℗ 2022 Stradivarius
| Released | October 7, 2022 |
| Duration | 47m 51s |
| Record Label | Stradivarius |
| Catalogue No. | STR37228 |
| Genre | Classical (Chamber) |
György Kurtág: Blumen die Menschen, nur Blumen
Alessandra Rombolà, Benedetto Boccuzzi, Paolo Leonardi, Hakon Thelin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Scenes for Flute, Op. 39
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1.1
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I. Ballad
György Kurtág; Alessandra Rombolà |
1:43 | |||
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1.2
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II. Echoes, Back and Forth
György Kurtág; Alessandra Rombolà |
1:55 | |||
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1.3
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III. Preparations, Experiments for the Creation of a Perpetuum Mobile
György Kurtág; Alessandra Rombolà |
3:10 | |||
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1.4
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IV. A Faltering Confession
György Kurtág; Alessandra Rombolà |
1:23 | |||
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1.5
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V. In the Language of the Birds
György Kurtág; Alessandra Rombolà |
0:45 | |||
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1.6
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VI. Pondering
György Kurtág; Alessandra Rombolà |
1:32 | |||
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1.7
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VII. Wild and Passionate
György Kurtág; Alessandra Rombolà |
0:38 | |||
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1.8
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VIII. Memories of Gyimes
György Kurtág; Alessandra Rombolà |
1:09 | |||
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1.9
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IX. Reveries d'un promeneur solitaire
György Kurtág; Alessandra Rombolà |
3:07 | |||
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Signs, Games and Messages
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1.10
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I. Myriam Marabé in memoriam
György Kurtág; Alessandra Rombolà |
3:12 | |||
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1.11
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II. Plaintive Pleading
György Kurtág; Benedetto Boccuzzi; Alessandra Rombolà |
1:36 | |||
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1.12
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III. C'erano due fiori
György Kurtág; Alessandra Rombolà |
3:29 | |||
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1.13
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IV. Épitaphe
György Kurtág; Alessandra Rombolà |
0:36 | |||
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1.14
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V. Joli oiseau en pantomine, Samuel Beckett
György Kurtág; Paolo Leonardi; Alessandra Rombolà |
1:13 | |||
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1.15
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VI. Hommage à Johann Sebastian Bach
György Kurtág; Alessandra Rombolà |
1:28 | |||
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1.16
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VII. Doloroso
György Kurtág; Alessandra Rombolà |
1:56 | |||
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1.17
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VIII. Jauchzet und frohlocket! Auf! Schwung!
György Kurtág; Alessandra Rombolà |
1:19 | |||
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1.18
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IX. Apres une lecture de Rimbaud
György Kurtág; Alessandra Rombolà |
2:02 | |||
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1.19
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X. Bref message à Pierre Boulez
György Kurtág; Alessandra Rombolà |
2:14 | |||
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1.20
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XI. Ein brief aus den ferne an Ursula
György Kurtág; Alessandra Rombolà |
3:42 | |||
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Bagatelles for Flute, Double-Bass & Piano, Op. 14d
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1.21
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I. Furious Chorale
György Kurtág; Alessandra Rombolà; Benedetto Boccuzzi; Hakon Thelin |
0:53 | |||
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1.22
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II. Hommage a Johann Sebastian Bach
György Kurtág; Alessandra Rombolà; Benedetto Boccuzzi; Hakon Thelin |
1:48 | |||
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1.23
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III. Like the Flowers of the Field
György Kurtág; Alessandra Rombolà; Benedetto Boccuzzi; Hakon Thelin |
1:52 | |||
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1.24
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IV. Wild and Tame
György Kurtág; Alessandra Rombolà; Benedetto Boccuzzi; Hakon Thelin |
1:16 | |||
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1.25
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V. Flowers We Are, Mere Flowers
György Kurtág; Alessandra Rombolà; Benedetto Boccuzzi; Hakon Thelin |
2:02 | |||
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1.26
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VI. La fille aux cheveux de lin, enragée
György Kurtág; Alessandra Rombolà; Benedetto Boccuzzi; Hakon Thelin |
1:51 | |||
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Digital Booklet
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In Kurtág’s works for solo flute or in ensemble, we find all the characteristic features of his musical language: theatricality of the musical gesture, expressive value of the interval; connection with the word and its intonation; symmetrical writing through expansions and contractions of cells in the sound space, aphoristic and fragmentary writing; reworking and self-quotation. Moreover, these pieces show a humanistic approach, where music, while avoiding any consolatory intent, becomes memory, communication and sign of affection.
