℗ 2018 Claves Records
| Released | January 26, 2018 |
| Duration | 1h 16m 37s |
| Record Label | Claves Records |
| Genre | Classical |
Baroque Swing, Vol. 3
Charl du Plessis Trio
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn"
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1.1
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I. Allegro (arr. by Charl du Plessis)
Antonio Vivaldi; Charl du Plessis; Charl du Plessis Trio |
7:50 | |||
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1.2
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I. Adagio molto (arr. by Charl du Plessis)
Antonio Vivaldi; Charl du Plessis; Charl du Plessis Trio |
2:30 | |||
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1.3
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III. Allegro (arr. by Charl du Plessis)
Antonio Vivaldi; Charl du Plessis; Charl du Plessis Trio |
3:53 | |||
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1.4
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Waltz Sum More
Charl du Plessis; Charl du Plessis Trio |
5:29 | |||
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1.5
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Pay With Samba
Charl du Plessis; Charl du Plessis Trio |
4:51 | |||
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Concerto for Two Violins in D Minor, BWV 1043
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1.6
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I. Vivace (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
3:10 | |||
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1.7
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II. Largo ma non tanto (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
6:27 | |||
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1.8
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III. Allegro (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
4:27 | |||
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Bach & Friends Jazz Suite
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1.9
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Wachet Auf und Ruft uns die Stimme, BWV 140 (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
5:35 | |||
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1.10
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Take the A Train (arr. by Charl du Plessis)
Billy Strayhorn; Charl du Plessis; Charl du Plessis Trio |
5:40 | |||
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1.11
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Bist Du Bei Mir, BWV 508 (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
6:01 | |||
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1.12
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Billie’s Bounce (arr. by Charl du Plessis)
Charlie Parker; Charl du Plessis; Charl du Plessis Trio |
4:06 | |||
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1.13
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Minuet, BWV Anh. 114 (from Anna Magdalena Notenbüchlein) (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
4:27 | |||
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1.14
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Musette, BWV Anh. 126 (from Anna Magdalena Notenbüchlein ) (arr. by Charl du Plessis)
Johann Sebastian Bach; Charl du Plessis; Charl du Plessis Trio |
5:32 | |||
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1.15
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Spain (arr. by Charl du Plessis)
Chick Corea; Charl du Plessis; Charl du Plessis Trio |
6:39 | |||
The South African ensemble, Charl du Plessis Trio, is consistently versatile in thier variety of influences they use in their arrangements. They have preformed Latin, Swing, Baroque, Classical, and Funk throughout their careers. The goal of this unique album is to highlight the group's ability to cross-over musically and culturally with ease.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Claves Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.82 -7.93 to 0.00 | -22.93 -28.18 to -20.34 | -20.81 -25.80 to -18.30 | 13 12 to 14 | |
| 1 | I. Allegro (arr. by Charl du Plessis) | -1.86 | -23.07 | -20.5 | 13 |
| 2 | I. Adagio molto (arr. by Charl du Plessis) | -7.93 | -28.18 | -25.8 | 12 |
| 3 | III. Allegro (arr. by Charl du Plessis) | -2.42 | -21.77 | -19.6 | 13 |
| 4 | Waltz Sum More | -3.99 | -24.89 | -22.8 | 13 |
| 5 | Pay With Samba | -2.45 | -20.93 | -18.7 | 12 |
| 6 | I. Vivace (arr. by Charl du Plessis) | -1.16 | -21.47 | -19.8 | 13 |
| 7 | II. Largo ma non tanto (arr. by Charl du Plessis) | -4.28 | -25.94 | -23.7 | 14 |
| 8 | III. Allegro (arr. by Charl du Plessis) | -1.02 | -21.28 | -19.3 | 14 |
| 9 | Wachet Auf und Ruft uns die Stimme, BWV 140 (arr. by Charl du Plessis) | -3.28 | -23.49 | -21.3 | 13 |
| 10 | Take the A Train (arr. by Charl du Plessis) | 0.00 | -20.34 | -18.3 | 14 |
| 11 | Bist Du Bei Mir, BWV 508 (arr. by Charl du Plessis) | -4.45 | -24.99 | -22.8 | 13 |
| 12 | Billie’s Bounce (arr. by Charl du Plessis) | -1.71 | -21.20 | -19.0 | 13 |
| 13 | Minuet, BWV Anh. 114 (from Anna Magdalena Notenbüchlein) (arr. by Charl du Plessis) | -2.10 | -21.06 | -19.3 | 13 |
| 14 | Musette, BWV Anh. 126 (from Anna Magdalena Notenbüchlein ) (arr. by Charl du Plessis) | -4.64 | -24.50 | -22.7 | 13 |
| 15 | Spain (arr. by Charl du Plessis) | -1.05 | -20.87 | -18.6 | 12 |