℗ 2022 Toccata Next
Released | September 16, 2022 |
Duration | 1h 08m 47s |
Record Label | Toccata Next |
Catalogue No. | TOCN0021 |
Genre | Classical (Chamber) |
Portuguese Tributes to Beethoven
Taíssa Poliakova Cunha, Quarteto Lopes-Graça, Katharine Rawdon, Paulo Gaspar, Luís Pacheco Cunha
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Piano Quintet No. 1 in E-Flat Major, Op. 16
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1.1
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I. Allegro moderato
João Domingos Bomtempo; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
12:57 | |||
1.2
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II. Presto assai
João Domingos Bomtempo; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
5:14 | |||
1.3
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III. Larghetto
João Domingos Bomtempo; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
6:27 | |||
1.4
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IV. Allegro
João Domingos Bomtempo; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
8:00 | |||
Laberinto del oído
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1.5
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I. Introdução
César Viana; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
4:11 | |||
1.6
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II. Impróprio silêncio
César Viana; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
13:02 | |||
1.7
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III. Ó Serpa, pois tu não ouves
César Viana; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
7:18 | |||
1.8
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IV. Final
César Viana; Taíssa Poliakova Cunha; Quarteto Lopes-Graça |
4:24 | |||
Sangue inverso
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1.9
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IV. Quartzo
Jaime Reis; Katharine Rawdon; Paulo Gaspar; Luís Pacheco Cunha; Taíssa Poliakova Cunha |
7:14 | |||
Digital Booklet
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These three compositions by three Portuguese composers pay direct and indirect tribute to the music of Beethoven. The Piano Quintet by João Domingos Bomtempo was written in the style of the Viennese Classical mainstream even as Beethoven was changing its direction. The two works by César Viana and Jaime Reis both have distant roots in Beethoven but pay their homage in very different styles, one using relatively traditional language and the other more radical – as was Beethoven himself, of course.
44.1 kHz / 24-bit PCM – Toccata Next Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.38 -6.75 to -0.71 | -21.78 -29.46 to -17.87 | -18.23 -25.60 to -14.60 | 13 11 to 15 | |
1 | I. Allegro moderato | -0.71 | -19.99 | -17.1 | 12 |
2 | II. Presto assai | -0.71 | -19.87 | -17.1 | 12 |
3 | III. Larghetto | -0.71 | -23.52 | -20.4 | 15 |
4 | IV. Allegro | -0.71 | -18.00 | -15.2 | 11 |
5 | I. Introdução | -0.71 | -21.05 | -15.7 | 11 |
6 | II. Impróprio silêncio | -0.71 | -24.10 | -19.9 | 14 |
7 | III. Ó Serpa, pois tu não ouves | -6.75 | -29.46 | -25.6 | 13 |
8 | IV. Final | -0.71 | -17.87 | -14.6 | 11 |
9 | IV. Quartzo | -0.71 | -22.20 | -18.5 | 15 |