Joseph Haydn: Stabat Mater
Sarah Wegener, Marie Henriette Reinhold, Colin Balzer, Sebastian Noack, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Stabat Mater, Hob.XXa:1
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1.1
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I. Stabat Mater Dolorosa
Colin Balzer; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
7:01 | |||
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1.2
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II. O quam tristis et afflicta
Marie Henriette Reinhold; Hofkapelle Stuttgart; Frieder Bernius |
6:52 | |||
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1.3
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III. Quis est homo, qui non fleret
Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
1:45 | |||
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1.4
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IV. Quis non posset contristari
Sarah Wegener; Hofkapelle Stuttgart; Frieder Bernius |
5:14 | |||
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1.5
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V. Pro peccatis suae gentis
Sebastian Noack; Hofkapelle Stuttgart; Frieder Bernius |
2:34 | |||
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1.6
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VI. Vidit suum dulcem natum
Colin Balzer; Hofkapelle Stuttgart; Frieder Bernius |
5:08 | |||
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1.7
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VII. Eja mater, fons amoris
Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
3:09 | |||
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1.8
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VIII. Sancta mater istud agas
Sarah Wegener; Colin Balzer; Hofkapelle Stuttgart; Frieder Bernius |
7:01 | |||
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1.9
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IX. Fac me vere tecum flere
Marie Henriette Reinhold; Hofkapelle Stuttgart; Frieder Bernius |
5:22 | |||
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1.10
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X. Virgo virginium praeclara
Sarah Wegener; Marie Henriette Reinhold; Colin Balzer; Sebastian Noack; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
6:31 | |||
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1.11
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XI. Flammis orci ne succendar
Sebastian Noack; Hofkapelle Stuttgart; Frieder Bernius |
2:05 | |||
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1.12
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XII. Fac me cruce custodiri
Colin Balzer; Hofkapelle Stuttgart; Frieder Bernius |
2:31 | |||
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1.13
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XIIIa. Quando corpus morietur
Sarah Wegener; Marie Henriette Reinhold; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
1:24 | |||
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1.14
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XIIIb. Paradisi gloria
Sarah Wegener; Marie Henriette Reinhold; Colin Balzer; Sebastian Noack; Kammerchor Stuttgart; Hofkapelle Stuttgart; Frieder Bernius |
3:14 | |||
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Digital Booklet
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Joseph Haydn’s “Stabat Mater”, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterházy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn’s reputation as the leading vocal composer of his day. This persuasive recording by Frieder Bernius with first-rate soloists, the Kammerchor Stuttgart and the Hofkapelle Stuttgart uses the critical edition of the work published by Carus.
48 kHz / 24-bit PCM – Carus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.31 -8.36 to -1.20 | -26.19 -29.89 to -23.05 | -22.87 -26.40 to -19.90 | 13 11 to 15 | |
| 1 | I. Stabat Mater Dolorosa | -1.61 | -25.50 | -22.2 | 13 |
| 2 | II. O quam tristis et afflicta | -6.32 | -27.79 | -24.6 | 14 |
| 3 | III. Quis est homo, qui non fleret | -1.20 | -23.93 | -20.4 | 13 |
| 4 | IV. Quis non posset contristari | -3.82 | -26.83 | -23.5 | 13 |
| 5 | V. Pro peccatis suae gentis | -6.46 | -27.13 | -23.6 | 14 |
| 6 | VI. Vidit suum dulcem natum | -7.98 | -29.89 | -26.4 | 14 |
| 7 | VII. Eja mater, fons amoris | -3.66 | -24.51 | -21.4 | 12 |
| 8 | VIII. Sancta mater istud agas | -2.80 | -26.54 | -23.2 | 15 |
| 9 | IX. Fac me vere tecum flere | -6.19 | -29.48 | -26.1 | 14 |
| 10 | X. Virgo virginium praeclara | -1.37 | -25.26 | -22.3 | 15 |
| 11 | XI. Flammis orci ne succendar | -6.08 | -25.37 | -21.9 | 13 |
| 12 | XII. Fac me cruce custodiri | -8.36 | -27.42 | -24.2 | 14 |
| 13 | XIIIa. Quando corpus morietur | -3.18 | -23.91 | -20.5 | 11 |
| 14 | XIIIb. Paradisi gloria | -1.33 | -23.05 | -19.9 | 13 |