℗ 2022 Naxos
| Released | August 12, 2022 |
| Duration | 1h 04m 24s |
| Record Label | Naxos |
| Catalogue No. | 8.573583 |
| Genre | Classical (Orchestral) |
Wolf-Ferrari: Orchestral Works
Oviedo Filarmonía, Friedrich Haider
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Suite Veneziana in A Minor, Op. 18
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1.1
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I. In laguna
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
4:42 | |||
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1.2
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II. Barcarola
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
2:28 | |||
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1.3
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III. Notturno - Canali solitari
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
5:55 | |||
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1.4
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IV. Alba di festa
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
4:40 | |||
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Triptychon in E Major, Op. 19
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1.5
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I. In excelsis
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
8:18 | |||
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1.6
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II. Agli eroi caduti
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
3:44 | |||
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1.7
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III. Preghiera
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
3:57 | |||
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Divertimento in D Major, Op. 20
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1.8
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I. Variazioni su un tema capriccioso
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
6:35 | |||
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1.9
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II. Canzone pastorale
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
3:48 | |||
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1.10
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III. Siciliana
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
4:23 | |||
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1.11
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IV. Rondo. Finale
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
4:44 | |||
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1.12
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Arabesken for Orchestra in E Minor, Op. 22
Ermanno Wolf-Ferrari; Oviedo Filarmonía; Friedrich Haider |
11:10 | |||
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Digital Booklet
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Wolf-Ferrari is famous for his operatic works in which he invented a new idiom by transplanting 18th-century Venetian culture into the 20th century. But almost all of the composer’s orchestral music dates from his final years and occupies a different expressive realm. The Suite veneziana resonates with melancholy, and the Triptychon is a contemplative, passionate masterpiece of orchestration. Subtle use of counterpoint transforms the Divertimento into a playful exploration of themes, while Arabesken pays tribute to an old friend, the Venetian painter Ettore Tito (1859–1941). His own elegantly simple melody, known as ‘Tito’s theme’, is turned by Wolf-Ferrari into a sequence of sumptuous orchestral variations culminating in a powerful fugue.
44.1 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.93 -2.32 to -0.30 | -20.22 -23.30 to -17.56 | -16.06 -19.00 to -13.90 | 11 7 to 12 | |
| 1 | I. In laguna | -1.27 | -21.96 | -18.1 | 12 |
| 2 | II. Barcarola | -1.17 | -23.30 | -19.0 | 12 |
| 3 | III. Notturno - Canali solitari | -0.30 | -20.63 | -16.4 | 12 |
| 4 | IV. Alba di festa | -0.59 | -19.59 | -16.2 | 12 |
| 5 | I. In excelsis | -1.00 | -20.69 | -15.2 | 11 |
| 6 | II. Agli eroi caduti | -0.70 | -19.83 | -14.9 | 11 |
| 7 | III. Preghiera | -0.30 | -19.43 | -16.4 | 11 |
| 8 | I. Variazioni su un tema capriccioso | -0.83 | -20.95 | -16.3 | 11 |
| 9 | II. Canzone pastorale | -2.32 | -17.56 | -13.9 | 7 |
| 10 | III. Siciliana | -0.74 | -19.83 | -14.2 | 10 |
| 11 | IV. Rondo. Finale | -1.67 | -19.57 | -16.0 | 11 |
| 12 | Arabesken for Orchestra in E Minor, Op. 22 | -0.30 | -19.33 | -16.1 | 12 |