℗ 2022 Genuin
| Released | October 7, 2022 |
| Duration | 1h 09m 32s |
| Record Label | Genuin |
| Catalogue No. | GEN22804 |
| Genre | Classical (Chamber) |
Whispers of Tradition
Max Volbers, Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Recorder Concerto in C Major "Pasticcio" (After J.S. Bach's BWV 1053 & BWV 1042)
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1.1
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I. Allegro
Max Volbers; Max Volbers; Alfia Bakieva; Jonathan Ponet; Martin Schneider; Arisa Yoshida; Robert Smith; Anne-Suse Enßle; Alexander von Heißen |
7:42 | |||
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1.2
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II. Siciliano. Adagio
Max Volbers; Max Volbers; Alfia Bakieva; Jonathan Ponet; Martin Schneider; Arisa Yoshida; Robert Smith; Alexander von Heißen |
5:07 | |||
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1.3
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III. Allego
Max Volbers; Max Volbers; Alfia Bakieva; Jonathan Ponet; Martin Schneider; Arisa Yoshida; Robert Smith; Anne-Suse Enßle; Alexander von Heißen |
2:45 | |||
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1.4
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Sonata sopra "Hor che’l ciel e la terra e’l vento tace" (After C. Monteverdi's SV 147)
Max Volbers; Max Volbers; Axel Wolf; Robert Smith; Alexander von Heißen |
6:49 | |||
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1.5
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Pulchra es, amica mea (Arr. M. Volbers for Recorder Ensemble)
Giovanni Pierluigi da Palestrina; Max Volbers; Max Volbers; Anne-Suse Enßle; Elisabeth Wirth; Felix Gutschi; Jonathan Volbers |
4:42 | |||
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1.6
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Please Enter the Underground
Thanos Sakellaridis; Max Volbers; Elisabeth Wirth |
6:07 | |||
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1.7
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Fantasia on Mr. Purcell's Chacony (After H. Purcell's Z. 629)
Max Volbers; Max Volbers; Axel Wolf; Robert Smith; Alexander von Heißen |
5:45 | |||
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Suite No. 3 in B Minor
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1.8
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I. Ouverture (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Max Volbers; Axel Wolf; Robert Smith; Alexander von Heißen |
3:41 | |||
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1.9
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II. Allemande (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Max Volbers; Axel Wolf; Robert Smith; Alexander von Heißen |
2:15 | |||
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1.10
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III. Courante (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Max Volbers; Axel Wolf; Robert Smith; Alexander von Heißen |
1:33 | |||
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1.11
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IV. Sarabande (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Axel Wolf; Robert Smith |
3:03 | |||
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1.12
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V. Gavotte (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Max Volbers; Alexander von Heißen |
0:53 | |||
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1.13
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VI. Menuet (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Alexander von Heißen |
1:18 | |||
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1.14
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VII. Gigue (Arr. M. Volbers)
Charles Dieupart; Max Volbers; Max Volbers; Axel Wolf; Robert Smith; Alexander von Heißen |
2:02 | |||
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1.15
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Vestiva i colli (Arr. M. Volbers for Recorder & Harpsichord)
