchestra by the composer Carlos Pino-Quintana. The great challenge was to maintain or even emphasise polyphonic elements of the original solo part in the new instrumentation, to subtly transfer the technical characteristics of the violin to the pan flute, to find adequate keys, and to balance the resulting contrasts and timbres between solo and tutti in the sense of concerto grosso. In the process, the accompaniment of harpsichord as basso continuo, which otherwise would have appeared only as secco accompaniment in long phrases and sections, is omitted, which opened up new possibilities for the fabric of polyphony and gave the pan flute solo voice greater scope for expression and musicality. And lo and behold, the concertos sound as if they were written for the pan flute. This is of course also due to our interpreter Andreea Chira, who plays a historical pan flute "Nai" with an unmistakable timbre. An incomparable sound experience!
96 kHz / 24-bit PCM – CPO Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.66 -11.92 to -0.10 | -22.96 -30.38 to -19.91 | -18.61 -28.10 to -15.50 | 12 9 to 14 | |
1 | I. Allegro | -0.10 | -21.25 | -16.6 | 13 |
2 | II. Largo e pianissimo sempre | -10.89 | -28.76 | -25.2 | 10 |
3 | III. Danza pastorale. Allegro | -0.10 | -22.22 | -17.6 | 13 |
4 | I. Allegro non molto | -0.10 | -22.39 | -17.2 | 14 |
5 | II. Adagio | -4.36 | -24.57 | -20.7 | 11 |
6 | III. Presto | -0.10 | -19.99 | -16.0 | 13 |
7 | I. Allegro | -0.10 | -21.59 | -15.5 | 13 |
8 | II. Adagio molto | -6.49 | -24.16 | -20.8 | 9 |
9 | III. Allegro | -0.10 | -19.91 | -16.3 | 13 |
10 | I. Allegro non molto | -0.31 | -22.85 | -17.7 | 13 |
11 | II. Largo | -2.71 | -21.48 | -16.4 | 10 |
12 | III. Allegro | -1.16 | -21.80 | -16.6 | 13 |
13 | I. — | -1.32 | -22.27 | -17.7 | 14 |
14 | II. Largo | -11.92 | -30.38 | -28.1 | 12 |
15 | III. Allegro | -0.10 | -20.73 | -16.8 | 13 |