℗ 2022 Toccata Classics
Released | September 2, 2022 |
Duration | 1h 13m 04s |
Record Label | Toccata Classics |
Catalogue No. | TOCC0656 |
Genre | Classical (Piano) |
Pipkov: Complete Piano Music, Vol. 1
Dobromir Tsenov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Ancient Dance, Op. 26
Lyubomir Pipkov; Dobromir Tsenov |
4:27 | |||
Spring Caprices, Op. 78
|
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1.2
|
No. 1, Game
Lyubomir Pipkov; Dobromir Tsenov |
1:10 | |||
1.3
|
No. 2, Ancient Bulgarian Chorale
Lyubomir Pipkov; Dobromir Tsenov |
1:36 | |||
1.4
|
No. 3, Chant
Lyubomir Pipkov; Dobromir Tsenov |
3:29 | |||
1.5
|
No. 4, Dance
Lyubomir Pipkov; Dobromir Tsenov |
1:49 | |||
1.6
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No. 5, Half-Awake
Lyubomir Pipkov; Dobromir Tsenov |
1:50 | |||
1.7
|
No. 6, Peasant Dance
Lyubomir Pipkov; Dobromir Tsenov |
0:59 | |||
1.8
|
No. 7, Pastorale
Lyubomir Pipkov; Dobromir Tsenov |
3:03 | |||
1.9
|
No. 8, Intermezzo
Lyubomir Pipkov; Dobromir Tsenov |
2:32 | |||
1.10
|
No. 9, Moments fugitifs
Lyubomir Pipkov; Dobromir Tsenov |
2:56 | |||
1.11
|
No. 10, Return
Lyubomir Pipkov; Dobromir Tsenov |
2:28 | |||
1.12
|
No. 11, Étude
Lyubomir Pipkov; Dobromir Tsenov |
3:02 | |||
1.13
|
No. 12, Bright and Dark
Lyubomir Pipkov; Dobromir Tsenov |
3:24 | |||
1.14
|
No. 13, 2 Rhythmic Variations
Lyubomir Pipkov; Dobromir Tsenov |
3:03 | |||
1.15
|
No. 14, Instead of Goodbye
Lyubomir Pipkov; Dobromir Tsenov |
1:24 | |||
1.16
|
No. 15, Burlesque
Lyubomir Pipkov; Dobromir Tsenov |
2:04 | |||
1.17
|
No. 16, Rhythms
Lyubomir Pipkov; Dobromir Tsenov |
1:24 | |||
From 1 to 15, Op. 81
|
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1.18
|
No. 1, On the Rail Track
Lyubomir Pipkov; Dobromir Tsenov |
1:19 | |||
1.19
|
No. 2, Autumn Fog
Lyubomir Pipkov; Dobromir Tsenov |
1:14 | |||
1.20
|
No. 3, Complaint
Lyubomir Pipkov; Dobromir Tsenov |
2:16 | |||
1.21
|
No. 4, Haidushka Mountain
Lyubomir Pipkov; Dobromir Tsenov |
2:46 | |||
1.22
|
No. 5, Spring Whistles
Lyubomir Pipkov; Dobromir Tsenov |
1:00 | |||
1.23
|
No. 6, Dragon Holes
Lyubomir Pipkov; Dobromir Tsenov |
1:28 | |||
1.24
|
No. 7, Peasant Dance
Lyubomir Pipkov; Dobromir Tsenov |
0:53 | |||
1.25
|
No. 8, Heavy Peasant Dance
Lyubomir Pipkov; Dobromir Tsenov |
1:52 | |||
1.26
|
No. 9, Colourful Written Bagpipe Tune
Lyubomir Pipkov; Dobromir Tsenov |
1:05 | |||
1.27
|
No. 10, Forest Conversation
Lyubomir Pipkov; Dobromir Tsenov |
2:11 | |||
1.28
|
No. 11, Small Ballade
Lyubomir Pipkov; Dobromir Tsenov |
1:46 | |||
1.29
|
No. 12, Bearman with Bear
Lyubomir Pipkov; Dobromir Tsenov |
1:08 | |||
1.30
|
No. 13, Thought
Lyubomir Pipkov; Dobromir Tsenov |
1:48 | |||
1.31
|
No. 14, Nostalgia
Lyubomir Pipkov; Dobromir Tsenov |
2:05 | |||
1.32
|
No. 15, Recitative
Lyubomir Pipkov; Dobromir Tsenov |
2:15 | |||
1.33
|
No. 16, Chorale
Lyubomir Pipkov; Dobromir Tsenov |
1:36 | |||
1.34
|
No. 17, Village Celebration
Lyubomir Pipkov; Dobromir Tsenov |
1:23 | |||
1.35
|
No. 18, Toccata
Lyubomir Pipkov; Dobromir Tsenov |
1:42 | |||
1.36
|
No. 19, Novelette
Lyubomir Pipkov; Dobromir Tsenov |
2:37 | |||
Digital Booklet
|
Lubomir Pipkov (1904–74) was one of the leading members of the so-called "second generation" of Bulgarian composers. In later life he became fascinated with the ancient heritage of Bulgarian folk-music, writing a series of what he called ‘metro-rhythmical studies’ – piano miniatures that combine melodic immediacy and rhythmic complexity, with a character that might be loosely characterised as sounding like "Prokofiev in the Balkans".
