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1.1
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Prelude in C Minor, BWV 999
Johann Sebastian Bach; Sigrun Stephan |
1:21 | |||
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Suite in G Major
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1.2
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I. Allemande
Johann Adam Reincken; Sigrun Stephan |
2:45 | |||
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1.3
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II. Courante
Johann Adam Reincken; Sigrun Stephan |
1:43 | |||
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1.4
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III. Sarabande
Johann Adam Reincken; Sigrun Stephan |
1:55 | |||
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1.5
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IV. Gigue
Johann Adam Reincken; Sigrun Stephan |
2:28 | |||
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Capriccio in B Flat Major, BWV 992
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1.6
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I. Arioso. Adagio. Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten
Johann Sebastian Bach; Sigrun Stephan |
1:52 | |||
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1.7
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II. Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten vorfallen
Johann Sebastian Bach; Sigrun Stephan |
1:25 | |||
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1.8
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III. Adagiosissimo. Ist ein allgemeines Lamento der Freunde
Johann Sebastian Bach; Sigrun Stephan |
3:19 | |||
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1.9
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IV. All hier kommen die Freunde (weil sie doch sehen, daß es anders nicht sein kann) und nehmen Abschied
Johann Sebastian Bach; Sigrun Stephan |
0:41 | |||
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1.10
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V. Aria di Postiglione. Allegro poco
Johann Sebastian Bach; Sigrun Stephan |
1:00 | |||
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1.11
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VI. Fuga all'imitazione della cornetta di postiglione
Johann Sebastian Bach; Sigrun Stephan |
2:30 | |||
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Das wohltemperierte Klavier II, Prelude and Fugue in G Major, BWV 884
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1.12
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Prelude
Johann Sebastian Bach; Sigrun Stephan |
2:46 | |||
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1.13
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Fugue
Johann Sebastian Bach; Sigrun Stephan |
1:25 | |||
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1.14
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Klavierbüchlein für Wilhelm Friedemann Bach, Præambulum No. 2 in C Major, BWV 924
Johann Sebastian Bach; Sigrun Stephan |
1:21 | |||
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1.15
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Fantasie in A Minor, F. 23
Wilhelm Friedemann Bach; Sigrun Stephan |
3:29 | |||
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12 Polonaises, F. 12
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1.16
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No. 8. Polonaise in E Minor
Wilhelm Friedemann Bach; Sigrun Stephan |
4:48 | |||
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Harpsichord Sonata No.1 in A Minor, H. 30 Wq.49
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1.17
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I. Moderato
Carl Philipp Emanuel Bach; Sigrun Stephan |
7:37 | |||
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1.18
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II. Andante
Carl Philipp Emanuel Bach; Sigrun Stephan |
4:06 | |||
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Harpsichord Sonata No.1 in A Minor, H. 30 Wq. 49
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1.19
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III. Allegro assai
Carl Philipp Emanuel Bach; Sigrun Stephan |
5:22 | |||
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Harpsichord Sonata No.1 in F Major
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1.20
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I. Allegro
Johann Gottfried Müthel; Sigrun Stephan |
10:56 | |||
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1.21
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II. Largo e staccato
Johann Gottfried Müthel; Sigrun Stephan |
5:28 | |||
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1.22
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III. Presto
Johann Gottfried Müthel; Sigrun Stephan |
4:16 | |||
Kinship is the theme which unites the works on this release from German clavichordist Sigrun Stephen. Drawing together pieces from J.S. Bach, his teacher Johann Adam Reincken, his last pupil Johann Gottfried Müthel, and two of his sons, Wilhelm Friedemann and Carl Philipp Emanuel, this is a colourful collection of works from across the German Baroque and Classical periods for a unique and intimate instrument.
96 kHz / 24-bit PCM – Challenge Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.79 -10.38 to -0.90 | -24.83 -31.71 to -21.37 | -21.64 -28.40 to -18.70 | 14 11 to 16 | |
| 1 | Prelude in C Minor, BWV 999 | -6.79 | -24.24 | -21.4 | 11 |
| 2 | I. Allemande | -6.31 | -27.44 | -24.3 | 14 |
| 3 | II. Courante | -3.05 | -24.05 | -21.0 | 14 |
| 4 | III. Sarabande | -9.25 | -31.71 | -28.4 | 15 |
| 5 | IV. Gigue | -3.05 | -24.06 | -20.9 | 14 |
| 6 | I. Arioso. Adagio. Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten | -5.05 | -25.95 | -22.6 | 14 |
| 7 | II. Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten vorfallen | -3.98 | -24.91 | -21.8 | 15 |
| 8 | III. Adagiosissimo. Ist ein allgemeines Lamento der Freunde | -3.99 | -27.21 | -23.8 | 16 |
| 9 | IV. All hier kommen die Freunde (weil sie doch sehen, daß es anders nicht sein kann) und nehmen Abschied | -3.14 | -22.63 | -19.3 | 13 |
| 10 | V. Aria di Postiglione. Allegro poco | -3.41 | -22.45 | -19.6 | 12 |
| 11 | VI. Fuga all'imitazione della cornetta di postiglione | -2.29 | -22.07 | -19.1 | 13 |
| 12 | Prelude | -2.59 | -22.33 | -19.6 | 14 |
| 13 | Fugue | -2.86 | -22.95 | -19.7 | 13 |
| 14 | Klavierbüchlein für Wilhelm Friedemann Bach, Præambulum No. 2 in C Major, BWV 924 | -10.38 | -30.83 | -27.7 | 13 |
| 15 | Fantasie in A Minor, F. 23 | -0.90 | -22.83 | -19.6 | 14 |
| 16 | No. 8. Polonaise in E Minor | -3.86 | -26.85 | -23.1 | 15 |
| 17 | I. Moderato | -3.32 | -23.52 | -20.4 | 14 |
| 18 | II. Andante | -3.21 | -26.51 | -23.0 | 16 |
| 19 | III. Allegro assai | -1.43 | -21.37 | -18.7 | 14 |
| 20 | I. Allegro | -1.15 | -23.85 | -20.6 | 15 |
| 21 | II. Largo e staccato | -0.98 | -26.32 | -22.3 | 16 |
| 22 | III. Presto | -2.30 | -22.10 | -19.2 | 14 |