Ruins and Remains
Wolfert Brederode, Matangi Quartet, Joost Lijbaart
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Ruins II
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
3:02 | |||
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1.2
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Swallow
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
3:35 | |||
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1.3
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Remains
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
1:46 | |||
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1.4
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Cloudless
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
5:29 | |||
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1.5
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Ruins and Remains
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
5:00 | |||
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1.6
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Ka
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
3:31 | |||
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1.7
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Ruins I
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
5:14 | |||
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1.8
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Duhra
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
3:22 | |||
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1.9
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Ruins III
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
2:00 | |||
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1.10
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Retrouvailles
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
1:49 | |||
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1.11
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Nothing for granted
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
5:17 | |||
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1.12
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Dissolve
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
2:57 | |||
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1.13
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March
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
1:14 | |||
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1.14
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Ruins IV
Wolfert Brederode; Matangi Quartet; Joost Lijbaart |
3:24 | |||
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Digital Booklet
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Ruins and Remains, a suite for piano, string quartet and percussion, was composed by Wolfert Breferode in 2018, to mark the 100th anniversary of the end of World War I. Over time, however, it has come to embody meanings broader and more personal, with wide-ranging resonances. “At a number of levels, the piece has to do with grief and loss and learning to stand up again,” Dutch pianist Brederode says. There is a vulnerable but resilient quality to the music, as it hovers over its emotional terrain, with moods both bleak and guardedly hopeful. Highly sensitive playing by Brederode, percussionist Joost Lijbaart and the Matangi Quartet (increasingly regarded as one of Holland’s most adventurous string quartets), distinguish a special album recorded in Bremen’s Sendesaal in August 2021 and produced by Manfred Eicher.
96 kHz / 24-bit PCM – ECM Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.68 -9.92 to -0.71 | -27.24 -34.31 to -18.21 | -23.52 -29.80 to -14.70 | 13 10 to 17 | |
| 1 | Ruins II | -8.30 | -32.40 | -28.7 | 14 |
| 2 | Swallow | -2.71 | -21.85 | -18.7 | 12 |
| 3 | Remains | -9.92 | -32.31 | -29.2 | 14 |
| 4 | Cloudless | -0.71 | -18.21 | -14.7 | 10 |
| 5 | Ruins and Remains | -2.97 | -30.93 | -28.0 | 16 |
| 6 | Ka | -0.71 | -21.92 | -18.0 | 13 |
| 7 | Ruins I | -3.02 | -24.63 | -20.7 | 12 |
| 8 | Duhra | -1.91 | -25.71 | -21.3 | 14 |
| 9 | Ruins III | -3.02 | -25.26 | -21.1 | 13 |
| 10 | Retrouvailles | -9.70 | -31.30 | -28.2 | 12 |
| 11 | Nothing for granted | -0.71 | -23.11 | -19.8 | 13 |
| 12 | Dissolve | -4.35 | -29.51 | -25.9 | 17 |
| 13 | March | -7.93 | -29.93 | -25.2 | 13 |
| 14 | Ruins IV | -9.54 | -34.31 | -29.8 | 15 |