℗ 2022 Toccata Classics
| Released | September 2, 2022 |
| Duration | 1h 09m 12s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0655 |
| Genre | Classical (Baroque Era) |
Isabella Leonarda: Motets & Sonatas
Robert Crowe, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan, Sandra Röddiger
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Mottetti a 1, 2 e 3 voci con violini, Opera XIII, Op. 13 No. 2 (Excerpts)
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1.1
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I. Quam dulcis es quam cara
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
3:11 | |||
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1.2
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II. Si protegis me in terra ignota
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
2:40 | |||
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1.3
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III. Ergo si mihi spirat tuae
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:43 | |||
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1.4
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IV. Si per te ò Maria
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:27 | |||
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1.5
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V. Tu mei laboris
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:44 | |||
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1.6
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VI. Si quod venit ad me à te Virgo
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:28 | |||
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1.7
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VII. Si canto si sono
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:11 | |||
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1.8
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VIII. Ergo mea
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:14 | |||
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Mottetti a 1, 2, 3 e 4 voci, e con due violini, Opera VII, Op. 7
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1.9
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No. 4, Bonum est confiteri Domino
Isabella Leonarda; Robert Crowe; Sandra Röddiger; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
7:26 | |||
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Mottetti a voce sola, Opera XV, Op. 15 No. 10 "Cantata morale" (Excerpts)
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1.10
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I. Queste ch'à voi consagro
Isabella Leonarda; Sandra Röddiger; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:03 | |||
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1.11
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II. Quell' amor
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:48 | |||
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1.12
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III. Con rispetto di serva
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:20 | |||
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1.13
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IV. Hò nel seno un certo affetto
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
3:30 | |||
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12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts)
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1.14
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I. Allegro
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:54 | |||
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1.15
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II. Largo
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
2:42 | |||
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1.16
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III. Adagio
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:24 | |||
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1.17
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IV. Allegro
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
4:24 | |||
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1.18
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V. Vivace
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:09 | |||
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Mottetti a voce sola, Opera XV, Op. 15 No. 2 (Excerpts)
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1.19
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I. Ama mi Iesu care
Isabella Leonarda; Robert Crowe; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
2:25 | |||
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1.20
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II. Si me amas ò Iesu
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:53 | |||
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1.21
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III. Pro amore tam suave
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
2:22 | |||
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1.22
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IV. Ergo ergo si amor
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:10 | |||
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1.23
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V. Si solum respiro
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
3:28 | |||
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Mottetti a voce sola con istromenti, Opera XX, Op. 20 No. 3
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1.24
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I. Purpurei flores
Isabella Leonarda; Sandra Röddiger; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:27 | |||
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1.25
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II. Lilia candores
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
2:57 | |||
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1.26
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III. Nostrum cor
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
2:29 | |||
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12 Sonatas, Opera XVI, Op. 16 No. 7 (Excerpts)
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1.27
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I. —
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:48 | |||
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1.28
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II. Largo
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
4:08 | |||
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1.29
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III. —
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
1:19 | |||
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1.30
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IV. —
Isabella Leonarda; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
0:49 | |||
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Mottetti a 1, 2 e 3 voci con violini, Opera XIII, Op. 13 No. 3 (Excerpts)
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1.31
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Ad arma
Isabella Leonarda; Robert Crowe; Sandra Röddiger; Emanuele Breda; Barbara Mauch-Heinke; Daniela Wartenberg; Toshinori Ozaki; Sofya Gandilyan |
7:39 | |||
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Digital Booklet
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Isabella Leonarda (1620–1704) was a remarkable woman. At a time when female composers were a rarity, she was both prominent and prolific. Although she was cloistered (literally: she was a nun) in Novara in northern Italy, the dedications of her published compositions show her to have been extremely well connected. And her music demonstrates that she was well aware of the music of contemporaries like Carissimi or Corelli. These facts would be of merely historical importance, were her music not so engaging. Although most of the works recorded here are devotional, they are full of buoyant rhythms, colourful textures and a surprisingly dramatic approach to the texts she was setting – many probably written by Leonarda herself.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.47 -13.27 to -0.71 | -27.41 -34.61 to -20.55 | -23.00 -30.80 to -14.80 | 13 10 to 15 | |
| 1 | I. Quam dulcis es quam cara | -6.08 | -28.60 | -24.3 | 14 |
| 2 | II. Si protegis me in terra ignota | -0.89 | -24.12 | -19.9 | 14 |
| 3 | III. Ergo si mihi spirat tuae | -6.99 | -28.48 | -23.3 | 12 |
| 4 | IV. Si per te ò Maria | -2.20 | -26.39 | -23.1 | 15 |
| 5 | V. Tu mei laboris | -3.18 | -26.55 | -22.8 | 12 |
| 6 | VI. Si quod venit ad me à te Virgo | -3.27 | -25.77 | -20.5 | 13 |
| 7 | VII. Si canto si sono | -8.31 | -30.81 | -27.6 | 11 |
| 8 | VIII. Ergo mea | -0.75 | -22.26 | -18.1 | 13 |
| 9 | No. 4, Bonum est confiteri Domino | -0.72 | -22.53 | -18.0 | 14 |
| 10 | I. Queste ch'à voi consagro | -6.72 | -27.92 | -23.1 | 12 |
| 11 | II. Quell' amor | -1.72 | -25.97 | -21.7 | 14 |
| 12 | III. Con rispetto di serva | -3.40 | -25.76 | -20.3 | 11 |
| 13 | IV. Hò nel seno un certo affetto | -0.71 | -23.37 | -17.2 | 14 |
| 14 | I. Allegro | -11.82 | -30.92 | -27.4 | 13 |
| 15 | II. Largo | -11.90 | -32.39 | -29.0 | 12 |
| 16 | III. Adagio | -12.93 | -31.77 | -27.9 | 11 |
| 17 | IV. Allegro | -12.82 | -33.95 | -30.1 | 13 |
| 18 | V. Vivace | -13.27 | -33.26 | -29.1 | 12 |
| 19 | I. Ama mi Iesu care | -3.14 | -26.49 | -21.9 | 14 |
| 20 | II. Si me amas ò Iesu | -0.71 | -24.55 | -18.8 | 10 |
| 21 | III. Pro amore tam suave | -0.71 | -23.46 | -17.0 | 14 |
| 22 | IV. Ergo ergo si amor | -0.71 | -20.55 | -14.8 | 11 |
| 23 | V. Si solum respiro | -2.82 | -26.25 | -22.2 | 15 |
| 24 | I. Purpurei flores | -2.86 | -25.02 | -21.0 | 14 |
| 25 | II. Lilia candores | -0.71 | -23.86 | -18.4 | 13 |
| 26 | III. Nostrum cor | -2.84 | -26.58 | -22.4 | 12 |
| 27 | I. — | -12.30 | -31.25 | -27.7 | 12 |
| 28 | II. Largo | -12.00 | -34.61 | -30.8 | 13 |
| 29 | III. — | -10.84 | -31.23 | -27.8 | 13 |
| 30 | IV. — | -11.64 | -31.14 | -26.8 | 12 |
| 31 | Ad arma | -0.71 | -23.72 | -19.9 | 15 |