Max Volbers; Giovanni Pierluigi da Palestrina; Max Volbers; Alexander von Heißen |
3:38 | |||
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Fontana d'Israel
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1.16
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No. 25, Lehre uns bedenken (Arr. M. Volbers for Recorder Ensemble)
Max Volbers; Johann Hermann Schein; Max Volbers; Anne-Suse Enßle; Elisabeth Wirth; Felix Gutschi; Jonathan Volbers |
3:43 | |||
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Violin Concerto in G Major, RV 312 (Arr. M. Volbers for Recorder, Strings & Harpsichord)
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1.17
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I. Allegro molto
Antonio Vivaldi; Max Volbers; Max Volbers; Alfia Bakieva; Jonathan Ponet; Martin Schneider; Arisa Yoshida; Axel Wolf; Robert Smith; Anne-Suse Enßle; Alexander von Heißen |
3:17 | |||
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Violin Concerto in G Major, RV 312 (Arr. M. Volbers for Recorder & Strings)
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1.18
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II. Larghetto
Antonio Vivaldi; Max Volbers; Max Volbers; Alfia Bakieva; Jonathan Ponet; Martin Schneider; Arisa Yoshida; Axel Wolf; Robert Smith |
2:05 | |||
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Violin Concerto in G Major, RV 312 (Arr. M. Volbers for Recorder, Strings & Harpsichord)
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1.19
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III. Allegro
Max Volbers; Antonio Vivaldi; Max Volbers; Alfia Bakieva; Jonathan Ponet; Martin Schneider; Arisa Yoshida; Axel Wolf; Robert Smith; Anne-Suse Enßle; Alexander von Heißen |
3:07 | |||
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Digital Booklet
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Musicians in the Baroque period had to reinvent themselves time and again: their repertoire was not fixed; instead, they improvised, adapted, and transcribed - something that was not seen as theft but as a high virtue! Recorder player Max Volbers, the winner of the 2021 German Music Competition, revives this tradition on his solo debut album with GENUIN: he gathers top-class musicians around him for the recording of his own arrangements, paraphrases, and pastiche of works by Bach, Monteverdi, and Vivaldi. Works that are partly familiar to us, but which we have never heard before, full of soul, inspired, and knowledgeably performed!
96 kHz / 24-bit PCM – Genuin Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.88 -10.90 to -0.30 | -21.53 -27.41 to -19.36 | -18.35 -24.60 to -15.60 | 11 10 to 14 | |
| 1 | I. Allegro | -0.92 | -19.64 | -16.6 | 12 |
| 2 | II. Siciliano. Adagio | -3.34 | -21.47 | -18.4 | 11 |
| 3 | III. Allego | -2.19 | -19.93 | -16.9 | 11 |
| 4 | Sonata sopra "Hor che’l ciel e la terra e’l vento tace" (After C. Monteverdi's SV 147) | -0.41 | -20.15 | -16.7 | 12 |
| 5 | Pulchra es, amica mea (Arr. M. Volbers for Recorder Ensemble) | -4.16 | -21.99 | -19.7 | 10 |
| 6 | Please Enter the Underground | -3.27 | -25.30 | -21.6 | 14 |
| 7 | Fantasia on Mr. Purcell's Chacony (After H. Purcell's Z. 629) | -0.94 | -20.41 | -16.4 | 13 |
| 8 | I. Ouverture (Arr. M. Volbers) | -0.30 | -19.36 | -16.7 | 11 |
| 9 | II. Allemande (Arr. M. Volbers) | -2.55 | -20.16 | -17.4 | 10 |
| 10 | III. Courante (Arr. M. Volbers) | -4.19 | -23.32 | -20.5 | 10 |
| 11 | IV. Sarabande (Arr. M. Volbers) | -2.70 | -25.64 | -23.0 | 12 |
| 12 | V. Gavotte (Arr. M. Volbers) | -5.99 | -21.82 | -18.9 | 10 |
| 13 | VI. Menuet (Arr. M. Volbers) | -10.90 | -27.41 | -24.6 | 11 |
| 14 | VII. Gigue (Arr. M. Volbers) | -1.77 | -19.49 | -16.6 | 11 |
| 15 | Vestiva i colli (Arr. M. Volbers for Recorder & Harpsichord) | -1.24 | -19.79 | -16.5 | 12 |
| 16 | No. 25, Lehre uns bedenken (Arr. M. Volbers for Recorder Ensemble) | -4.75 | -21.96 | -19.5 | 10 |
| 17 | I. Allegro molto | -0.45 | -19.58 | -15.6 | 13 |
| 18 | II. Larghetto | -3.82 | -21.48 | -16.9 | 10 |
| 19 | III. Allegro | -0.78 | -20.17 | -16.2 | 13 |