℗ 2022 Naxos
| Released | October 28, 2022 |
| Duration | 1h 13m 21s |
| Record Label | Naxos |
| Genre | Classical (Guitar) |
Works for Guitar Sextet
Guitarra a Seis
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Brandenburg Concerto No. 3 in G Major, BWV 1048 (Arr. H. Stampa & J. Stibal for Guitar Sextet)
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1.1
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I. —
Guitarra a Seis |
5:38 | |||
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1.2
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II. Adagio
Guitarra a Seis |
0:42 | |||
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Brandenburg Concerto No. 3 in G Major BWV 1048 (Arr. H. Stampa & J. Stibal for Guitar Sextet)
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1.3
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III. Allegro
Guitarra a Seis |
5:31 | |||
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1.4
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Ipercubo, Op. 18
Guitarra a Seis |
9:49 | |||
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L’ltaliana in Algeri
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1.5
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Ouverture (Arr. C. Marchione for Guitar Sextet)
Guitarra a Seis |
8:45 | |||
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1.6
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Codex Bulgaricus for Guitar Sextet
Guitarra a Seis |
6:43 | |||
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Ma mère l’oye, M. 77 (Arr. C. Marchione for Guitar Sextet)
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1.7
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I. Pavane de la belle au bois dormant
Guitarra a Seis |
1:52 | |||
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1.8
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II. Petit poucet
Guitarra a Seis |
3:06 | |||
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1.9
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III. Laideronnette, impératrice des pagodes
Guitarra a Seis |
3:25 | |||
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1.10
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IV. Les entretiens de la belle et de la bête
Guitarra a Seis |
4:17 | |||
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1.11
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V. Le jardin féerique
Guitarra a Seis |
3:05 | |||
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Suite panamericana
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1.12
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I. Kind of Swing
Guitarra a Seis |
4:42 | |||
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1.13
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II. Kind of Blues
Guitarra a Seis |
6:12 | |||
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1.14
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III. Kind of Latin
Guitarra a Seis |
5:05 | |||
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1.15
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Juan Sebastian’s Bar for Guitar Sextet
Guitarra a Seis |
4:29 | |||
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Digital Booklet
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With specially made instruments and a range that can emulate that of a whole orchestra, the acclaimed Guitarra a Seis bring us a colourful programme that includes works written specially for the ensemble. Opening with a real feast for the ears in Bach’s lively Brandenburg Concerto No. 3, we further encounter the magical moods of Ravel’s Ma mère l’Oye, a blend of Bulgarian folk and modern music from Atanas Ourkouzounov, Tobias Krebs’ jazz-infused Suite Panamericana, and Sérgio Assad’s humorous Juan Sebastian’s Bar, which alludes to Bach and Beethoven but is Brazilian through and through. The guitar sextet Guitarra a Seis was founded in Zurich in 2012. The founder members include the three German guitarists Jens Stibal, Harald Stampa and Matthias Kläger as well as the Brazilian guitarist Edmauro de Oliveira. The Polish guitarist Adam Olenczak joined in 2016, followed by the Swiss guitarist and composer Tobias Krebs in 2019. This is Guitarra a Seis’ debut on the Naxos label, but this is an ensemble that has already established European renown in the guitar world and beyond for its innovative approach to performing and its imaginative programming of arrangements and original works, some of which have achieved wide exposure through a number of high-quality YouTube videos.
96 kHz / 24-bit PCM – Naxos Studio Masters
Tracks 1-15 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-15 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.03 -7.30 to -0.21 | -21.05 -30.79 to -17.63 | -17.77 -27.10 to -14.50 | 13 11 to 16 | |
| 1 | I. — | -0.22 | -18.57 | -16.1 | 13 |
| 2 | II. Adagio | -7.30 | -27.66 | -24.9 | 13 |
| 3 | III. Allegro | -0.22 | -18.71 | -16.2 | 13 |
| 4 | Ipercubo, Op. 18 | -0.21 | -18.32 | -14.5 | 11 |
| 5 | Ouverture (Arr. C. Marchione for Guitar Sextet) | -0.22 | -19.22 | -15.6 | 11 |
| 6 | Codex Bulgaricus for Guitar Sextet | -0.22 | -19.62 | -15.5 | 11 |
| 7 | I. Pavane de la belle au bois dormant | -5.37 | -30.79 | -27.1 | 15 |
| 8 | II. Petit poucet | -0.22 | -24.26 | -20.9 | 16 |
| 9 | III. Laideronnette, impératrice des pagodes | -0.22 | -19.01 | -16.2 | 12 |
| 10 | IV. Les entretiens de la belle et de la bête | -0.22 | -21.86 | -17.9 | 13 |
| 11 | V. Le jardin féerique | -0.22 | -20.05 | -16.8 | 12 |
| 12 | I. Kind of Swing | -0.21 | -17.85 | -14.6 | 11 |
| 13 | II. Kind of Blues | -0.22 | -23.17 | -19.5 | 15 |
| 14 | III. Kind of Latin | -0.21 | -18.98 | -15.6 | 12 |
| 15 | Juan Sebastian’s Bar for Guitar Sextet | -0.22 | -17.63 | -15.1 | 12 |