℗ 2017 Sono Luminus
| Released | July 28, 2017 |
| Duration | 1h 01m 13s |
| Record Label | Sono Luminus |
| Genre | Classical (Chamber) |
Boyd Meets Girl
Boyd Meets Girl
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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Reflexões No. 6
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1.1
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I. Fluido
Jaime M. Zenamon; Boyd Meets Girl |
3:05 | |||
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1.2
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II. Doloroso
Jaime M. Zenamon; Boyd Meets Girl |
4:38 | |||
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1.3
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III. Vivissimo
Jaime M. Zenamon; Boyd Meets Girl |
2:44 | |||
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1.4
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Pavane, Op. 50 (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Gabriel Fauré; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
4:11 | |||
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2-Part Inventions
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1.5
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No. 8 in F Major, BWV 779 (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Johann Sebastian Bach; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
0:56 | |||
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1.6
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No. 10 in G Major, BWV 781 (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Johann Sebastian Bach; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
0:56 | |||
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1.7
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No. 6 in E Major, BWV 777 (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Johann Sebastian Bach; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
2:03 | |||
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1.8
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No. 13 in A Minor, BWV 784 (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Johann Sebastian Bach; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
1:12 | |||
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Guitar Concerto "Arafura Dances"
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1.9
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II. Arafura Arioso (version for Guitar & Cello)
Ross Edwards; Boyd Meets Girl |
6:01 | |||
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Sonata for Cello & Guitar
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1.10
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I. Allegretto comodo
Radamés Gnattali; Boyd Meets Girl |
4:33 | |||
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Histoire du Tango
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1.11
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II. Café 1930 (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Ástor Piazzolla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
6:46 | |||
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7 Canciones Populares Españolas
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1.12
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No. 1. El Paño Moruno (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
1:14 | |||
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1.13
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No. 2. Seguidilla Murciana (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
1:18 | |||
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1.14
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No. 3. Asturiana (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
2:35 | |||
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1.15
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No. 4. Jota (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
3:23 | |||
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1.16
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No. 5. Nana (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
1:46 | |||
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1.17
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No. 6. Canción (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
1:06 | |||
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1.18
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No. 7. Polo (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Manuel de Falla; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
1:34 | |||
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1.19
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Spiegel im Spiegel (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Arvo Pärt; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
8:29 | |||
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1.20
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Human Nature (arr. by R. Boyd & L. Metcalf for Cello & Guitar)
Steve Porcaro; Laura Metcalf; Rupert Boyd; Boyd Meets Girl |
2:43 | |||
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Digital Booklet
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Star soloists in their own right, Australian guitarist Rupert Boyd and American cellist Laura Metcalf present their joint project, Boyd meets Girl. Their self-titled debut is an exciting mix of arrangements for cello and guitar from across the centuries and around the globe, including exotic works by Manuel de Falla and Bolivian composer Jaime Zenamon, Baroque delights by J. S. Bach, and fresh contemporary pieces by composers such as Ross Edwards.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.14 -8.31 to -0.23 | -21.33 -29.50 to -15.39 | -18.29 -26.90 to -12.30 | 12 9 to 15 | |
| 1 | I. Fluido | -0.30 | -19.03 | -16.3 | 12 |
| 2 | II. Doloroso | -0.30 | -21.30 | -18.2 | 13 |
| 3 | III. Vivissimo | -0.28 | -16.49 | -13.7 | 10 |
| 4 | Pavane, Op. 50 (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -1.21 | -20.33 | -17.4 | 12 |
| 5 | No. 8 in F Major, BWV 779 (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -3.86 | -22.78 | -20.1 | 12 |
| 6 | No. 10 in G Major, BWV 781 (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -4.11 | -21.89 | -19.3 | 11 |
| 7 | No. 6 in E Major, BWV 777 (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -2.80 | -22.44 | -20.0 | 13 |
| 8 | No. 13 in A Minor, BWV 784 (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -5.01 | -22.23 | -19.6 | 12 |
| 9 | II. Arafura Arioso (version for Guitar & Cello) | -3.28 | -25.92 | -22.8 | 15 |
| 10 | I. Allegretto comodo | -0.29 | -20.04 | -17.0 | 12 |
| 11 | II. Café 1930 (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.30 | -21.63 | -18.1 | 14 |
| 12 | No. 1. El Paño Moruno (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.30 | -19.01 | -16.0 | 12 |
| 13 | No. 2. Seguidilla Murciana (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.28 | -16.78 | -13.6 | 10 |
| 14 | No. 3. Asturiana (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -6.04 | -26.22 | -22.9 | 12 |
| 15 | No. 4. Jota (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.40 | -21.50 | -17.9 | 13 |
| 16 | No. 5. Nana (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -5.01 | -26.60 | -22.5 | 12 |
| 17 | No. 6. Canción (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.30 | -19.04 | -15.8 | 11 |
| 18 | No. 7. Polo (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.23 | -15.39 | -12.3 | 9 |
| 19 | Spiegel im Spiegel (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -8.31 | -29.50 | -26.9 | 14 |
| 20 | Human Nature (arr. by R. Boyd & L. Metcalf for Cello & Guitar) | -0.26 | -18.55 | -15.4 | 11 |