Think Subtilior: Cercle des fumeux - Songs and Sounds
Santenay
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Haze
Julia von Landsberg; Orí Harmelin; Elodie Wiemer; Szilárd Chereji; Santenay |
1:07 | |||
|
1.2
|
Onques ne fu si dure partie
Anonymous; Santenay |
7:20 | |||
|
1.3
|
Ephemeral
Julia von Landsberg; Orí Harmelin; Elodie Wiemer; Szilárd Chereji; Santenay |
0:35 | |||
|
1.4
|
Fumeux fume par fumée (arr. for Chamber Ensemble)
Anonymous; Solage; Orí Harmelin |
2:10 | |||
|
1.5
|
Puisque je sui fumeux, plains de fumée
Johannes Symonis Hasprois; Santenay |
7:59 | |||
|
1.6
|
Emanation
Julia von Landsberg; Orí Harmelin; Elodie Wiemer; Szilárd Chereji; Santenay |
2:56 | |||
|
1.7
|
Le basile de sa propre nature
Solage; Santenay |
10:12 | |||
|
1.8
|
Pres du soloil deduissant s'esbanoye (arr. for Chamber Ensemble)
Anonymous; Matteo da Perugia; Santenay |
4:41 | |||
|
1.9
|
Exhalation
Julia von Landsberg; Orí Harmelin; Elodie Wiemer; Szilárd Chereji; Santenay |
1:44 | |||
|
1.10
|
Fumeux fume par fumée
Solage; Santenay |
7:00 | |||
|
1.11
|
Tout par compas
Baude Cordier; Santenay |
1:50 | |||
|
1.12
|
Perfume
Julia von Landsberg; Orí Harmelin; Elodie Wiemer; Szilárd Chereji; Santenay |
1:08 | |||
|
1.13
|
Le ray au soleyl qui dret som kar meyne
Johannes Ciconia; Santenay |
2:32 | |||
|
Digital Booklet
|
German Ensemble Santenay presents Think Subtilior, a collection of Ars Subilitor pieces from late 14th-century France interspersed with experimental interludes created by the performers. Self-consciously complex and experimental, this style created highly innovative musical results, sometimes depicted on the page in unusual forms such as hearts or circles, often to visually and sonically mesmerizing results. Ensemble Santenay brings out these hypnotic features in their beautiful interpretations of these Renaissance works while also evoking their exploratory origins with their addition of their interludes.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
Track 3 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Tracks 4, 5, 6, 7, 8, 10 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm.
Track 3 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Tracks 4, 5, 6, 7, 8, 10 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.86 -20.49 to -5.12 | -27.35 -40.74 to -20.39 | -23.77 -38.10 to -17.00 | 10 7 to 15 | |
| 1 | Haze | -9.93 | -33.88 | -28.8 | 14 |
| 2 | Onques ne fu si dure partie | -5.12 | -20.97 | -17.7 | 9 |
| 3 | Ephemeral | -20.49 | -40.74 | -38.1 | 10 |
| 4 | Fumeux fume par fumée (arr. for Chamber Ensemble) | -9.00 | -32.28 | -28.4 | 15 |
| 5 | Puisque je sui fumeux, plains de fumée | -6.00 | -24.69 | -21.0 | 11 |
| 6 | Emanation | -8.66 | -28.72 | -24.8 | 11 |
| 7 | Le basile de sa propre nature | -5.75 | -21.68 | -18.7 | 9 |
| 8 | Pres du soloil deduissant s'esbanoye (arr. for Chamber Ensemble) | -6.75 | -20.40 | -17.0 | 7 |
| 9 | Exhalation | -14.72 | -37.14 | -32.8 | 10 |
| 10 | Fumeux fume par fumée | -5.76 | -22.90 | -19.8 | 9 |
| 11 | Tout par compas | -6.89 | -20.39 | -17.7 | 8 |
| 12 | Perfume | -9.52 | -28.48 | -24.6 | 9 |
| 13 | Le ray au soleyl qui dret som kar meyne | -6.61 | -23.29 | -19.6 | 9 |