Spanish Café Music: 99 Must-Have Spanish Dinner Classics
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Concierto de Aranjuez
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1.1
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I. Allegro con spirito
Joaquin Rodrigo; Zoltan Tokos; Budapest Strings; Béla Bánfalvi |
5:58 | |||
1.2
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Romance de Amor
Vicente Gomez; Rita Honti |
3:08 | |||
1.3
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Spanish Serenade
Joaquín Malats; Rita Honti |
3:23 | |||
Suite Española No. 1, Op. 47
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1.4
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V. Asturias (Leyenda)
Isaac Albeniz; Georgi Moravsky |
6:38 | |||
1.5
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Tango
Francisco Tarrega; Simeon Simov |
3:40 | |||
Concierto de Aranjuez
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1.6
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II. Adagio
Joaquin Rodrigo; Zoltan Tokos; Budapest Strings; Béla Bánfalvi |
11:11 | |||
1.7
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Les folies d'Espagne, Op. 15a (Theme & Variations)
Fernando Sor; Simeon Simov |
4:01 | |||
Suite Española No. 1, Op. 47
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1.8
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VII. Cuba (Caprichio)
Isaac Albeniz; Georgi Moravsky |
4:31 | |||
1.9
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Maria (Gavote)
Francisco Tarrega; Simeon Simov |
1:44 | |||
Guitar Quintet No. 4 in D Major, G. 448 "Fandango"
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1.10
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III. Fandango (Grave assai)
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
7:02 | |||
1.11
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Mallorca, Op. 202 "Barcarola"
Isaac Albeniz; Simeon Simov |
5:46 | |||
1.12
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Tango No. 2
Augustin Barrios Mangore; Georgi Moravsky |
3:32 | |||
1.13
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Recuerdos de la Alhambra
Francisco Tarrega; Rita Honti |
4:22 | |||
1.14
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Feste Lariane
Luigi Mozzani; Rita Honti |
3:47 | |||
Suite Española No. 1, Op. 47
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1.15
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III. Sevilla (Sevillanas)
Isaac Albeniz; Rita Honti |
5:46 | |||
1.16
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Caprichio Árabe
Francisco Tarrega; Rita Honti |
4:56 | |||
Baroque Tablature
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1.17
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VI. Gigue
Anonymus; Rita Honti |
1:08 | |||
6 Divertissements, Op. 2
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1.18
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No. 2. Waltz
Fernando Sor; Simeon Simov |
2:14 | |||
Suite Española No. 1, Op. 47
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1.19
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IV. Cadiz (Cancion)
Isaac Albeniz; Georgi Moravsky |
4:48 | |||
Guitar Quintet No. 3 in B Flat Major
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1.20
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IV. Allegro
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
6:19 | |||
1.21
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Larghetto
Francisco Tarrega; Rita Honti |
0:50 | |||
1.22
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Fantasia Original
José Vinas; Rita Honti |
5:11 | |||
1.23
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Pavanas
Gaspar Sanz; Simeon Simov |
3:43 | |||
1.24
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Estudio brillante de Alard
Francisco Tarrega; Rita Honti |
2:16 | |||
2 Thème Variées and 12 Menuets, Op. 11
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1.25
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No. 7 in A Minor (Andante)
Fernando Sor; Simeon Simov |
2:20 | |||
Suite Populaire Bresilienne
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1.26
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No. 1. Mazurka - Choro
Heitor Villa-Lobos; Georgi Morawsky |
3:22 | |||
1.27
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Aire de Zamba
Augustin Barrios Mangore; Georgi Moravsky |
2:23 | |||
Recuerdos de viaje, Op. 71
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1.28
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No. 6. Rumores de la caleta - Malaguena
Isaac Albeniz; Simeon Simov |
4:03 | |||
1.29
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Etude in E Minor
Francisco Tarrega; Rita Honti |
1:08 | |||
Guitar Quintet No. 4 in D Major, G. 448 "Fandango"
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1.30
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I. Pastorale
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
4:59 | |||
1.31
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Adelita (Mazurka)
Francisco Tarrega; Rita Honti |
1:28 | |||
Grande Sonate in C Major, Op. 22
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1.32
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IV. Rondo - Allegretto
Fernando Sor; Simeon Simov |
4:08 | |||
Suite Española No. 1, Op. 47
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1.33
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I. Granada (Serenata)
