℗ 2022 Matsunaga Piano
Released | October 7, 2022 |
Duration | 1h 23m 26s |
Record Label | Matsunaga Piano |
Catalogue No. | MPC-1006G |
Genre | Classical (Piano) |
Schumann, Poulenc & Others: Piano Works (Live in Japan, 2022)
Pavel Nersessian
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Faschingsschwank aus Wien, Op. 26
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1.1
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I. Allegro (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
8:25 | |||
1.2
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II. Romanze (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
2:27 | |||
1.3
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III. Scherzino (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
2:11 | |||
1.4
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IV. Intermezzo (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
2:17 | |||
1.5
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V. Finale (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
4:11 | |||
Les soirées de Nazelles, FP 84
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1.6
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I. Préambule (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
3:16 | |||
1.7
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IIa. Var. 1, Le comble de la distinction (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:24 | |||
1.8
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IIb. Var. 2, Le cœur sur la main (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
2:05 | |||
1.9
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IIc. Var. 3, La désinvolture et la discrétion (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:14 | |||
1.10
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IId. Var. 4, La suite dans les idées (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:57 | |||
1.11
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IIe. Var. 5, Le charme enjôleur (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
2:24 | |||
1.12
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IIf. Var. 6, Le contentement de soi (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:07 | |||
1.13
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IIg. Var. 7, Le goût du malheur (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:56 | |||
1.14
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IIh. Var. 8, L’alerte vieillesse (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:08 | |||
1.15
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III. Cadence (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
1:27 | |||
1.16
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IV. Final (Live in Japan, 2022)
Francis Poulenc; Pavel Nersessian |
4:39 | |||
Pièces de clavecin, Book 2, Quatriême suite
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1.17
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No. 23, Le caquet (Live in Japan, 2022)
Jean-François Dandrieu; Pavel Nersessian |
1:18 | |||
Suite in E Minor, RCT 2
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1.18
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V. Le rappel des oiseaux (Live in Japan, 2022)
Jean-Philippe Rameau; Pavel Nersessian |
2:54 | |||
Pièces de clavecin, troisième suite
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1.19
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No. 16, Le coucou (Live in Japan, 2022)
Louis-Claude Daquin; Pavel Nersessian |
1:44 | |||
Troisième livre de pièces de clavecin, dix-septième ordre
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1.20
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No. 2, Les petits moulins à vent (Live in Japan, 2022)
François Couperin; Pavel Nersessian |
1:50 | |||
Pièces de clavecin, deuxième suite
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1.21
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No. 15, L'Hirondelle (Live in Japan, 2022)
Louis-Claude Daquin; Pavel Nersessian |
2:17 | |||
Premier livre de pièces de clavecin, deuxième ordre
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1.22
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No. 23, Les papillons (Live in Japan, 2022)
François Couperin; Pavel Nersessian |
1:13 | |||
Pièces de clavecin avec une méthode, Suite in D Major, RCT 3
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1.23
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No. 17, Les cyclopes (Live in Japan, 2022)
Jean-Philippe Rameau; Pavel Nersessian |
3:25 | |||
Carnaval, Op. 9
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1.24
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No. 1, Préambule (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
2:29 | |||
1.25
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No. 2, Pierrot (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:29 | |||
1.26
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No. 3, Arlequin (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:44 | |||
1.27
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No. 4, Valse noble (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:20 | |||
1.28
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No. 5, Eusebius (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:35 | |||
1.29
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No. 6, Florestan (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:58 | |||
1.30
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No. 7, Coquette (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:11 | |||
1.31
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No. 8a, Réplique (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:37 | |||
1.32
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No. 8b, Sphinxes (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:18 | |||
1.33
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No. 9, Papillons (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:47 | |||
1.34
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No. 10, Lettres dansantes (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:51 | |||
1.35
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No. 11, Chiarina (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:11 | |||
1.36
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No. 12, Chopin (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:10 | |||
1.37
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No. 13, Estrella (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:23 | |||
1.38
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No. 14, Reconnaissance (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:46 | |||
1.39
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No. 15, Pantalon et Colombine (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:56 | |||
1.40
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No. 16, Valse allemande (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:47 | |||
1.41
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No. 17, Paganini (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:20 | |||
1.42
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No. 18, Aveu (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:07 | |||
1.43
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No. 19, Promenade (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
1:52 | |||
1.44
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No. 20, Pause (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
0:17 | |||
1.45
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No. 21, Marche des Davidsbündler contre les Philistins (Live in Japan, 2022)
Robert Schumann; Pavel Nersessian |
3:29 | |||
Digital Booklet
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Russian classical pianist Pavel Nersessian presents a riveting live programme of works from Robert Schumann, Francis Poulenc, Jean-François Dandrieu, Jean-Philippe Rameau, Louis-Claude Daquin, and François Couperin!
Nersessian is an Honored Artist of the Russian Federation and Professor of the Moscow Conservatory State Conservatory after P.I. Tchaikovsky and Boston University. Being one of the most remarkable pianists of his generation in Russia, he is known for his ability to play equally convincing in the whole palette of the piano repertoire. He has won prizes in every piano competition he has entered, including Beethoven Competition in Vienna in 1985, Paloma O’Shea Competition in Santander and Tokyo Competition. He made his American debut in 1993 at Alice Tully Hall, which the New York Times called "impressive" with "a gift for softly colored expressiveness," but lacking "a major intellectual challenge."
