℗ 2022 Toccata Classics
Released | October 7, 2022 |
Duration | 1h 14m 11s |
Record Label | Toccata Classics |
Genre | Classical (Orchestral) |
C.R. Berry: Orchestral Music, Vol. 1
Moravian Philharmonic, Lviv National Philharmonic Symphony Orchestra, Polish Wieniawski Philharmonic Orchestra, Joel Eric Suben, Theodore Kuchar
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Olympic Mountains Overture
Moravian Philharmonic; Joel Eric Suben |
11:38 | |||
Symphony No. 4
|
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1.2
|
I. Water - Taste
Lviv National Philharmonic Symphony Orchestra; Theodore Kuchar |
6:52 | |||
1.3
|
II. Earth - Touch
Lviv National Philharmonic Symphony Orchestra; Theodore Kuchar |
5:19 | |||
1.4
|
III. Fire - Smell
Lviv National Philharmonic Symphony Orchestra; Theodore Kuchar |
8:09 | |||
1.5
|
IV. Spirit - Sight
Lviv National Philharmonic Symphony Orchestra; Theodore Kuchar |
8:25 | |||
1.6
|
V. Air - Hearing
Lviv National Philharmonic Symphony Orchestra; Theodore Kuchar |
3:32 | |||
Symphony No. 5
|
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1.7
|
I. Allegro
Polish Wieniawski Philharmonic Orchestra; Joel Eric Suben |
9:37 | |||
1.8
|
II. Andante
Polish Wieniawski Philharmonic Orchestra; Joel Eric Suben |
8:35 | |||
1.9
|
III. Allegro
Polish Wieniawski Philharmonic Orchestra; Joel Eric Suben |
5:18 | |||
1.10
|
IV. Allegro
Polish Wieniawski Philharmonic Orchestra; Joel Eric Suben |
6:46 | |||
Digital Booklet
|
Charles Roland Berry, born in Boston, Mass., in 1957, studied in California with Peter Racine Fricker and Paul Creston before supporting himself in a variety of jobs in the music world. As a composer, he believes in writing music that audiences might like to hear and musicians enjoy playing; as a result, all three works here have the open-air, open-hearted, even naïve, quality of much American orchestral music, film scores in particular – the kind of ‘Big Country’ sound that one can hear in Copland, Grofe, Harris, Moross and other painters of the wide outdoors.
48 kHz / 24-bit PCM – Toccata Classics Studio Masters
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.17 -9.92 to -0.71 | -23.07 -32.94 to -16.41 | -19.62 -29.40 to -13.20 | 13 9 to 15 | |
1 | Olympic Mountains Overture | -0.71 | -24.33 | -20.2 | 15 |
2 | I. Water - Taste | -1.06 | -24.77 | -21.0 | 14 |
3 | II. Earth - Touch | -9.92 | -32.94 | -29.4 | 13 |
4 | III. Fire - Smell | -1.06 | -23.88 | -20.5 | 15 |
5 | IV. Spirit - Sight | -2.91 | -28.58 | -25.5 | 15 |
6 | V. Air - Hearing | -3.17 | -24.45 | -20.5 | 12 |
7 | I. Allegro | -0.71 | -16.41 | -13.2 | 9 |
8 | II. Andante | -0.71 | -19.94 | -16.5 | 11 |
9 | III. Allegro | -0.71 | -18.83 | -15.7 | 11 |
10 | IV. Allegro | -0.71 | -16.58 | -13.7 | 10 |