Isaac Albeniz; Georgi Moravsky |
4:43 | |||
1.34
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Choro da Saudade
Augustin Barrios Mangore; Georgi Moravsky |
4:36 | |||
1.35
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Danza mora
Francisco Tarrega; Simeon Simov |
2:07 | |||
1.36
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Preludio
Santiago de Murcia; Simeon Simov |
2:52 | |||
1.37
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Minuets Op. 11 No. 5 in D Major (Andante maestoso)
Fernando Sor; Simeon Simov |
2:15 | |||
1.38
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Dos Estudios
Dionisio Aguado Garcia; Georgi Moravsky |
3:29 | |||
Pieces caracteristicas Op. 92
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1.39
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XII Torre Bermeja (Serenata)
Isaac Albeniz; Rita Honti |
4:25 | |||
Guitar Quintet No. 3 in B Flat Major
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1.40
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III. Adagio
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
5:00 | |||
1.41
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Waltz Op. 32 No. 2
Fernando Sor; Simeon Simov |
1:49 | |||
Espana Op. 165
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1.42
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No. 1 Preludio
Isaac Albeniz; Rita Honti |
2:26 | |||
1.43
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Brasilian Dance
Heitor Villa-Lobos; Rita Honti |
5:16 | |||
2 Thème Variées and 12 Menuets, Op. 11
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1.44
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No. 2 in C Major
Fernando Sor; Simeon Simov |
2:06 | |||
Baroque Tablature
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1.45
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II. March
Anonymus; Rita Honti |
1:02 | |||
Sonatina meridional
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1.46
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I. Campo - II. Copla - III. Fiesta
Manuel María Ponce Cuéllar; Georgi Moravsky |
9:36 | |||
Grande Sonate in C Major, Op. 22
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1.47
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III. Menuetto
Fernando Sor; Simeon Simov |
2:18 | |||
1.48
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Calliope
Vincenzo Galilei; Rita Bálint |
0:51 | |||
1.49
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Alfonsina y el Mar
Ariel Ramirez; Georgi Moravsky |
4:30 | |||
1.50
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Verano Porteño (Tango)
Astor Piazzolla; Simeon Simov |
5:35 | |||
Guitar Quintet No. 3 in B Flat Major
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1.51
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I. Allegro moderato
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
7:52 | |||
1.52
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Lagrima
Francisco Tarrega; Rita Honti |
1:40 | |||
2 Thème Variées and 12 Menuets, Op. 11
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1.53
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No. 8 in A Major (Andante con moto)
Fernando Sor; Simeon Simov |
2:43 | |||
1.54
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La Catedral
Augustin Barrios Mangore; Rita Honti |
6:37 | |||
1.55
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Estrellita
Manuel María Ponce Cuéllar; Georgi Moravsky |
3:17 | |||
Baroque Tablature
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1.56
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IV. Menuet
Anonymus; Rita Honti |
1:02 | |||
6 Pieces, Op. 2
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1.57
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No. 5. Galopp
Fernando Sor; Simeon Simov |
1:30 | |||
24 Piezas Sudamericanas
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1.58
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No. 24. Milonga
Jorge Cardoso; Georgi Moravsky |
4:04 | |||
Preludes, W 419
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1.59
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I. Andantino espressivo in E Minor
Heitor Villa Lobos; Georgi Morawsky |
4:11 | |||
Guitar Quintet No. 4 in D Major, G. 448 "Fandango"
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1.60
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II. Allegro maestoso
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
6:19 | |||
1.61
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Courante
Anonymus; Rita Bálint |
1:06 | |||
2 Thème Variées and 12 Menuets, Op. 11
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1.62
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No. 1 in G Major (Andante)
Fernando Sor; Simeon Simov |
2:25 | |||
1.63
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Preludio - Andante religioso
Augustin Barrios Mangore; Georgi Moravsky |
6:39 | |||
1.64
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Choros
Domingos Semenzato; Rita Honti |
2:22 | |||
Preludes, W 419
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1.65
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No. 3. Andante in A Minor
Heitor Villa Lobos; Georgi Morawsky |
4:50 | |||
Baroque Tablature
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1.66
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III. Aria
Anonymus; Rita Honti |
1:11 | |||
Grande Sonate, Op. 22
