℗ 2022 Stradivarius
Released | October 7, 2022 |
Duration | 1h 00m 49s |
Record Label | Stradivarius |
Catalogue No. | STR37239 |
Genre | Classical (Solo Instrumental) |
Stylus Phantansticus: The Hidden Writing
Irene De Ruvo
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Toccata chromatica for Organ
Jan Pieterszoon Sweelinck; Irene De Ruvo |
8:48 | |||
1.2
|
Toccata No. 4 for Organ
Johann Jacob Froberger; Irene De Ruvo |
5:40 | |||
1.3
|
Toccata No. 2 for Organ
Johann Jacob Froberger; Irene De Ruvo |
4:25 | |||
1.4
|
Chanson plus ne regres for Organ
Marco Antonio Cavazzoni; Irene De Ruvo |
3:19 | |||
1.5
|
Ricercare for Organ
Marco Antonio Cavazzoni; Irene De Ruvo |
3:07 | |||
1.6
|
Toccata No. 5, sopra i pedali per l'organo e senza, F 3.05
Girolamo Frescobaldi; Irene De Ruvo |
4:51 | |||
1.7
|
Canzona No. 4 for Organ, F 3.16
Girolamo Frescobaldi; Irene De Ruvo |
4:13 | |||
1.8
|
Capriccio sopra la bassa flamenga, F 4.05
Girolamo Frescobaldi; Irene De Ruvo |
5:52 | |||
1.9
|
Toccata No. 3 for Organ in E Minor
Michelangelo Rossi; Irene De Ruvo |
5:45 | |||
1.10
|
Bergamasca for Organ, F 12.46
Girolamo Frescobaldi; Irene De Ruvo |
5:57 | |||
1.11
|
Capriccio sopra la, sol, fa, mi, re, ut, F 4.02
Girolamo Frescobaldi; Irene De Ruvo |
8:52 | |||
Digital Booklet
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Since its beginning, organ writing has been characterised by its imitation and contrapuntal style – the severity of the melodic lines managing to catch the distinctive element of the instrument, sound emission preventing perspective di?erentiation of di?erent sound pianos. The organ was the instrument which helped an exceptionally artistic compositional style to thrive in music chapels in Italy, being the only musical instrument allowed in religious places. It was used both in accompaniment and in transposition to the instrument of motets and vocal masses, sometimes even to replace chants, habit which led to alternatim, alternation of instrument and voice, with a music balance where ‘now the words are clear and now are lost’ (Dante Alighieri, Purgatory, IX, 145). Although the organ repertoire was a slave to the sacred chanting, it very soon departed from it, producing music forms solely dedicated to the instrument performance - Ricercare, Tiento, Toccata, Intonazione, Praeludium, Praeambulum. The list of titles is so rich and it can translate equivalent writing forms, some closer to the imitation – contrapuntal style, some others closer to free invention, according to a style that is more similar to improvisation. The term stylus phantasticus refers to the latter, a music gesture of extreme elasticity and freedom in performance.
96 kHz / 24-bit PCM – Stradivarius Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.46 -7.04 to -1.24 | -19.83 -21.59 to -17.20 | -16.55 -19.30 to -13.20 | 11 9 to 11 | |
1 | Toccata chromatica for Organ | -2.33 | -18.57 | -15.0 | 11 |
2 | Toccata No. 4 for Organ | -7.04 | -21.59 | -19.3 | 9 |
3 | Toccata No. 2 for Organ | -2.20 | -19.39 | -15.9 | 11 |
4 | Chanson plus ne regres for Organ | -5.40 | -20.76 | -18.2 | 10 |
5 | Ricercare for Organ | -1.24 | -17.76 | -13.8 | 11 |
6 | Toccata No. 5, sopra i pedali per l'organo e senza, F 3.05 | -1.67 | -17.20 | -13.2 | 10 |
7 | Canzona No. 4 for Organ, F 3.16 | -3.06 | -20.77 | -17.4 | 11 |
8 | Capriccio sopra la bassa flamenga, F 4.05 | -3.42 | -20.23 | -16.8 | 11 |
9 | Toccata No. 3 for Organ in E Minor | -3.60 | -19.74 | -16.4 | 11 |
10 | Bergamasca for Organ, F 12.46 | -4.47 | -21.19 | -18.2 | 11 |
11 | Capriccio sopra la, sol, fa, mi, re, ut, F 4.02 | -3.63 | -20.92 | -17.8 | 11 |