Alejandro Román: Chamber Music
Trío Arbós, Justo Sanz, Marta Knörr
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Epojé, Op. 50
Alejandro Román; José Miguel Gómez; Juan Carlos Garvayo |
6:00 | |||
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Trio Sonata, Op. 9d "3 Tableaux français"
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1.2
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I. Confrontación
Alejandro Román; Trío Arbós |
4:43 | |||
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1.3
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II. Contemplación
Alejandro Román; Trío Arbós |
5:36 | |||
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Trio Sonata, Op. 9d, "3 Tableaux français"
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1.4
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III. Conclusión
Alejandro Román; Trío Arbós |
4:13 | |||
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Diégesis, Op. 52
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1.5
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I. Lamento - II. Mutación - III. Visión
Alejandro Román; Trío Arbós |
4:33 | |||
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1.6
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IV. Oda - V. Caos - VI. Anagnórisis (Finale)
Alejandro Román; Trío Arbós |
6:14 | |||
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Zootropías, Op. 45
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1.7
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I. Chacona
Alejandro Román; Trío Arbós |
4:50 | |||
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1.8
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II. Obstinación
Alejandro Román; Trío Arbós |
5:00 | |||
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1.9
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III. En círculos
Alejandro Román; Trío Arbós |
3:20 | |||
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1.10
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IV. Tras la ventana
Alejandro Román; Trío Arbós |
2:41 | |||
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1.11
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V. Soledades
Alejandro Román; Trío Arbós |
3:50 | |||
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1.12
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VI. Sous la pluie
Alejandro Román; Trío Arbós |
3:32 | |||
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Homenaje a Bartók, Op. 10b
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1.13
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I. Coral - Scherzo - Fuga
Alejandro Román; Justo Sanz; Trío Arbós |
5:45 | |||
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1.14
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II. Rondó - Solos - Humoresque
Alejandro Román; Justo Sanz; Trío Arbós |
4:38 | |||
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1.15
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Nocturno, Op. 54
Alejandro Román; Marta Knörr; Cecilia Bercovich; Juan Carlos Garvayo |
6:39 | |||
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Digital Booklet
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Another instalment in Naxos’s Spanish Classics series, this recording by Trío Arbós presents several works by Madrid composer Alejandro Román. Influenced by jazz and popular music styles as well as art music composers, this release displays Román’s diversity as a composer, as performed by one of Spain’s leading chamber ensembles.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.65 -4.46 to -0.10 | -20.84 -27.65 to -18.69 | -17.31 -24.00 to -15.20 | 13 11 to 14 | |
| 1 | Epojé, Op. 50 | -0.20 | -19.68 | -15.8 | 12 |
| 2 | I. Confrontación | -0.10 | -21.24 | -18.0 | 14 |
| 3 | II. Contemplación | -0.10 | -22.20 | -19.1 | 13 |
| 4 | III. Conclusión | -0.40 | -19.28 | -15.9 | 12 |
| 5 | I. Lamento - II. Mutación - III. Visión | -0.18 | -20.12 | -16.6 | 13 |
| 6 | IV. Oda - V. Caos - VI. Anagnórisis (Finale) | -0.24 | -20.36 | -16.4 | 13 |
| 7 | I. Chacona | -2.26 | -22.54 | -19.6 | 12 |
| 8 | II. Obstinación | -0.10 | -19.20 | -16.3 | 13 |
| 9 | III. En círculos | -0.10 | -19.38 | -16.5 | 12 |
| 10 | IV. Tras la ventana | -4.46 | -27.65 | -24.0 | 13 |
| 11 | V. Soledades | -0.40 | -18.69 | -15.2 | 11 |
| 12 | VI. Sous la pluie | -0.40 | -19.15 | -15.8 | 12 |
| 13 | I. Coral - Scherzo - Fuga | -0.10 | -20.08 | -16.7 | 13 |
| 14 | II. Rondó - Solos - Humoresque | -0.40 | -20.63 | -16.8 | 13 |
| 15 | Nocturno, Op. 54 | -0.31 | -22.41 | -17.0 | 14 |