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1.67
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I. Allegro
Fernando Sor; Simeon Simov |
6:02 | |||
1.68
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Valses Venezolanos No. 2 "El Marabino"
Antonio Lauro; Rita Honti |
1:04 | |||
Preludes, W 419
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1.69
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No. 4. Lenton in E Minor
Heitor Villa Lobos; Georgi Morawsky |
3:32 | |||
Guitar Quintet No. 3 in B Flat Major
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1.70
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II. Menuetto
Luigi Boccherini; Jean-Pierre Jumez; Dimov String Quartet |
4:30 | |||
Baroque Tablature
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1.71
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V. Bourrées 1 & 2
Anonymus; Rita Honti |
3:29 | |||
1.72
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Passamezzo
Adrian Denss; Enikö Alram |
2:38 | |||
1.73
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Guitar Etude No. 1 in E Minor (Allegro non troppo)
Heitor Villa Lobos; Simeon Simov |
2:06 | |||
Grande Sonate, Op. 22
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1.74
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II. Adagio
Fernando Sor; Simeon Simov |
6:25 | |||
1.75
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Fantasia Ottava
Vincenzo Galilei; Rita Bálint |
3:12 | |||
1.76
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Paduana and Galliard
Bartholomaeus Praetorius; Tamas Alram; Enikö Alram |
1:30 | |||
Baroque Tablature
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1.77
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I. Adagio
Anonymus; Rita Honti |
1:13 | |||
1.78
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Melancholy Galliard
John Dowland; Rita Bálint |
0:51 | |||
1.79
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Allemande
Bartholomaeus Praetorius; Tamas Alram |
2:38 | |||
1.80
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Una Limosna por el Amor de Dios
Augustin Barrios Mangore; Georgi Moravsky |
2:55 | |||
1.81
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Guitar Etude No. 7 in E Major (Trés animé, piú mosso)
Heitor Villa Lobos; Simeon Simov |
4:29 | |||
Valses Venezolanos
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1.82
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"Carorá"
Antonio Lauro; Rita Honti |
1:58 | |||
Introduction and Variations on a Theme by Mozart, Op. 9 "The Magic Flute"
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1.83
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I. Introduction
Fernando Sor; Georgi Moravsky |
1:27 | |||
1.84
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II. Theme
Fernando Sor; Georgi Moravsky |
1:12 | |||
1.85
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III. Variation 1
Fernando Sor; Georgi Moravsky |
1:16 | |||
1.86
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IV. Variation 2
Fernando Sor; Georgi Moravsky |
1:34 | |||
1.87
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V. Variation 3
Fernando Sor; Georgi Moravsky |
1:10 | |||
1.88
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VI. Variation 4
Fernando Sor; Georgi Moravsky |
0:49 | |||
1.89
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VII. Variation 5 and Coda
Fernando Sor; Georgi Moravsky |
1:21 | |||
1.90
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Danza Paraguaya
Augustin Barrios Mangore; Georgi Moravsky |
2:12 | |||
Preludes, W 419
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1.91
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No. 2. Andatino in E Major
Heitor Villa Lobos; Georgi Morawsky |
2:45 | |||
Waltzes, Op. 8
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1.92
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No. 4 in G Minor
Augustin Barrios Mangore; Rita Honti |
4:55 | |||
1.93
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A Galliard
Thomas Robinson; Rita Bálint |
0:53 | |||
1.94
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My Lord Willoughby's Welcome
John Dowland; Rita Bálint |
1:40 | |||
Concierto de Aranjuez
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1.95
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III. Allegro gentile
Joaquin Rodrigo; Zoltan Tokos; Budapest Strings; Béla Bánfalvi |
5:12 | |||
Preludes, W 419
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1.96
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No. 5. Poco animato in D Major
Heitor Villa Lobos; Georgi Morawsky |
2:54 | |||
Valses Venezolanos
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1.97
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No. 3
Antonio Lauro; Rita Honti |
2:36 | |||
1.98
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Cueca
Augustin Barrios Mangore; Simeon Simov |
3:41 | |||
1.99
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Guitar Etude No. 11 in E Minor (Lent - Animé - Poco meno)
Heitor Villa Lobos; Simeon Simov |
3:57 |
Spanish Café Music presents 99 of your favourite classical music numbers infused with the sounds of Spain. Full of orchestral and flamenco-inspired guitar pieces, this release features music by composers such as Albeniz, Sor, Villa-Lobos and includes Rodrigo's famous Concierto de Aranjuez, with some charming pieces by Boccherini thrown in for good measure, making this the perfect accompaniment for a romantic dinner.
