℗ 2022 Delphian Records
| Released | November 11, 2022 |
| Duration | 1h 09m 44s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34231 |
| Genre | Classical (20th/21st Century) |
Matthew Kaner: Chamber Music
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Trio
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1.1
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I. Glints in the Water
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart; MATTHIAS BALZAT |
3:33 | |||
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1.2
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II. Ripples
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart; MATTHIAS BALZAT |
4:52 | |||
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1.3
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III. Eroding Lines
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart; MATTHIAS BALZAT |
3:29 | |||
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Suite for Cello
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1.4
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I. Prelude
Matthew Kaner; GUY JOHNSTON |
1:06 | |||
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1.5
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II. Moto perpetuo
Matthew Kaner; GUY JOHNSTON |
0:54 | |||
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1.6
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III. Interlude
Matthew Kaner; GUY JOHNSTON |
0:53 | |||
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1.7
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IV. Sarabande
Matthew Kaner; GUY JOHNSTON |
0:46 | |||
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1.8
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V. Capriccio
Matthew Kaner; GUY JOHNSTON |
3:45 | |||
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1.9
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VI. Sarabande
Matthew Kaner; GUY JOHNSTON |
0:50 | |||
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1.10
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VII. Lamento
Matthew Kaner; GUY JOHNSTON |
3:05 | |||
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1.11
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VIII. Postlude
Matthew Kaner; GUY JOHNSTON |
1:40 | |||
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At Night for clarinet quintet
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1.12
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I. The Land of Nod
Matthew Kaner; GOLDFIELD ENSEMBLE |
9:33 | |||
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1.13
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II.Searching for the Dimmest Stars
Matthew Kaner; GOLDFIELD ENSEMBLE |
4:53 | |||
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Flight Studies for basset clarinet
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1.14
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I. The Swift
Matthew Kaner; MARK SIMPSON |
4:02 | |||
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1.15
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II. The Kestrel
Matthew Kaner; MARK SIMPSON |
8:10 | |||
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Five Highland Scenes for violin and piano
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1.16
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I. Out on the Hills
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart |
3:22 | |||
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1.17
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II. A Light Dusting
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart |
2:47 | |||
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1.18
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III. Snowbells
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart |
2:29 | |||
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1.19
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IV. Thawing
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart |
3:50 | |||
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1.20
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V. Fireside Tale
Matthew Kaner; BENJAMIN BAKER; Daniel Lebhart |
5:45 | |||
Storytelling and making – craft and narrative, and the ways in which they are both enabled and complicated by the presence of music – lie at the heart of Matthew Kaner’s compositional world, as revealed on this debut album devoted to his work.
Extended solo works for basset clarinet and for cello are presented by stellar soloists Mark Simpson and Guy Johnson respectively. Violin-and-piano duo Benjamin Baker and Daniel Lebhardt, fresh from their triumphant Delphian debut ‘1942’: Prokofiev – Copland – Poulenc, are joined by cellist Matthias Balzat in Kaner’s evocative and playful Piano Trio, while clarinettist Kate Romano leads the Goldfield Ensemble in a nocturnal diptych for clarinet quintet.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.86 -11.26 to -0.40 | -26.53 -32.01 to -20.33 | -21.59 -27.50 to -15.20 | 13 10 to 17 | |
| 1 | I. Glints in the Water | -0.40 | -24.15 | -19.4 | 16 |
| 2 | II. Ripples | -0.40 | -25.90 | -20.3 | 16 |
| 3 | III. Eroding Lines | -0.40 | -20.33 | -16.1 | 13 |
| 4 | I. Prelude | -10.19 | -30.84 | -27.1 | 12 |
| 5 | II. Moto perpetuo | -4.70 | -26.44 | -22.2 | 13 |
| 6 | III. Interlude | -11.26 | -32.01 | -27.5 | 10 |
| 7 | IV. Sarabande | -6.29 | -27.82 | -23.0 | 11 |
| 8 | V. Capriccio | -2.24 | -24.95 | -21.5 | 13 |
| 9 | VI. Sarabande | -9.73 | -30.66 | -26.2 | 11 |
| 10 | VII. Lamento | -5.34 | -29.45 | -25.0 | 13 |
| 11 | VIII. Postlude | -9.93 | -31.12 | -25.9 | 12 |
| 12 | I. The Land of Nod | -0.62 | -22.71 | -18.2 | 14 |
| 13 | II.Searching for the Dimmest Stars | -5.71 | -30.57 | -25.0 | 13 |
| 14 | I. The Swift | -0.59 | -23.11 | -17.6 | 13 |
| 15 | II. The Kestrel | -0.40 | -21.91 | -17.0 | 13 |
| 16 | I. Out on the Hills | -4.49 | -29.01 | -21.9 | 14 |
| 17 | II. A Light Dusting | -0.69 | -24.28 | -19.0 | 15 |
| 18 | III. Snowbells | -2.96 | -26.66 | -21.5 | 15 |
| 19 | IV. Thawing | -0.40 | -20.86 | -15.2 | 12 |
| 20 | V. Fireside Tale | -0.40 | -27.74 | -22.1 | 17 |