
℗ 2022 Footprint Records
Released | August 19, 2022 |
Duration | 1h 09m 33s |
Catalogue No. | FRCD127 |
Genre | Classical (Chamber) |
2 Orchestral Suites & 3 Arias
Karlsson Barock, Göran Karlsson, Helena Ek
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Ouverture-Suite in C Major, TWV 55:C6
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1.1
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I. Ouverture
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
6:03 | |||
1.2
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II. Harlequinade
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
3:16 | |||
1.3
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III. Espagnol
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
3:06 | |||
1.4
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IV. Bourrée en trompette
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
1:44 | |||
1.5
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V. Sommeil
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
3:24 | |||
1.6
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VI. Rondeau
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
2:01 | |||
1.7
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VII. Menuets I & II
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
3:04 | |||
1.8
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VIII. Gigue
Georg Philipp Telemann; Karlsson Barock; Göran Karlsson |
2:59 | |||
Alcina, HWV 34 (Excerpts)
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1.9
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Di', cor mio, quanto t'amai
Antonio Fanzaglia; George Frideric Handel; Helena Ek; Karlsson Barock; Göran Karlsson |
7:00 | |||
Farnace, RV 711
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1.10
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Gelido in ogni vena
Antonio Vivaldi; Antonio Maria Lucchini; Helena Ek; Karlsson Barock; Göran Karlsson |
9:51 | |||
Alcina, HWV 34 (Excerpts)
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1.11
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Tornami a vagheggiar
Antonio Fanzaglia; George Frideric Handel; Helena Ek; Karlsson Barock; Göran Karlsson |
4:52 | |||
Orchestral Suite No. 1 in C Major, BWV 1066
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1.12
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I. Ouverture
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
6:44 | |||
1.13
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II. Courante
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
2:27 | |||
1.14
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III. Gavottes I & II
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
3:11 | |||
1.15
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IV. Forlane
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
1:29 | |||
1.16
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V. Menuetts I & II
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
2:40 | |||
1.17
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VI. Bourrées I & II
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
2:36 | |||
1.18
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VII. Passepieds I & II
Johann Sebastian Bach; Karlsson Barock; Göran Karlsson |
3:06 | |||
Digital Booklet
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Karlsson Barock is possibly the most prominent string ensemble for Baroque music in Northern Europe. On this album, Two Orchestral Suites & Three Arias, the orchestra is expanded with three woodwind play-ers from another important Swedish ensemble: The Drottningholm Baroque Ensemble. The first piece on this album is the orchestral suite by Georg Philipp Telemann, Ouverture-Suite in C Major, TWV 55:C6. Telemann’s Orchestral Suites – also known as ‘Ouvertures’ like Bach’s – were viewed as the pinnacle of the composer’s synthesis of Italian and French styles into something quintessentially German. As an interlude before Bach’s orchestral suite, we hear three arias from two tremendously popular operas at the time: Alcina by Georg Friedrich Händel and Farnaceby Antonio Vivaldi. To our great joy, the soprano part is performed by Helena Ek, a much-appreciated soloist for early music in Europe. Ms. Ek has an impressively extensive repertoire that spans from early music to con-temporary and she has teamed up with Göran Karlssonin several early music productions. Bach’s Orchestral Suite No. 1 in C Major, BWV 1066, concludes this wonderful album. Bach’s Four Orchestral Suites have helped challenge, alter and reshape what we understand about the composer. Mostly because we don’t often associate Bach, the sober Lutheran organist, with exuberant and joyful dance music. But these are works of considerable maturity and sophistication that deserve their place alongside the great scores of Bach’s last decades. From Footprint Records, we wish you an enjoyable listening.
44.1 kHz / 24-bit PCM – Footprint Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.05 -3.84 to -0.69 | -20.76 -23.58 to -19.28 | -17.56 -20.50 to -15.80 | 12 11 to 13 | |
1 | I. Ouverture | -1.54 | -20.25 | -17.1 | 12 |
2 | II. Harlequinade | -1.77 | -21.15 | -18.1 | 13 |
3 | III. Espagnol | -0.77 | -20.20 | -16.9 | 12 |
4 | IV. Bourrée en trompette | -1.34 | -20.96 | -17.5 | 13 |
5 | V. Sommeil | -3.84 | -23.58 | -20.5 | 12 |
6 | VI. Rondeau | -2.53 | -20.35 | -17.3 | 11 |
7 | VII. Menuets I & II | -2.04 | -21.61 | -18.4 | 12 |
8 | VIII. Gigue | -0.71 | -19.80 | -16.5 | 13 |
9 | Di', cor mio, quanto t'amai | -0.69 | -19.28 | -15.8 | 12 |
10 | Gelido in ogni vena | -2.21 | -21.96 | -18.4 | 12 |
11 | Tornami a vagheggiar | -0.69 | -19.38 | -15.8 | 12 |
12 | I. Ouverture | -1.26 | -20.12 | -17.0 | 12 |
13 | II. Courante | -2.85 | -19.87 | -16.8 | 12 |
14 | III. Gavottes I & II | -3.80 | -21.00 | -17.9 | 11 |
15 | IV. Forlane | -2.37 | -21.03 | -18.0 | 12 |
16 | V. Menuetts I & II | -2.19 | -20.93 | -18.1 | 12 |
17 | VI. Bourrées I & II | -2.89 | -21.25 | -18.2 | 12 |
18 | VII. Passepieds I & II | -3.50 | -20.94 | -17.8 | 11 |