
℗ 2022 Nonesuch Records
Released | September 9, 2022 |
Duration | 47m 13s |
Record Label | Nonesuch |
Genre | Jazz |
LongGone
Joshua Redman, Brad Mehldau, Christian McBride, Brian Blade
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Long Gone
Joshua Redman; Brad Mehldau; Christian McBride; Brian Blade |
7:21 | |||
1.2
|
Disco Ears
Joshua Redman; Brad Mehldau; Christian McBride; Brian Blade |
6:21 | |||
1.3
|
Statuesque
Joshua Redman; Brad Mehldau; Christian McBride; Brian Blade |
8:18 | |||
1.4
|
Kite Song
Joshua Redman; Brad Mehldau; Christian McBride; Brian Blade |
6:00 | |||
1.5
|
Ship to Shore
Joshua Redman; Brad Mehldau; Christian McBride; Brian Blade |
6:31 | |||
1.6
|
Rejoice
Joshua Redman; Brad Mehldau; Christian McBride; Brian Blade |
12:42 |
Grammy Award Nomination, 2023 – Best Jazz Instrumental Album
LongGone
Joshua Redman, Brad Mehldau, Christian McBride, And Brian Blade
The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years for 2020’s RoundAgain; they return now with LongGone, featuring six original songs written by Redman, on Nonesuch Records.
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
96 kHz / 24-bit PCM – Nonesuch Studio Masters
Tracks 1-5 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 6 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-5 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 6 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.08 -0.08 to -0.08 | -14.77 -16.80 to -13.87 | -12.60 -14.60 to -11.80 | 10 9 to 11 | |
1 | Long Gone | -0.08 | -14.23 | -12.2 | 10 |
2 | Disco Ears | -0.08 | -14.32 | -12.3 | 10 |
3 | Statuesque | -0.08 | -16.80 | -14.6 | 11 |
4 | Kite Song | -0.08 | -13.87 | -11.8 | 9 |
5 | Ship to Shore | -0.08 | -14.36 | -12.2 | 9 |
6 | Rejoice | -0.08 | -15.02 | -12.5 | 9 |