44.1 kHz / 24-bit PCM – Cobra Entertainment LLC Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.67 -12.19 to -1.35 | -22.45 -32.42 to -17.86 | -19.83 -29.60 to -15.40 | 13 10 to 21 | |
1 | I. Allegro con spirito | -1.47 | -26.77 | -22.7 | 16 |
2 | Romance de Amor | -1.46 | -22.04 | -19.4 | 13 |
3 | Spanish Serenade | -1.46 | -19.69 | -17.2 | 12 |
4 | V. Asturias (Leyenda) | -1.46 | -27.17 | -23.9 | 18 |
5 | Tango | -1.46 | -29.52 | -27.4 | 21 |
6 | II. Adagio | -1.48 | -26.40 | -22.8 | 16 |
7 | Les folies d'Espagne, Op. 15a (Theme & Variations) | -1.46 | -20.74 | -18.4 | 13 |
8 | VII. Cuba (Caprichio) | -1.47 | -22.31 | -19.8 | 13 |
9 | Maria (Gavote) | -1.46 | -25.69 | -23.1 | 13 |
10 | III. Fandango (Grave assai) | -1.46 | -23.12 | -19.6 | 14 |
11 | Mallorca, Op. 202 "Barcarola" | -1.48 | -23.25 | -20.5 | 13 |
12 | Tango No. 2 | -1.46 | -22.35 | -19.7 | 14 |
13 | Recuerdos de la Alhambra | -1.47 | -17.89 | -15.5 | 11 |
14 | Feste Lariane | -1.35 | -21.40 | -18.8 | 12 |
15 | III. Sevilla (Sevillanas) | -1.46 | -21.29 | -18.7 | 13 |
16 | Caprichio Árabe | -1.46 | -22.18 | -19.4 | 14 |
17 | VI. Gigue | -1.46 | -18.25 | -16.4 | 11 |
18 | No. 2. Waltz | -1.46 | -20.70 | -18.2 | 13 |
19 | IV. Cadiz (Cancion) | -1.46 | -21.74 | -19.1 | 13 |
20 | IV. Allegro | -1.45 | -19.81 | -16.8 | 11 |
21 | Larghetto | -1.47 | -18.47 | -16.0 | 10 |
22 | Fantasia Original | -1.42 | -22.20 | -19.7 | 14 |
23 | Pavanas | -1.46 | -23.00 | -20.4 | 14 |
24 | Estudio brillante de Alard | -1.46 | -20.60 | -18.0 | 11 |
25 | No. 7 in A Minor (Andante) | -1.46 | -20.12 | -17.4 | 12 |
26 | No. 1. Mazurka - Choro | -1.50 | -28.12 | -25.7 | 13 |
27 | Aire de Zamba | -1.46 | -19.81 | -17.5 | 13 |
28 | No. 6. Rumores de la caleta - Malaguena | -1.46 | -21.61 | -19.1 | 13 |
29 | Etude in E Minor | -1.46 | -19.88 | -16.9 | 11 |
30 | I. Pastorale | -1.47 | -22.64 | -20.1 | 13 |
31 | Adelita (Mazurka) | -1.46 | -22.19 | -19.3 | 13 |
32 | IV. Rondo - Allegretto | -1.48 | -23.70 | -21.1 | 15 |
33 | I. Granada (Serenata) | -1.46 | -26.38 | -23.6 | 16 |
34 | Choro da Saudade | -1.46 | -19.37 | -16.8 | 12 |
35 | Danza mora | -1.46 | -26.07 | -23.7 | 16 |
36 | Preludio | -1.46 | -22.32 | -20.0 | 12 |
37 | Minuets Op. 11 No. 5 in D Major (Andante maestoso) | -1.46 | -23.83 | -21.2 | 14 |
38 | Dos Estudios | -1.46 | -22.23 | -19.7 | 14 |
39 | XII Torre Bermeja (Serenata) | -1.46 | -24.02 | -21.5 | 14 |
40 | III. Adagio | -1.46 | -21.73 | -18.8 | 12 |
41 | Waltz Op. 32 No. 2 | -1.46 | -20.91 | -18.5 | 14 |
42 | No. 1 Preludio | -1.46 | -21.12 | -18.4 | 12 |
43 | Brasilian Dance | -1.46 | -23.75 | -21.2 | 14 |
44 | No. 2 in C Major | -1.46 | -19.63 | -17.1 | 11 |
45 | II. March | -1.46 | -19.73 | -17.8 | 10 |
46 | I. Campo - II. Copla - III. Fiesta | -1.46 | -26.95 | -24.3 | 17 |
47 | III. Menuetto | -1.49 | -23.15 | -20.7 | 12 |
48 | Calliope | -1.46 | -19.49 | -17.1 | 11 |
