℗ 2017 ECM Records GmbH under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
| Released | August 25, 2017 |
| Duration | 1h 08m 31s |
| Genre | Classical |
Secret History: Josquin - Victoria
John Potter
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Nesciens Mater
Jean Mouton; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
3:24 | |||
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1.2
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Prelude I
Jacob Heringman; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
0:25 | |||
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Missa Surge Propera
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1.3
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1. Kyrie
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
2:46 | |||
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1.4
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Prelude II
Jacob Heringman; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
0:36 | |||
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1.5
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2. Gloria
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
5:56 | |||
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1.6
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Prelude III
Jacob Heringman; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
0:22 | |||
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1.7
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3. Credo
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
10:24 | |||
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1.8
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Prelude IV
Jacob Heringman; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
0:26 | |||
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1.9
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4a. Sanctus
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
1:52 | |||
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1.10
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4b. Benedictus
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
1:51 | |||
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1.11
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Prelude V
Jacob Heringman; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
0:27 | |||
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1.12
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5. Agnus Dei
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
3:25 | |||
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1.13
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Inviolata
Anonymous; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
1:19 | |||
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1.14
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Inviolata
Josquin Desprez; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
3:10 | |||
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1.15
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Absalon, Fili Mi
Josquin Desprez; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
3:33 | |||
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1.16
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Obsecro Te
Anonymous; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
0:37 | |||
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1.17
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Obsecro Te
Josquin Desprez; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
5:42 | |||
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1.18
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Salve Regina
Josquin Desprez; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
6:40 | |||
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1.19
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Benedicta Es
Anonymous; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
1:53 | |||
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1.20
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Benedicta Es
Josquin Desprez; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
6:07 | |||
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1.21
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Nymphes De Bois
Josquin Desprez; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
4:29 | |||
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1.22
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O Magnum Mysterium
Tomas Luis de Victoria; John Potter; Anna Maria Friman; Ariel Abramovich; Jacob Heringman; Lee Santana |
3:07 | |||
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Digital Booklet
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Secret History sees renowned tenor John Potter (formerly of the Hilliard Ensemble) join forces with fellow vocalist Anna Maria Friman, vihuela players Ariel Abramovich, Jacob Heringman, and Lee Santana, and viola da gamba player Hille Perl for a unique project which sees sacred music by Renaissance composers Josquin Desprez, Tomas Luis de Victoria, and others performed in arrangement for two voices and instrumental accompaniment. Recorded at St Gerold Monastery in Austria, this release unites masses and motets by two composers whose works have long been treasured by lutenists, performed by a group of consummate artists.
44.1 kHz / 24-bit PCM – ECM New Series Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.70 -21.12 to -5.10 | -32.47 -40.44 to -25.80 | -29.31 -36.70 to -23.00 | 13 10 to 16 | |
| 1 | Nesciens Mater | -5.87 | -25.80 | -23.0 | 13 |
| 2 | Prelude I | -15.02 | -36.76 | -33.3 | 12 |
| 3 | 1. Kyrie | -9.37 | -30.40 | -27.2 | 13 |
| 4 | Prelude II | -18.74 | -38.41 | -34.9 | 11 |
| 5 | 2. Gloria | -8.68 | -29.61 | -26.7 | 13 |
| 6 | Prelude III | -19.33 | -40.44 | -36.7 | 13 |
| 7 | 3. Credo | -7.94 | -30.56 | -27.6 | 14 |
| 8 | Prelude IV | -19.32 | -37.72 | -33.9 | 10 |
| 9 | 4a. Sanctus | -10.30 | -30.01 | -27.1 | 14 |
| 10 | 4b. Benedictus | -5.10 | -26.15 | -23.0 | 11 |
| 11 | Prelude V | -21.12 | -37.51 | -34.7 | 11 |
| 12 | 5. Agnus Dei | -8.37 | -27.74 | -24.8 | 12 |
| 13 | Inviolata | -15.57 | -35.51 | -32.1 | 13 |
| 14 | Inviolata | -13.12 | -34.99 | -32.1 | 15 |
| 15 | Absalon, Fili Mi | -10.81 | -29.85 | -26.9 | 11 |
| 16 | Obsecro Te | -9.32 | -30.29 | -26.3 | 12 |
| 17 | Obsecro Te | -13.76 | -37.40 | -34.8 | 16 |
| 18 | Salve Regina | -5.62 | -30.75 | -27.5 | 15 |
| 19 | Benedicta Es | -13.29 | -34.14 | -30.7 | 13 |
| 20 | Benedicta Es | -6.31 | -27.08 | -24.2 | 13 |
| 21 | Nymphes De Bois | -7.08 | -27.99 | -24.9 | 12 |
| 22 | O Magnum Mysterium | -13.31 | -35.21 | -32.5 | 14 |