℗ 2022 Challenge Classics
| Released | August 5, 2022 |
| Duration | 51m 02s |
| Record Label | Challenge Classics |
| Catalogue No. | CC72916 |
| Genre | Classical |
|
1.1
|
Berceuse sur le nom de Gabriel Fauré
Maurice Ravel; Pierre Goy; Lina Tur Bonet |
2:45 | |||
|
Sonate pour violon et piano
|
|||||
|
1.2
|
I. Allegretto
Maurice Ravel; Pierre Goy; Lina Tur Bonet |
7:57 | |||
|
1.3
|
II. Blues. Moderato
Maurice Ravel; Pierre Goy; Lina Tur Bonet |
5:40 | |||
|
1.4
|
III. Perpetuum mobile. Allegro
Maurice Ravel; Pierre Goy; Lina Tur Bonet |
3:58 | |||
|
1.5
|
Tzigane, Rhapsodie de concert pour Violon et Piano Luthéal
Maurice Ravel; Pierre Goy; Lina Tur Bonet |
11:10 | |||
|
Sonata en quatre parties pour violon et violoncelle
|
|||||
|
1.6
|
I. Allegro
Maurice Ravel; Marco Testori; Lina Tur Bonet |
5:00 | |||
|
1.7
|
II. Très vif
Maurice Ravel; Marco Testori; Lina Tur Bonet |
3:24 | |||
|
1.8
|
III. Lent
Maurice Ravel; Marco Testori; Lina Tur Bonet |
5:32 | |||
|
1.9
|
IV. Vif, avec entrain
Maurice Ravel; Marco Testori; Lina Tur Bonet |
5:36 | |||
À Moune is a ‘concept-album’ around Maurice Ravel and his special relation with Hélène Jourdan Mourhange, a dear friend and violinist. The programme is set-up in order to take the listener by the hand into Ravel’s musical world through a series of pieces which are gradually more deep and complex. The music is played on a 1935 Hautrive piano, while violin and cello are played on gut strings. The Tzigane is in the rarest version for Luthéal (Pleyel, 1910), a period prepared piano with a gipsy character.
"This tribute arrives for me in a moment in which every work I perform is combined with a deep study of the performance of those times. This is why we chose to record on gut strings (as they did then), bows from that moment and a historical piano, as well as the less known version of the Tzigane with the Lutheal. The blending of gut strings between violin and cello, as well as with the old piano and the Lutheal is unique and helps to understand many of the aspects of performance in many old recordings."
- Lina Tur Bonet
44.1 kHz / 24-bit PCM – Challenge Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.64 -10.57 to -1.06 | -24.44 -31.55 to -20.49 | -20.78 -29.00 to -16.80 | 13 12 to 15 | |
| 1 | Berceuse sur le nom de Gabriel Fauré | -10.57 | -31.55 | -29.0 | 12 |
| 2 | I. Allegretto | -1.11 | -25.00 | -21.3 | 15 |
| 3 | II. Blues. Moderato | -1.10 | -22.32 | -18.4 | 13 |
| 4 | III. Perpetuum mobile. Allegro | -1.10 | -20.49 | -16.8 | 12 |
| 5 | Tzigane, Rhapsodie de concert pour Violon et Piano Luthéal | -1.08 | -21.98 | -18.1 | 13 |
| 6 | I. Allegro | -3.38 | -25.50 | -21.9 | 14 |
| 7 | II. Très vif | -1.06 | -22.00 | -18.3 | 12 |
| 8 | III. Lent | -3.24 | -28.41 | -24.2 | 15 |
| 9 | IV. Vif, avec entrain | -1.10 | -22.70 | -19.0 | 14 |