℗ 2022 Centaur Records
Released | October 7, 2022 |
Duration | 51m 58s |
Record Label | Centaur Records |
Catalogue No. | CRC3958 |
Genre | Classical (Chamber) |
Lockerbones/Airbones
|
|||||
1.1
|
I. The Anger
Elinor Armer; Ursula K. Le Guin; Wendy Hillhouse; Esther Landau; Rira Watanabe; Keisuke Nakagoshi; Erica Johnson |
3:38 | |||
1.2
|
II. The Child on the Shore
Elinor Armer; Ursula K. Le Guin; Wendy Hillhouse; Esther Landau; Rira Watanabe; Keisuke Nakagoshi; Erica Johnson |
4:35 | |||
1.3
|
III. Footnote
Elinor Armer; Ursula K. Le Guin; Wendy Hillhouse; Esther Landau; Rira Watanabe; Keisuke Nakagoshi; Erica Johnson |
3:51 | |||
1.4
|
IV. Hard Words
Elinor Armer; Ursula K. Le Guin; Wendy Hillhouse; Esther Landau; Rira Watanabe; Keisuke Nakagoshi; Erica Johnson |
2:22 | |||
1.5
|
V. For Katya
Elinor Armer; Ursula K. Le Guin; Wendy Hillhouse; Esther Landau; Rira Watanabe; Keisuke Nakagoshi; Erica Johnson |
2:19 | |||
From "A Book of Songs"
|
|||||
1.6
|
I. The Old Lady
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
3:14 | |||
1.7
|
II. The Housewife
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
1:45 | |||
1.8
|
III. The Forsaken Shepherdess
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
2:54 | |||
1.9
|
IV. The Mute
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
1:50 | |||
1.10
|
V. The Lorelei to Heinrich Heine
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
2:16 | |||
1.11
|
VI.The Little Girl
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
2:49 | |||
1.12
|
VII. Anonyma
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
2:40 | |||
Where the Slope Grows Steep
|
|||||
1.13
|
I. Come to Dust
Elinor Armer; Ursula K. Le Guin; Kindra Scharich; Lois Brandwynne |
4:09 | |||
1.14
|
II. To the Rain
Elinor Armer; Ursula K. Le Guin; Kindra Scharich; Lois Brandwynne |
3:13 | |||
1.15
|
III. On the Western Shore
Elinor Armer; Ursula K. Le Guin; Kindra Scharich; Lois Brandwynne |
3:58 | |||
1.16
|
Lavinia’s Vision
Elinor Armer; Ursula K. Le Guin; Mariya Kaganskaya; Elinor Armer |
6:25 |
48 kHz / 24-bit PCM – Centaur Records Studio Masters
Tracks 1-16 – 44.1 kHz / 24-bit PCM
Tracks 1-16 – 44.1 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.63 -5.69 to -0.07 | -24.73 -29.07 to -16.86 | -20.11 -25.30 to -12.50 | 14 9 to 20 | |
1 | I. The Anger | -0.07 | -20.87 | -16.8 | 13 |
2 | II. The Child on the Shore | -0.92 | -25.53 | -21.1 | 14 |
3 | III. Footnote | -2.44 | -26.40 | -21.6 | 14 |
4 | IV. Hard Words | -0.07 | -29.06 | -22.4 | 20 |
5 | V. For Katya | -5.69 | -26.93 | -22.0 | 12 |
6 | I. The Old Lady | -0.09 | -24.02 | -19.5 | 15 |
7 | II. The Housewife | -3.83 | -24.92 | -21.1 | 13 |
8 | III. The Forsaken Shepherdess | -2.41 | -26.33 | -21.6 | 14 |
9 | IV. The Mute | -0.09 | -26.41 | -20.4 | 11 |
10 | V. The Lorelei to Heinrich Heine | -0.09 | -24.42 | -20.1 | 14 |
11 | VI.The Little Girl | -0.09 | -22.87 | -18.7 | 14 |
12 | VII. Anonyma | -4.95 | -27.21 | -23.0 | 13 |
13 | I. Come to Dust | -0.10 | -23.92 | -19.1 | 14 |
14 | II. To the Rain | -0.09 | -20.90 | -16.5 | 12 |
15 | III. On the Western Shore | -4.99 | -29.07 | -25.3 | 14 |
16 | Lavinia’s Vision | -0.08 | -16.86 | -12.5 | 9 |