℗ ℗ 1963 Originally Released © USA Records.
I'm the Fixer (Original USA Recordings 1963-64)
Willie Mabon
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
|
Got to Have Some
Willie Mabon |
2:33 | ||
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1.2
|
Why Did It Happen to Me
Willie Mabon |
2:06 | ||
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1.3
|
Just Got Some
Willie Mabon |
2:38 | ||
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1.4
|
That's No Big Thing
Willie Mabon |
2:36 | ||
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1.5
|
Too Hot to Handle
Willie Mabon |
2:34 | ||
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1.6
|
I'm the Fixer
Willie Mabon |
3:03 | ||
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1.7
|
Don't Let That Music Die
Willie Mabon |
2:58 | ||
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1.8
|
Lover Gal
Willie Mabon |
2:58 | ||
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1.9
|
I'm Hongry
Willie Mabon |
2:28 | ||
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1.10
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Ruby's Monkey
Willie Mabon |
2:47 | ||
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1.11
|
Some More
Willie Mabon |
2:32 | ||
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1.12
|
New Orleans Blues
Willie Mabon |
2:36 | ||
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1.13
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Somebody Gotta Pay
Willie Mabon |
2:25 | ||
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1.14
|
Harmonica Special
Willie Mabon |
2:36 | ||
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1.15
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Lonesome Blue Water
Willie Mabon |
2:58 | ||
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1.16
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Some Time I Wonder
Willie Mabon |
2:52 | ||
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1.17
|
Something for Nothing
Willie Mabon |
3:01 | ||
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1.18
|
Baby Sweets
Willie Mabon |
2:50 | ||
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Total Playing Time 48:31
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I'm the Fixer was recorded during a time in which R&B pioneer Willie Mabon was thought to have passed his prime, yet his sly vocals and chunky piano playing remain ever-present in these studio cuts from the early 1960s. Including the iconic title track, as well as favourites such as Got to Have Some and That's No Big Thing, this collection revisits the diverse work of this early crossover artist.
44.1 kHz / 24-bit PCM – USA Records Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.