℗ 2022 Naxos
| Released | October 28, 2022 |
| Duration | 1h 15m 00s |
| Record Label | Naxos |
| Genre | Classical (Orchestral) |
Meyerbeer: Overtures & Stage Music
Czech Chamber Philharmonic Orchestra Pardubice, Dario Salvi
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Der Admiral
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1.1
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Overture
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
4:26 | |||
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Der Fischer und das Milchmädchen
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1.2
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Overture
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
3:38 | |||
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1.3
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I. Allegretto galante
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:10 | |||
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1.4
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II. Air de Chasse
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
4:01 | |||
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1.5
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III. Allegro furioso
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
0:59 | |||
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1.6
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IV. Allegretto scherzando
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
0:48 | |||
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1.7
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V. Corps de ballet
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
0:57 | |||
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1.8
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VI. Air de Chassé par Écho
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:37 | |||
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1.9
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VII. Allegretto galante
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:11 | |||
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1.10
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VIII. Andantino
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:34 | |||
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1.11
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IXa. Pas de deux
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
3:00 | |||
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1.12
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IXb. Andantino pastorale
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:21 | |||
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1.13
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X. Allemande
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
4:06 | |||
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1.14
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XI. Allegretto ma non troppo
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:26 | |||
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1.15
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XII. Andantino
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:31 | |||
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1.16
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XIII. Molto moderato
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:09 | |||
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1.17
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XIV. Pas de deux
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
3:39 | |||
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1.18
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XV. Allegro furioso
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:37 | |||
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1.19
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XVI. Andante agitato
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
1:14 | |||
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1.20
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XVII. Vivace
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
0:58 | |||
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1.21
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XVIII. Corps de ballet
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:01 | |||
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1.22
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XIX. Pas seul
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:19 | |||
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1.23
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XX. Pas de trois
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
3:32 | |||
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1.24
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XXI. Finale
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
4:05 | |||
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Das Brandenburger Tor
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1.25
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Einleitung
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
3:23 | |||
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Wirt und Gast (Excerpts)
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1.26
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Overture
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
6:42 | |||
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1.27
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Türkischer Marsch
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
2:10 | |||
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Romilda e Costanza
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1.28
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Overture
Czech Chamber Philharmonic Orchestra Pardubice; Dario Salvi |
9:26 | |||
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Digital Booklet
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Meyerbeer was a precocious composer and this album traces some of his very earliest works. Der Fischer und das Milchmädchen was his first stage work, a charming rural vignette that contains all the essential features of a ballet-divertissement couched in writing that enchantingly evokes the 18th century. Collaborating with his teacher, the Abbé Georg Vogler, Meyerbeer composed Der Admiral in 1811. The following year saw Wirt und Gast with the vivid Oriental exoticism of its Janissary music, while Romilda e Constanza, his first italian opera, shows his complete assimilation of Rossinian models. These are mostly previously unrecorded works. The score used in Wirt und Gast is the original conducting score which contains small pencil corrections made by Meyerbeer’s fellow pupil, Weber, who conducted the work.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.19 -13.41 to -0.59 | -24.39 -30.02 to -20.43 | -21.01 -26.60 to -16.60 | 12 10 to 17 | |
| 1 | Overture | -1.58 | -22.55 | -19.4 | 13 |
| 2 | Overture | -2.86 | -23.27 | -19.9 | 12 |
| 3 | I. Allegretto galante | -7.89 | -28.18 | -25.2 | 13 |
| 4 | II. Air de Chasse | -1.66 | -22.97 | -19.7 | 12 |
| 5 | III. Allegro furioso | -3.04 | -24.40 | -19.8 | 12 |
| 6 | IV. Allegretto scherzando | -10.86 | -28.01 | -24.9 | 11 |
| 7 | V. Corps de ballet | -3.92 | -23.16 | -20.0 | 14 |
| 8 | VI. Air de Chassé par Écho | -1.12 | -21.78 | -18.3 | 12 |
| 9 | VII. Allegretto galante | -8.08 | -28.64 | -25.6 | 13 |
| 10 | VIII. Andantino | -13.41 | -30.02 | -26.6 | 11 |
| 11 | IXa. Pas de deux | -0.65 | -22.96 | -19.3 | 13 |
| 12 | IXb. Andantino pastorale | -9.52 | -28.96 | -26.2 | 12 |
| 13 | X. Allemande | -3.53 | -22.49 | -19.7 | 12 |
| 14 | XI. Allegretto ma non troppo | -3.77 | -25.44 | -22.5 | 12 |
| 15 | XII. Andantino | -13.36 | -29.93 | -26.4 | 11 |
| 16 | XIII. Molto moderato | -3.19 | -25.57 | -22.6 | 13 |
| 17 | XIV. Pas de deux | -2.72 | -23.42 | -19.9 | 12 |
| 18 | XV. Allegro furioso | -1.04 | -20.47 | -16.6 | 13 |
| 19 | XVI. Andante agitato | -6.10 | -25.66 | -22.3 | 10 |
| 20 | XVII. Vivace | -1.03 | -21.74 | -18.1 | 13 |
| 21 | XVIII. Corps de ballet | -6.18 | -22.59 | -19.8 | 11 |
| 22 | XIX. Pas seul | -2.03 | -21.81 | -18.4 | 12 |
| 23 | XX. Pas de trois | -3.38 | -24.13 | -20.9 | 13 |
| 24 | XXI. Finale | -0.59 | -20.43 | -16.6 | 12 |
| 25 | Einleitung | -2.88 | -28.27 | -25.0 | 17 |
| 26 | Overture | -0.75 | -22.08 | -18.1 | 14 |
| 27 | Türkischer Marsch | -0.75 | -20.63 | -17.8 | 13 |
| 28 | Overture | -1.40 | -23.22 | -18.8 | 13 |