℗ 2022 ECM Records
Released | August 19, 2022 |
Duration | 1h 39m 33s |
Record Label | ECM New Series |
Genre | Classical |
Heiner Goebbels: A House of Call - My Imaginary Notebook
Ensemble Modern, Vimbayi Kaziboni
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Stein Schere Papier
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1.1
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I. Introitus (A Response to Répons)
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
8:54 | |||
1.2
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II. Immer den gleichen Stein
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
6:51 | |||
1.3
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III. Under Construction
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
8:33 | |||
Grain de la Voix
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1.4
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I. Nu Stiri
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
6:50 | |||
1.5
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II. Agash Ayak
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
8:33 | |||
1.6
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III. 1346
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
6:10 | |||
1.7
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IV. Krunk
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
6:30 | |||
Wax and Violence
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1.8
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I. Toccata (Vowels/Woven)
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
6:14 | |||
1.9
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II. Achtung Aufnahme
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
3:29 | |||
1.10
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III. Nun danket alle Gott
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
3:09 | |||
1.11
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IV. Ti gu go Inîga mî (Some of them say)
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
7:14 | |||
When Words Gone
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1.12
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I. BakakI – (Diálogo)
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
5:00 | |||
1.13
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II. Schläft ein Lied in allen Dingen
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
4:26 | |||
1.14
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III. Kalimérisma
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
10:01 | |||
1.15
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IV. What When Words Gone
Heiner Goebbels; Ensemble Modern; Vimbayi Kaziboni |
7:39 | |||
Digital Booklet
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With A House of Call, Heiner Goebbels peels back his most significant layer of multimedia music for the stage. This self-styled “imaginary notebook” incorporates archival recordings of prayers, songs, and other speech acts into dialogic relationships with a full orchestra. Much of what we hear is old and anonymous, barely hanging by a thread of preservation and never imaginable in a concert setting. And yet, here it all is, wired together like some elaborate lie detector of our shared past, pinging with increasing frequency to signal every denial of complicity by proxy. Tempting as it might be to view such a project through an archaeological or ethnographic lens, to do so would strengthen the very contradictions it wishes to dilute in its reckonings of time and place. “The music is a direct response to the complexity and roughness of the voices,” says Goebbels in his liner note, pointing also to the radiance thereof against the opacity of present traumas.
Across four thematic assemblages, the Ensemble Modern Orchestra, under the direction of Vimbayi Kaziboni, draws upon an intimate relationship with Goebbels to bring his vision of death to life.
48 kHz / 24-bit PCM – ECM New Series Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.41 -19.41 to -1.32 | -29.44 -40.35 to -21.33 | -25.28 -36.90 to -17.20 | 15 11 to 23 | |
1 | I. Introitus (A Response to Répons) | -1.32 | -27.01 | -22.6 | 18 |
2 | II. Immer den gleichen Stein | -2.49 | -29.33 | -25.3 | 19 |
3 | III. Under Construction | -1.32 | -24.81 | -19.4 | 15 |
4 | I. Nu Stiri | -3.80 | -26.69 | -23.0 | 15 |
5 | II. Agash Ayak | -1.70 | -26.46 | -22.4 | 14 |
6 | III. 1346 | -3.53 | -21.33 | -18.2 | 11 |
7 | IV. Krunk | -5.30 | -31.69 | -27.9 | 14 |
8 | I. Toccata (Vowels/Woven) | -2.27 | -24.15 | -17.2 | 14 |
9 | II. Achtung Aufnahme | -1.43 | -32.60 | -29.7 | 23 |
10 | III. Nun danket alle Gott | -12.64 | -39.45 | -35.5 | 14 |
11 | IV. Ti gu go Inîga mî (Some of them say) | -1.99 | -24.73 | -18.6 | 13 |
12 | I. BakakI – (Diálogo) | -10.40 | -30.93 | -28.5 | 14 |
13 | II. Schläft ein Lied in allen Dingen | -1.53 | -27.89 | -25.0 | 16 |
14 | III. Kalimérisma | -12.08 | -34.18 | -29.0 | 13 |
15 | IV. What When Words Gone | -19.41 | -40.35 | -36.9 | 14 |