Nigel Clarke: Music for Symphonic Wind Orchestra
Harmen Vanhoorne, Middle Tennessee State University Wind Ensemble, Reed Thomas, H. Stephen Smith
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Mysteries of the Horizon "Cornet Concerto"
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1.1
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I. The Menaced Assassin
Nigel Clarke; Harmen Vanhoorne; Middle Tennessee State University Wind Ensemble; Reed Thomas |
6:50 | |||
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1.2
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II. The Dominion of Light
Nigel Clarke; Harmen Vanhoorne; Middle Tennessee State University Wind Ensemble; Reed Thomas |
2:40 | |||
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1.3
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III. The Flavour of Tears
Nigel Clarke; Harmen Vanhoorne; Middle Tennessee State University Wind Ensemble; Reed Thomas |
7:40 | |||
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1.4
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IV. The Discovery of Fire
Nigel Clarke; Harmen Vanhoorne; Middle Tennessee State University Wind Ensemble; Reed Thomas |
5:18 | |||
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Symphony No. 1 for Speaker & Wind Orchestra "A Richer Dust"
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1.5
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I. Still We Drudge in This Dark Maze
Nigel Clarke; H. Stephen Smith; Middle Tennessee State University Wind Ensemble; Reed Thomas |
16:19 | |||
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1.6
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II. Living Picture of the Dead
Nigel Clarke; H. Stephen Smith; Middle Tennessee State University Wind Ensemble; Reed Thomas |
13:45 | |||
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1.7
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III. Other Flowers Rise
Nigel Clarke; H. Stephen Smith; Middle Tennessee State University Wind Ensemble; Reed Thomas |
5:32 | |||
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1.8
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IV. The Larks, Still Bravely Singing
Nigel Clarke; H. Stephen Smith; Middle Tennessee State University Wind Ensemble; Reed Thomas |
12:54 | |||
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Digital Booklet
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British composer Nigel Clarke grew up surrounded by brass band music, an experience apparent in his concerto for cornet, Mysteries of the Horizon, which makes full virtuosic use of that instrument, performed with dexterity by Harmen Vanhoorne. The concerto is paired with Clarke’s Symphony No. 1 for Speaker & Wind Orchestra "A Richer Dust”, a much darker work which reflects on the constant presence of violence in human existence and incorporates text by Danish writer Malene Sheppard Skærved.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
Tracks 1-6 – 44.1 kHz / 24-bit PCM, mastered in 44.1 kHz / 24-bit
Tracks 1-6 – 44.1 kHz / 24-bit PCM, mastered in 44.1 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.60 -2.79 to -1.00 | -23.39 -28.66 to -19.86 | -19.18 -25.20 to -14.20 | 13 10 to 17 | |
| 1 | I. The Menaced Assassin | -1.79 | -23.24 | -19.3 | 13 |
| 2 | II. The Dominion of Light | -2.79 | -24.86 | -20.8 | 13 |
| 3 | III. The Flavour of Tears | -2.37 | -28.66 | -25.2 | 17 |
| 4 | IV. The Discovery of Fire | -1.76 | -20.93 | -17.4 | 12 |
| 5 | I. Still We Drudge in This Dark Maze | -1.00 | -22.41 | -18.1 | 12 |
| 6 | II. Living Picture of the Dead | -1.05 | -26.08 | -21.5 | 16 |
| 7 | III. Other Flowers Rise | -1.03 | -21.05 | -16.9 | 12 |
| 8 | IV. The Larks, Still Bravely Singing | -1.00 | -19.86 | -14.2 | 10 |