49 | Alfonsina y el Mar | -1.47 | -24.08 | -21.5 | 15 |
50 | Verano Porteño (Tango) | -1.45 | -27.04 | -24.6 | 19 |
51 | I. Allegro moderato | -1.47 | -21.96 | -19.2 | 13 |
52 | Lagrima | -1.46 | -21.80 | -18.9 | 13 |
53 | No. 8 in A Major (Andante con moto) | -1.47 | -20.79 | -18.3 | 14 |
54 | La Catedral | -1.46 | -20.73 | -18.0 | 12 |
55 | Estrellita | -1.46 | -25.25 | -21.9 | 15 |
56 | IV. Menuet | -1.46 | -20.24 | -18.0 | 13 |
57 | No. 5. Galopp | -1.46 | -22.81 | -20.4 | 14 |
58 | No. 24. Milonga | -1.46 | -22.12 | -19.6 | 12 |
59 | I. Andantino espressivo in E Minor | -1.45 | -20.14 | -17.7 | 13 |
60 | II. Allegro maestoso | -1.46 | -23.71 | -20.6 | 14 |
61 | Courante | -1.48 | -22.93 | -20.5 | 13 |
62 | No. 1 in G Major (Andante) | -1.47 | -23.56 | -21.0 | 13 |
63 | Preludio - Andante religioso | -1.46 | -20.76 | -18.0 | 12 |
64 | Choros | -1.46 | -21.85 | -19.9 | 14 |
65 | No. 3. Andante in A Minor | -1.46 | -21.64 | -18.3 | 13 |
66 | III. Aria | -1.45 | -20.11 | -17.8 | 11 |
67 | I. Allegro | -1.45 | -25.40 | -22.9 | 18 |
68 | Valses Venezolanos No. 2 "El Marabino" | -1.46 | -18.56 | -16.0 | 11 |
69 | No. 4. Lenton in E Minor | -1.46 | -24.66 | -20.4 | 14 |
70 | II. Menuetto | -1.46 | -21.29 | -18.4 | 13 |
71 | V. Bourrées 1 & 2 | -1.45 | -24.32 | -22.4 | 12 |
72 | Passamezzo | -1.47 | -23.52 | -21.2 | 14 |
73 | Guitar Etude No. 1 in E Minor (Allegro non troppo) | -1.46 | -20.22 | -17.9 | 13 |
74 | II. Adagio | -1.45 | -23.83 | -20.8 | 14 |
75 | Fantasia Ottava | -1.46 | -22.62 | -20.2 | 12 |
76 | Paduana and Galliard | -1.46 | -20.06 | -18.0 | 12 |
77 | I. Adagio | -1.46 | -21.68 | -19.7 | 13 |
78 | Melancholy Galliard | -1.46 | -22.53 | -20.0 | 13 |
79 | Allemande | -1.46 | -22.29 | -19.7 | 15 |
80 | Una Limosna por el Amor de Dios | -1.46 | -18.43 | -16.0 | 10 |
81 | Guitar Etude No. 7 in E Major (Trés animé, piú mosso) | -1.47 | -21.72 | -19.1 | 13 |
82 | "Carorá" | -1.46 | -20.10 | -17.7 | 12 |
83 | I. Introduction | -1.47 | -24.92 | -21.3 | 14 |
84 | II. Theme | -1.44 | -20.45 | -17.9 | 12 |
85 | III. Variation 1 | -11.50 | -32.42 | -29.6 | 14 |
86 | IV. Variation 2 | -1.46 | -19.81 | -17.2 | 11 |
87 | V. Variation 3 | -12.19 | -31.29 | -28.7 | 12 |
88 | VI. Variation 4 | -1.47 | -18.08 | -15.4 | 11 |
89 | VII. Variation 5 and Coda | -1.47 | -24.83 | -22.2 | 16 |
90 | Danza Paraguaya | -1.47 | -20.39 | -18.0 | 12 |
91 | No. 2. Andatino in E Major | -1.46 | -19.95 | -17.5 | 12 |
92 | No. 4 in G Minor | -1.46 | -21.92 | -19.5 | 13 |
93 | A Galliard | -1.46 | -22.35 | -20.0 | 12 |
94 | My Lord Willoughby's Welcome | -1.46 | -23.37 | -20.9 | 13 |
95 | III. Allegro gentile | -1.46 | -26.69 | -23.5 | 16 |
96 | No. 5. Poco animato in D Major | -1.46 | -22.15 | -19.4 | 14 |
97 | No. 3 | -1.46 | -17.86 | -15.4 | 10 |
98 | Cueca | -1.46 | -25.45 | -23.1 | 17 |
99 | Guitar Etude No. 11 in E Minor (Lent - Animé - Poco meno) | -1.46 | -22.89 | -19.9 | 14 |