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.28 -12.13 to -0.70 | -29.17 -35.76 to -23.28 | -25.34 -31.90 to -20.10 | 14 12 to 17 | |
1 | Ancient Dance, Op. 26 | -0.70 | -25.58 | -21.0 | 16 |
2 | No. 1, Game | -8.28 | -27.66 | -24.2 | 12 |
3 | No. 2, Ancient Bulgarian Chorale | -7.27 | -29.97 | -25.9 | 13 |
4 | No. 3, Chant | -8.33 | -33.23 | -29.3 | 16 |
5 | No. 4, Dance | -7.88 | -30.17 | -26.6 | 14 |
6 | No. 5, Half-Awake | -12.10 | -35.76 | -31.9 | 14 |
7 | No. 6, Peasant Dance | -5.25 | -25.54 | -21.9 | 12 |
8 | No. 7, Pastorale | -9.56 | -35.20 | -31.8 | 14 |
9 | No. 8, Intermezzo | -0.70 | -24.41 | -21.2 | 16 |
10 | No. 9, Moments fugitifs | -6.05 | -28.73 | -24.8 | 15 |
11 | No. 10, Return | -7.31 | -30.52 | -26.6 | 14 |
12 | No. 11, Étude | -2.11 | -23.28 | -20.1 | 14 |
13 | No. 12, Bright and Dark | -3.34 | -27.39 | -23.0 | 13 |
14 | No. 13, 2 Rhythmic Variations | -3.92 | -25.88 | -21.9 | 13 |
15 | No. 14, Instead of Goodbye | -5.04 | -28.84 | -24.4 | 14 |
16 | No. 15, Burlesque | -2.25 | -24.24 | -21.0 | 14 |
17 | No. 16, Rhythms | -4.48 | -27.77 | -24.1 | 14 |
18 | No. 1, On the Rail Track | -12.13 | -34.49 | -30.7 | 13 |
19 | No. 2, Autumn Fog | -11.22 | -32.55 | -28.2 | 14 |
20 | No. 3, Complaint | -9.52 | -31.68 | -27.5 | 14 |
21 | No. 4, Haidushka Mountain | -6.77 | -34.38 | -30.0 | 17 |
22 | No. 5, Spring Whistles | -7.08 | -28.64 | -24.6 | 13 |
23 | No. 6, Dragon Holes | -9.93 | -32.22 | -28.3 | 13 |
24 | No. 7, Peasant Dance | -5.48 | -27.85 | -24.1 | 12 |
25 | No. 8, Heavy Peasant Dance | -5.80 | -30.85 | -27.8 | 13 |
26 | No. 9, Colourful Written Bagpipe Tune | -3.82 | -26.35 | -23.0 | 13 |
27 | No. 10, Forest Conversation | -5.83 | -28.41 | -24.7 | 13 |
28 | No. 11, Small Ballade | -7.80 | -33.20 | -29.1 | 14 |
29 | No. 12, Bearman with Bear | -9.39 | -29.19 | -25.8 | 12 |
30 | No. 13, Thought | -8.26 | -29.93 | -26.4 | 13 |
31 | No. 14, Nostalgia | -7.08 | -30.23 | -25.5 | 13 |
32 | No. 15, Recitative | -4.62 | -29.32 | -24.1 | 14 |
33 | No. 16, Chorale | -5.51 | -26.75 | -23.4 | 14 |
34 | No. 17, Village Celebration | -3.88 | -25.76 | -22.7 | 13 |
35 | No. 18, Toccata | -4.00 | -26.74 | -23.1 | 14 |
36 | No. 19, Novelette | -3.43 | -27.40 | -23.4 | 14 |