96 kHz / 24-bit PCM – Stradivarius Studio Masters
Tracks 14, 20 – 44.1 kHz / 24-bit PCM Tracks 1-9 – contains material which utilizes a limited amount of the available bandwidth Tracks 15-19 – 48 kHz / 24-bit PCM
Tracks 14, 20 – 44.1 kHz / 24-bit PCM Tracks 1-9 – contains material which utilizes a limited amount of the available bandwidth Tracks 15-19 – 48 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.33 -16.25 to -1.00 | -26.83 -34.62 to -19.00 | -21.43 -29.10 to -12.20 | 12 8 to 17 | |
| 1 | I. Ballad | -8.10 | -25.52 | -22.0 | 11 |
| 2 | II. Echoes, Back and Forth | -3.28 | -25.09 | -17.0 | 12 |
| 3 | III. Preparations, Experiments for the Creation of a Perpetuum Mobile | -5.00 | -23.44 | -16.5 | 11 |
| 4 | IV. A Faltering Confession | -12.00 | -30.24 | -25.1 | 10 |
| 5 | V. In the Language of the Birds | -1.91 | -27.74 | -20.5 | 15 |
| 6 | VI. Pondering | -15.24 | -32.81 | -28.6 | 9 |
| 7 | VII. Wild and Passionate | -1.19 | -19.00 | -12.2 | 10 |
| 8 | VIII. Memories of Gyimes | -9.38 | -28.08 | -22.7 | 11 |
| 9 | IX. Reveries d'un promeneur solitaire | -12.06 | -30.01 | -24.7 | 9 |
| 10 | I. Myriam Marabé in memoriam | -1.00 | -22.75 | -18.0 | 13 |
| 11 | II. Plaintive Pleading | -1.00 | -27.05 | -22.1 | 17 |
| 12 | III. C'erano due fiori | -5.37 | -23.36 | -20.2 | 9 |
| 13 | IV. Épitaphe | -9.87 | -25.17 | -21.2 | 8 |
| 14 | V. Joli oiseau en pantomine, Samuel Beckett | -3.88 | -25.13 | -20.5 | 13 |
| 15 | VI. Hommage à Johann Sebastian Bach | -9.29 | -26.36 | -22.4 | 9 |
| 16 | VII. Doloroso | -9.05 | -29.89 | -23.5 | 11 |
| 17 | VIII. Jauchzet und frohlocket! Auf! Schwung! | -2.12 | -24.14 | -17.4 | 12 |
| 18 | IX. Apres une lecture de Rimbaud | -1.00 | -25.80 | -17.2 | 15 |
| 19 | X. Bref message à Pierre Boulez | -8.17 | -31.21 | -25.8 | 11 |
| 20 | XI. Ein brief aus den ferne an Ursula | -16.25 | -32.23 | -28.1 | 8 |
| 21 | I. Furious Chorale | -1.76 | -22.39 | -17.4 | 14 |
| 22 | II. Hommage a Johann Sebastian Bach | -7.28 | -25.84 | -22.3 | 10 |
| 23 | III. Like the Flowers of the Field | -3.49 | -28.28 | -24.8 | 14 |
| 24 | IV. Wild and Tame | -2.68 | -27.87 | -20.8 | 16 |
| 25 | V. Flowers We Are, Mere Flowers | -13.14 | -34.62 | -29.1 | 11 |
| 26 | VI. La fille aux cheveux de lin, enragée | -1.00 | -23.61 | -17.2 | 15 |