Poldowski Reimagined
Ensemble 1904
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
L'Heure Exquise
Poldowski; Ensemble 1904 |
2:26 | |||
|
1.2
|
Impression Fausse
Poldowski; Ensemble 1904 |
2:34 | |||
|
1.3
|
Le Faune
Poldowski; Ensemble 1904 |
1:19 | |||
|
1.4
|
Circonspection
Poldowski; Ensemble 1904 |
3:06 | |||
|
1.5
|
Fantoches
Poldowski; Ensemble 1904 |
1:17 | |||
|
1.6
|
En Sourdine
Poldowski; Ensemble 1904 |
2:21 | |||
|
1.7
|
Brume
Poldowski; Ensemble 1904 |
1:57 | |||
|
1.8
|
L’Attente
Poldowski; Ensemble 1904 |
2:18 | |||
|
1.9
|
Bruxelles
Poldowski; Ensemble 1904 |
1:41 | |||
|
1.10
|
Dimanches d’Avril
Poldowski; Ensemble 1904 |
2:57 | |||
|
1.11
|
Dansons la Gigue!
Poldowski; Ensemble 1904 |
1:41 | |||
|
1.12
|
Andante Languido
Poldowski; Ensemble 1904 |
6:38 | |||
|
1.13
|
Colombine
Poldowski; Ensemble 1904 |
2:00 | |||
|
1.14
|
Crépuscule du Soir Mystique
Poldowski; Ensemble 1904 |
2:38 | |||
|
1.15
|
Cortège
Poldowski; Ensemble 1904 |
1:22 | |||
|
1.16
|
Cythère
Poldowski; Ensemble 1904 |
1:02 | |||
|
1.17
|
Mandoline
Poldowski; Ensemble 1904 |
1:44 | |||
|
1.18
|
Effet de Neige
Poldowski; Ensemble 1904 |
2:53 | |||
|
1.19
|
Sur l’Herbe
Poldowski; Ensemble 1904 |
2:06 | |||
|
1.20
|
À Clymène
Poldowski; Ensemble 1904 |
2:07 | |||
|
1.21
|
A Poor Young Shepherd
Poldowski; Ensemble 1904 |
2:53 | |||
|
1.22
|
Spleen
Poldowski; Ensemble 1904 |
2:27 | |||
|
1.23
|
Nous Deux
Poldowski; Ensemble 1904 |
2:24 |
“The complete musician, Jackson is attentive to all the dimensions of playing: harmony, melody, equality of sound, quality of the tempi, and cohesion of the ensemble. Strongly supported by the strings who are equally distributed, Jazmin Black-Grollemund, operatic, uses her superb timbre to support a clear diction and a vast range of nuances.”
La Lettre du Musicien
Specialists in the music of France and England from the early 20th century, the Paris-based Ensemble 1904 here present fresh interpretations of songs by Poldowski, the pseudonym of composer Irène Régine Wieniawska. The daughter of composer violinist Henryk Wieniawski, Poldowski worked extensively on setting the poetry of Paul Verlaine. All twenty-two of her compositions in that vein are available on this recording, including the recent rediscovery of Nous Deux, presented in new arrangements for soprano, violin, piano, and double bass by director and pianist David Jackson.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
96 kHz / 24-bit PCM – Resonus Limited Studio Masters Produced by Adam Binks Engineer: Thomas Vingtrinier
96 kHz / 24-bit PCM – Resonus Limited Studio Masters Produced by Adam Binks Engineer: Thomas Vingtrinier
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.69 -13.60 to -2.40 | -31.20 -35.01 to -27.12 | -27.22 -31.20 to -22.00 | 13 11 to 15 | |
| 1 | L'Heure Exquise | -4.70 | -28.58 | -24.4 | 13 |
| 2 | Impression Fausse | -2.40 | -28.35 | -24.4 | 13 |
| 3 | Le Faune | -6.81 | -27.12 | -22.0 | 11 |
| 4 | Circonspection | -10.42 | -35.01 | -31.2 | 14 |
| 5 | Fantoches | -7.44 | -30.43 | -26.4 | 13 |
| 6 | En Sourdine | -5.00 | -31.78 | -27.4 | 15 |
| 7 | Brume | -6.21 | -30.36 | -26.4 | 12 |
| 8 | L’Attente | -10.90 | -34.49 | -30.1 | 14 |
| 9 | Bruxelles | -12.68 | -34.35 | -30.8 | 13 |
| 10 | Dimanches d’Avril | -8.79 | -33.15 | -29.2 | 14 |
| 11 | Dansons la Gigue! | -9.24 | -29.68 | -25.8 | 12 |
| 12 | Andante Languido | -7.08 | -30.64 | -27.1 | 14 |
| 13 | Colombine | -8.25 | -28.77 | -25.4 | 12 |
| 14 | Crépuscule du Soir Mystique | -8.81 | -30.39 | -26.1 | 12 |
| 15 | Cortège | -10.08 | -29.12 | -25.8 | 12 |
| 16 | Cythère | -9.31 | -30.78 | -27.5 | 13 |
| 17 | Mandoline | -11.97 | -32.56 | -29.0 | 13 |
| 18 | Effet de Neige | -7.77 | -31.16 | -27.3 | 13 |
| 19 | Sur l’Herbe | -7.50 | -30.18 | -25.0 | 12 |
| 20 | À Clymène | -11.08 | -32.51 | -28.1 | 12 |
| 21 | A Poor Young Shepherd | -10.89 | -33.81 | -29.7 | 15 |
| 22 | Spleen | -8.84 | -30.57 | -26.3 | 12 |
| 23 | Nous Deux | -13.60 | -33.88 | -30.6 | 12 |