℗ 2022 Tactus
Released | August 5, 2022 |
Duration | 45m 23s |
Record Label | Tactus |
Catalogue No. | TC670005 |
Genre | Classical (Baroque Era) |
Boccherini, de Murcia, & Others: Music for Archlute, Baroque Guitar, Organ & Harpsichord
Paolo Rigano, Cinzia Guarino
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Canario (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
Gaspar Sanz; Paolo Rigano; Cinzia Guarino; Paolo Rigano; Cinzia Guarino |
2:47 | |||
Quintet in D Major, G. 448
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1.2
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No. 4, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
Luigi Boccherini; Cinzia Guarino; Paolo Rigano; Paolo Rigano; Cinzia Guarino |
6:31 | |||
1.3
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Keyboard Sonata in D Minor, Kk. 32 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
Cinzia Guarino; Paolo Rigano; Domenico Scarlatti; Paolo Rigano; Cinzia Guarino |
2:13 | |||
Sonata No. 1 in D Major
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1.4
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VI. Toccata in G Minor (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
Alessandro Scarlatti; Cinzia Guarino; Paolo Rigano; Paolo Rigano; Cinzia Guarino |
5:21 | |||
1.5
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Toccata dell'arcangelo (Arr. P. Rigano & C. Guarino for Archlute & Organ)
Cinzia Guarino; Paolo Rigano; Arcangelo Lori; Paolo Rigano; Cinzia Guarino |
2:01 | |||
1.6
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Chaconne in parte variate alla vera spagnuola (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
Domenico Pellegrini; Cinzia Guarino; Paolo Rigano; Paolo Rigano; Cinzia Guarino |
5:07 | |||
1.7
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Giga (After A. Corelli / Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
Cinzia Guarino; Paolo Rigano; Santiago de Murcia; Paolo Rigano; Cinzia Guarino |
2:44 | |||
Sonate d'intavolatura di leuto, Op. 1, Sonata No. 1
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1.8
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IV. Sarabanda largo (Arr. P. Rigano & C. Guarino for Archlute & Organ)
Cinzia Guarino; Paolo Rigano; Giovanni Zamboni; Paolo Rigano; Cinzia Guarino |
1:53 | |||
1.9
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Sonata in D Minor, Kk. 517 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
Cinzia Guarino; Paolo Rigano; Domenico Scarlatti; Paolo Rigano; Cinzia Guarino |
3:42 | |||
Intavolatura di liuto et di chitarrone, Book 1
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1.10
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No. 7, Toccata (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
Cinzia Guarino; Paolo Rigano; Alessandro Piccinini; Paolo Rigano; Cinzia Guarino |
3:56 | |||
Códice Saldívar No. 4
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1.11
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No. 12, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
Santiago de Murcia; Cinzia Guarino; Paolo Rigano; Paolo Rigano; Cinzia Guarino |
3:50 | |||
1.12
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Corrispondenze
Paolo Rigano; Paolo Rigano; Cinzia Guarino |
5:18 | |||
Digital Booklet
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Among the motivations of this disc, the most important one is the wish to present the various styles and periods in a clear, simple way, endeavouring to avoid superabundance and the accumulation of crossover deposits that are often heard where it seems that the music of the past cannot be self-sufficient and needs an extra chromatic and rhythmic shove in order to catch the listeners’ attention, inducing them to compare it with the commercial, repetitive entertainment repertoire. In this musical journey between Italy and Spain of the Baroque era, Paolo Rigano on the archlute and baroque guitar and Cinzia Guarino on the harpsichord are interpreting a singular anthology of pieces enriching the playing through the practice of the basso continuo that marked the entire musical period from the Renaissance to the late Baroque.
96 kHz / 24-bit PCM – Tactus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.09 -6.81 to -0.45 | -23.36 -26.52 to -20.77 | -20.54 -23.60 to -18.20 | 13 11 to 15 | |
1 | Canario (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord) | -2.24 | -22.52 | -19.8 | 13 |
2 | No. 4, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord) | -1.70 | -23.08 | -20.2 | 15 |
3 | Keyboard Sonata in D Minor, Kk. 32 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord) | -6.81 | -26.52 | -23.6 | 13 |
4 | VI. Toccata in G Minor (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord) | -3.52 | -23.72 | -20.3 | 13 |
5 | Toccata dell'arcangelo (Arr. P. Rigano & C. Guarino for Archlute & Organ) | -0.48 | -20.77 | -18.2 | 11 |
6 | Chaconne in parte variate alla vera spagnuola (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord) | -3.87 | -24.38 | -21.7 | 13 |
7 | Giga (After A. Corelli / Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord) | -0.45 | -21.63 | -19.0 | 13 |
8 | IV. Sarabanda largo (Arr. P. Rigano & C. Guarino for Archlute & Organ) | -3.73 | -23.89 | -21.2 | 11 |
9 | Sonata in D Minor, Kk. 517 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord) | -6.24 | -24.41 | -21.4 | 12 |
10 | No. 7, Toccata (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord) | -3.20 | -23.19 | -20.5 | 12 |
11 | No. 12, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord) | -2.27 | -23.19 | -20.2 | 14 |
12 | Corrispondenze | -2.53 | -23.01 | -20.4 | 13 |