96 kHz / 24-bit PCM – Matsunaga Piano Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.03 -15.21 to -0.10 | -25.51 -38.89 to -18.60 | -22.18 -34.90 to -15.90 | 12 1 to 15 | |
1 | I. Allegro (Live in Japan, 2022) | -2.05 | -22.83 | -19.3 | 13 |
2 | II. Romanze (Live in Japan, 2022) | -8.59 | -33.45 | -29.3 | 15 |
3 | III. Scherzino (Live in Japan, 2022) | -2.14 | -22.65 | -19.1 | 12 |
4 | IV. Intermezzo (Live in Japan, 2022) | -5.46 | -23.67 | -20.8 | 12 |
5 | V. Finale (Live in Japan, 2022) | -0.10 | -20.97 | -18.1 | 13 |
6 | I. Préambule (Live in Japan, 2022) | -2.45 | -23.23 | -19.5 | 13 |
7 | IIa. Var. 1, Le comble de la distinction (Live in Japan, 2022) | -4.88 | -26.77 | -23.1 | 13 |
8 | IIb. Var. 2, Le cœur sur la main (Live in Japan, 2022) | -2.58 | -26.77 | -23.3 | 13 |
9 | IIc. Var. 3, La désinvolture et la discrétion (Live in Japan, 2022) | -2.73 | -24.19 | -21.1 | 12 |
10 | IId. Var. 4, La suite dans les idées (Live in Japan, 2022) | -0.74 | -25.75 | -19.9 | 15 |
11 | IIe. Var. 5, Le charme enjôleur (Live in Japan, 2022) | -4.53 | -26.65 | -23.1 | 13 |
12 | IIf. Var. 6, Le contentement de soi (Live in Japan, 2022) | -0.10 | -21.16 | -18.3 | 14 |
13 | IIg. Var. 7, Le goût du malheur (Live in Japan, 2022) | -10.28 | -31.32 | -28.4 | 13 |
14 | IIh. Var. 8, L’alerte vieillesse (Live in Japan, 2022) | -2.82 | -23.49 | -20.5 | 12 |
15 | III. Cadence (Live in Japan, 2022) | -1.25 | -24.78 | -20.0 | 15 |
16 | IV. Final (Live in Japan, 2022) | -0.12 | -23.89 | -18.3 | 13 |
17 | No. 23, Le caquet (Live in Japan, 2022) | -9.88 | -26.97 | -24.2 | 11 |
18 | V. Le rappel des oiseaux (Live in Japan, 2022) | -8.57 | -27.83 | -25.2 | 12 |
19 | No. 16, Le coucou (Live in Japan, 2022) | -9.99 | -27.47 | -24.9 | 11 |
20 | No. 2, Les petits moulins à vent (Live in Japan, 2022) | -9.31 | -28.41 | -25.6 | 12 |
21 | No. 15, L'Hirondelle (Live in Japan, 2022) | -7.32 | -25.16 | -22.4 | 12 |
22 | No. 23, Les papillons (Live in Japan, 2022) | -9.74 | -27.63 | -24.8 | 11 |
23 | No. 17, Les cyclopes (Live in Japan, 2022) | -0.40 | -20.60 | -17.7 | 14 |
24 | No. 1, Préambule (Live in Japan, 2022) | -0.75 | -20.04 | -16.8 | 13 |
25 | No. 2, Pierrot (Live in Japan, 2022) | -3.89 | -27.10 | -23.3 | 13 |
26 | No. 3, Arlequin (Live in Japan, 2022) | -2.05 | -24.05 | -21.0 | 12 |
27 | No. 4, Valse noble (Live in Japan, 2022) | -3.41 | -24.37 | -20.6 | 12 |
28 | No. 5, Eusebius (Live in Japan, 2022) | -9.04 | -31.44 | -28.1 | 13 |
29 | No. 6, Florestan (Live in Japan, 2022) | -3.12 | -21.15 | -17.3 | 11 |
30 | No. 7, Coquette (Live in Japan, 2022) | -7.32 | -27.79 | -24.8 | 13 |
31 | No. 8a, Réplique (Live in Japan, 2022) | -12.55 | -31.58 | -27.9 | 11 |
32 | No. 8b, Sphinxes (Live in Japan, 2022) | -15.21 | -38.89 | -34.9 | 1 |
33 | No. 9, Papillons (Live in Japan, 2022) | -9.69 | -26.82 | -24.4 | 12 |
34 | No. 10, Lettres dansantes (Live in Japan, 2022) | -2.33 | -23.21 | -20.3 | 12 |
35 | No. 11, Chiarina (Live in Japan, 2022) | -5.91 | -26.99 | -23.7 | 13 |
36 | No. 12, Chopin (Live in Japan, 2022) | -10.86 | -30.35 | -27.9 | 12 |
37 | No. 13, Estrella (Live in Japan, 2022) | -2.30 | -18.60 | -15.9 | 9 |
38 | No. 14, Reconnaissance (Live in Japan, 2022) | -8.88 | -27.01 | -24.2 | 12 |
39 | No. 15, Pantalon et Colombine (Live in Japan, 2022) | -3.93 | -22.09 | -18.9 | 12 |
40 | No. 16, Valse allemande (Live in Japan, 2022) | -2.06 | -21.11 | -17.5 | 12 |
41 | No. 17, Paganini (Live in Japan, 2022) | -2.07 | -20.93 | -17.4 | 12 |
42 | No. 18, Aveu (Live in Japan, 2022) | -9.90 | -34.52 | -30.8 | 11 |
43 | No. 19, Promenade (Live in Japan, 2022) | -3.27 | -26.61 | -23.3 | 13 |
44 | No. 20, Pause (Live in Japan, 2022) | -1.61 | -18.72 | -16.0 | 9 |
45 | No. 21, Marche des Davidsbündler contre les Philistins (Live in Japan, 2022) | -0.10 | -19.03 | -16.0 | 13 |