℗ 2017 Smoke Sessions Records
Released | July 28, 2017 |
Duration | 2h 33m 40s |
Record Label | Smoke Sessions |
Genre | Jazz |
Signs Live!
Peter Bernstein, Brad Mehldau, Christian McBride, Gregory Hutchinson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Blues for Bulgaria
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
17:58 | |||
1.2
|
Hidden Pockets
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
11:37 | |||
1.3
|
Dragonfly
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
18:42 | |||
1.4
|
Jive Coffee
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
19:02 | |||
1.5
|
Pannonica
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
8:46 | |||
1.6
|
Useless Metaphor
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
11:51 | |||
1.7
|
Let Loose
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
15:22 | |||
1.8
|
All Too Real
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
13:19 | |||
1.9
|
Resplendor
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
8:41 | |||
1.10
|
Crepuscule with Nellie / We See
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
14:34 | |||
1.11
|
Cupcake
Peter Bernstein; Brad Mehldau; Christian McBride; Gregory Hutchinson |
13:48 |
Recorded live at New York's Lincoln Centre in 2015, Signs Live! is the first performance and release from guitarist Peter Bernstein and his all-star band featuring Brad Mehldau, Christian McBride, and Gregory Hutchinson in over a decade, making this a long-awaited follow up album.
96 kHz / 24-bit PCM – Smoke Sessions Studio Masters
Track 5 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm. Tracks 1, 2, 3, 4, 6, 7, 8, 9, 10, 11 – contains material which utilizes a limited amount of the available bandwidth.
Track 5 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm. Tracks 1, 2, 3, 4, 6, 7, 8, 9, 10, 11 – contains material which utilizes a limited amount of the available bandwidth.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.11 -1.11 to -1.11 | -17.19 -18.56 to -16.18 | -14.97 -16.30 to -14.10 | 10 9 to 12 | |
1 | Blues for Bulgaria | -1.11 | -16.63 | -14.3 | 10 |
2 | Hidden Pockets | -1.11 | -16.28 | -14.2 | 10 |
3 | Dragonfly | -1.11 | -17.47 | -14.7 | 10 |
4 | Jive Coffee | -1.11 | -16.98 | -15.0 | 10 |
5 | Pannonica | -1.11 | -17.55 | -15.5 | 11 |
6 | Useless Metaphor | -1.11 | -16.18 | -14.2 | 10 |
7 | Let Loose | -1.11 | -16.20 | -14.1 | 9 |
8 | All Too Real | -1.11 | -17.24 | -15.1 | 10 |
9 | Resplendor | -1.11 | -18.13 | -15.8 | 11 |
10 | Crepuscule with Nellie / We See | -1.11 | -18.56 | -16.3 | 12 |
11 | Cupcake | -1.11 | -17.85 | -15.5 | 11 |