ProStudioMasters.com

Some things don't change. The lightness in the top note and the serious, powerful resonance, coating that of the heart, the voice of Caroline Savoie touches, where it passes. The effect still surprises her, even after years. What is also surprising is the coexistence of this melancholy that is imprinted in the tone, when sung, and these great cascades of energy, these frank laughter, when it arises differently to speak. This is also a bit of what it offers itself today. The surprise, the gift: that of existing in its contradictions, that of reflection, spontaneity and simplicity. To trip on the music like on the first day. To leave her mark as she sees fit. The time has come to seize the reins, now. Driven by her constant desire for emancipation, Caroline Savoie releases her third album, Bruits blancs ("White noises"), produced by Joe Grass. It’s in Grande-Digue, in the heart of Acadia, where Caroline grew up, that her new songs were born during the pause imposed by the pandemic. The Acadian coast is its own microcosm, an environment that has its own history, that moves at its own pace, and it’s in this landscape that is both generous and austere, in this climate that is as calm as it is turbulent, that she realized she doesn't need spectacular effects to feel alive. More personal than ever, her new songs embody her desire to be independent and to reveal herself simply as she is.