℗ 1987 Baroque Records
| Released | August 8, 1987 |
| Duration | 51m 39s |
| Record Label | Baroque Records |
| Catalogue No. | 43NB6277BA |
| Genre | Classical |
The Music of Charles Bestor
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Cello and Piano
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1.1
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I. Fantasie
Charles Bestor; Leopold Teraspulsky |
6:00 | |||
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1.2
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II. Scherzo
Charles Bestor; Leopold Teraspulsky |
1:07 | |||
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1.3
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III. Love Song
Charles Bestor; Leopold Teraspulsky |
4:48 | |||
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1.4
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IV. Afterthought
Charles Bestor; Leopold Teraspulsky |
2:51 | |||
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Sort of Love Songs; four studies in a somewhat jazz style
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1.5
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I. A Waltz for Ms. Watermelon
Charles Bestor; Estela Kersenbaum Olevsky |
1:57 | |||
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1.6
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II. For Wendy
Charles Bestor; Estela Kersenbaum Olevsky |
1:50 | |||
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1.7
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III. Sylvia Redux
Charles Bestor; Estela Kersenbaum Olevsky |
3:54 | |||
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1.8
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IV. To Jean and Jan and Joan and Jane
Charles Bestor; Estela Kersenbaum Olevsky |
2:30 | |||
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Suite for Winds and Trumpet; from the incidental music for the play "j.b."
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1.9
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I. Balloons, Popcorn and the Staring Stars
Charles Bestor; Avanti Wind Quintet |
2:55 | |||
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1.10
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II. Monday's Song
Charles Bestor; Avanti Wind Quintet |
2:36 | |||
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Suite for Winds and Trumpet ; from the incidental music for the play "j.b."
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1.11
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III. The Lucky Jig of Patrick Sullivan
Charles Bestor; Avanti Wind Quintet |
1:38 | |||
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1.12
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IV. Promenade for a Purple Poodle
Charles Bestor; Avanti Wind Quintet |
1:43 | |||
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Suite for Winds and Trumpet; from the incidental music for the play "j.b."
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1.13
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V. Music for Forsythia's Return
Charles Bestor; Avanti Wind Quintet |
3:43 | |||
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Suite for Alto Saxophone and Percussion
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1.14
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I. Prelude
Charles Bestor; Lynn Klock; Peter Tanner |
4:02 | |||
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1.15
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II. Chaconne - Moto
Charles Bestor; Lynn Klock; Peter Tanner |
2:24 | |||
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1.16
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III. Perpetuo - Aubade
Charles Bestor; Lynn Klock; Peter Tanner |
4:34 | |||
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1.17
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IV. Scherzo - Postlude
Charles Bestor; Lynn Klock; Peter Tanner |
3:07 | |||
96 kHz / 24-bit PCM – Baroque Records Studio Masters
Tracks 1-17 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-17 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.92 -12.33 to -1.22 | -26.24 -30.78 to -22.69 | -22.56 -27.90 to -20.00 | 13 10 to 16 | |
| 1 | I. Fantasie | -1.22 | -24.76 | -21.6 | 15 |
| 2 | II. Scherzo | -8.29 | -28.69 | -24.7 | 12 |
| 3 | III. Love Song | -1.80 | -23.99 | -20.8 | 13 |
| 4 | IV. Afterthought | -3.60 | -22.69 | -20.2 | 12 |
| 5 | I. A Waltz for Ms. Watermelon | -4.60 | -25.93 | -22.6 | 13 |
| 6 | II. For Wendy | -4.16 | -26.00 | -22.6 | 13 |
| 7 | III. Sylvia Redux | -1.22 | -24.80 | -21.1 | 15 |
| 8 | IV. To Jean and Jan and Joan and Jane | -2.13 | -22.79 | -20.0 | 13 |
| 9 | I. Balloons, Popcorn and the Staring Stars | -1.84 | -25.38 | -20.2 | 13 |
| 10 | II. Monday's Song | -9.77 | -29.59 | -25.1 | 11 |
| 11 | III. The Lucky Jig of Patrick Sullivan | -4.06 | -24.58 | -20.4 | 12 |
| 12 | IV. Promenade for a Purple Poodle | -12.33 | -30.78 | -27.9 | 11 |
| 13 | V. Music for Forsythia's Return | -1.73 | -28.76 | -23.1 | 16 |
| 14 | I. Prelude | -9.09 | -28.88 | -25.2 | 10 |
| 15 | II. Chaconne - Moto | -7.10 | -24.75 | -22.0 | 12 |
| 16 | III. Perpetuo - Aubade | -9.43 | -26.67 | -23.5 | 10 |
| 17 | IV. Scherzo - Postlude | -1.22 | -27.05 | -22.5 | 15 |