℗ 2019 Urania Records
| Released | April 5, 2019 |
| Duration | 58m 00s |
| Record Label | Urania Records |
| Genre | Classical (Baroque Era) |
Caldara: Sonatas & Cantatas
I Solisti Ambrosiani, Tullia Pedersoli, Davide Belosio
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Risoluto son già tiranno amore
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1.1
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No. 1, Risoluto son già
Tullia Pedersoli |
0:45 | |||
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1.2
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No. 2, Arma frodi strali
Tullia Pedersoli |
3:37 | |||
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1.3
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No. 3, Quel panico spavento
Tullia Pedersoli |
0:44 | |||
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1.4
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No. 4, Guerra, guerra
Tullia Pedersoli |
7:07 | |||
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Innocente cor mio
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1.5
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No. 1, Innocente cor mio
Tullia Pedersoli |
1:22 | |||
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1.6
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No. 2, Non fidarti, e non scherzare
Tullia Pedersoli |
3:26 | |||
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1.7
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No. 3, La vaga luce
Tullia Pedersoli |
1:18 | |||
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1.8
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No. 4, Temi d'amore
Tullia Pedersoli |
4:19 | |||
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Sonate de camera, Op. 2 No. 1
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1.9
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I. Preludio. Largo
Davide Belosio |
1:22 | |||
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1.10
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II. Allegro
Davide Belosio |
2:00 | |||
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1.11
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III. Allegro
Davide Belosio |
1:53 | |||
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Sonate de camera, Op. 2 No. 2
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1.12
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I. Preludio. Adagio
Davide Belosio |
1:38 | |||
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1.13
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II. Allegro
Davide Belosio |
2:00 | |||
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1.14
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III. Allegro
Davide Belosio |
2:22 | |||
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Sonate de camera, Op. 2 No. 3
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1.15
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I. Andante
Davide Belosio |
3:55 | |||
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1.16
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II. Allegro
Davide Belosio |
1:44 | |||
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1.17
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III. Allegro
Davide Belosio |
1:31 | |||
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Sonate de camera, Op. 2 No. 4
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1.18
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I. Preludio
Davide Belosio |
1:03 | |||
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1.19
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II. Allegro
Davide Belosio |
2:11 | |||
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Sonate de camera, Op. 2 No. 5
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1.20
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I. Preludio. Largo
Davide Belosio |
4:14 | |||
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1.21
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II. Allegro
Davide Belosio |
1:30 | |||
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1.22
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III. Allegro
Davide Belosio |
2:01 | |||
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Sonate de camera, Op. 2 No. 6
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1.23
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I. Preludio. Largo
Davide Belosio |
1:22 | |||
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1.24
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II. Allegro
Davide Belosio |
2:08 | |||
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1.25
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III. Presto
Davide Belosio |
2:28 | |||
This new first world recording explores Antonio Caldara and his sontatas and cantatas. Antonio Caldara is chiefly known as a composer of vocal music (operas, cantatas and oratorios), and is especially remembered for his operas, many of which are settings of librettos by Zeno and Metasasio. His stylistic development as a composer, however, has been described as a movement from works that are carefully crafted, with attention given to both musical and dramatic elements (his pre-1716 works) to music that becomes increasingly less detailed and texturally thinner (post-1716), reflecting Caldara's pressing schedule in Vienna. Today, manuscripts of Caldara's music are widely dispersed across Europe but his compositions which record so valuable a picture of the late Baroque in Italy and Austria are comparatively unknown to performers and little studied by scholars. The works are performed on this release by the ensemble I Solisti Ambrosiani.
96 kHz / 24-bit PCM – Urania Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.94 -11.20 to -0.20 | -25.91 -30.48 to -22.91 | -22.67 -27.20 to -19.80 | 13 11 to 14 | |
| 1 | No. 1, Risoluto son già | -4.59 | -26.78 | -23.2 | 13 |
| 2 | No. 2, Arma frodi strali | -0.20 | -23.37 | -20.1 | 14 |
| 3 | No. 3, Quel panico spavento | -3.21 | -24.29 | -20.3 | 14 |
| 4 | No. 4, Guerra, guerra | -2.54 | -24.48 | -21.3 | 14 |
| 5 | No. 1, Innocente cor mio | -2.34 | -25.74 | -22.4 | 13 |
| 6 | No. 2, Non fidarti, e non scherzare | -2.48 | -24.19 | -21.2 | 14 |
| 7 | No. 3, La vaga luce | -0.37 | -25.54 | -21.4 | 12 |
| 8 | No. 4, Temi d'amore | -3.28 | -25.28 | -22.2 | 13 |
| 9 | I. Preludio. Largo | -8.93 | -27.36 | -24.1 | 11 |
| 10 | II. Allegro | -8.13 | -24.94 | -21.7 | 12 |
| 11 | III. Allegro | -8.01 | -25.48 | -22.4 | 12 |
| 12 | I. Preludio. Adagio | -9.39 | -28.20 | -24.9 | 11 |
| 13 | II. Allegro | -5.77 | -24.42 | -21.4 | 12 |
| 14 | III. Allegro | -5.90 | -25.18 | -22.3 | 13 |
| 15 | I. Andante | -5.49 | -25.91 | -22.9 | 13 |
| 16 | II. Allegro | -4.75 | -24.64 | -21.9 | 13 |
| 17 | III. Allegro | -4.83 | -24.24 | -21.2 | 12 |
| 18 | I. Preludio | -9.43 | -27.45 | -24.0 | 11 |
| 19 | II. Allegro | -4.03 | -22.91 | -19.8 | 12 |
| 20 | I. Preludio. Largo | -10.02 | -30.48 | -27.2 | 14 |
| 21 | II. Allegro | -10.54 | -28.03 | -24.6 | 12 |
| 22 | III. Allegro | -5.85 | -27.04 | -23.7 | 14 |
| 23 | I. Preludio. Largo | -11.20 | -28.18 | -25.0 | 11 |
| 24 | II. Allegro | -8.29 | -27.98 | -24.9 | 13 |
| 25 | III. Presto | -8.91 | -25.62 | -22.7 | 11 |