℗ 2017 Relapse Records Inc.
| Released | October 13, 2017 |
| Duration | 52m 01s |
| Record Label | Relapse Records |
| Genre | Metal |
|
1.1
|
Introduction: Death Revenge Overture
Exhumed |
2:21 | |||
|
1.2
|
Defenders of the Grave
Exhumed |
3:51 | |||
|
1.3
|
Lifeless
Exhumed |
4:00 | |||
|
1.4
|
Dead End
Exhumed |
4:57 | |||
|
1.5
|
Night Work
Exhumed |
3:21 | |||
|
1.6
|
Unspeakable
Exhumed |
3:47 | |||
|
1.7
|
Interlude: Grave-Makers of Edinburgh
Exhumed |
1:35 | |||
|
1.8
|
The Harrowing
Exhumed |
3:58 | |||
|
1.9
|
A Funeral Party
Exhumed |
2:21 | |||
|
1.10
|
The Anatomy Act of 1832
Exhumed |
7:28 | |||
|
1.11
|
Incarnadined Hands
Exhumed |
3:23 | |||
|
1.12
|
Death Revenge
Exhumed |
3:25 | |||
|
1.13
|
Death Revenge Underture (Bonus Track)
Exhumed |
4:16 | |||
|
1.14
|
A Lesson in Violence (Bonus Track)
Exhumed |
3:18 |
"This record is most certainly traditional Exhumed but with some greatly enhanced layers in the sound bed and some new twists on lead work that are going to jump out at you slightly more subtly than one of those newfangled modern PG-13 horror flicks that rely too much on mere jump scares and loud noises. This record is more like Wes Craven circa 1972. “Dead End” is going to give you all these little pieces of Halloween ear candy from the lead guitars, not only in the solo work but throughout the track. Listen to it with headphones to gather all the effects."
- Jeff Podoshen, Metal Insider
Californian death metal outfit Exhumed bring us their eighth studio effort with Death Revenge. The fourteen-track record is nostalgic in feel with a retro-graveyard gore concept throughout that is graphic in both content and sound. Pummeling choruses and hook-driven structure on this release pull listeners into Exhumed's terrifying and brutal world.
88.2 kHz / 24-bit PCM – Relapse Records Studio Masters
Tracks 1, 7 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Tracks 2-6, 8-14 – contains material which utilizes a limited amount of the available bandwidth.
Tracks 1, 7 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Tracks 2-6, 8-14 – contains material which utilizes a limited amount of the available bandwidth.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.18 -0.28 to -0.17 | -12.66 -20.67 to -10.17 | -9.90 -18.00 to -7.70 | 8 6 to 12 | |
| 1 | Introduction: Death Revenge Overture | -0.28 | -20.67 | -18.0 | 10 |
| 2 | Defenders of the Grave | -0.17 | -10.63 | -8.0 | 7 |
| 3 | Lifeless | -0.17 | -11.22 | -8.6 | 7 |
| 4 | Dead End | -0.17 | -10.17 | -7.8 | 6 |
| 5 | Night Work | -0.17 | -10.29 | -7.7 | 6 |
| 6 | Unspeakable | -0.18 | -10.56 | -7.8 | 6 |
| 7 | Interlude: Grave-Makers of Edinburgh | -0.18 | -17.53 | -14.6 | 11 |
| 8 | The Harrowing | -0.17 | -10.88 | -8.0 | 7 |
| 9 | A Funeral Party | -0.18 | -10.94 | -8.1 | 7 |
| 10 | The Anatomy Act of 1832 | -0.18 | -12.15 | -9.1 | 7 |
| 11 | Incarnadined Hands | -0.18 | -11.41 | -8.8 | 7 |
| 12 | Death Revenge | -0.18 | -11.08 | -8.2 | 7 |
| 13 | Death Revenge Underture (Bonus Track) | -0.18 | -18.80 | -16.1 | 12 |
| 14 | A Lesson in Violence (Bonus Track) | -0.18 | -10.93 | -7.8 | 6 |