TÁR (MUSIC FROM AND INSPIRED BY THE MOTION PICTURE)
Hildur Guðnadóttir, Cate Blanchett, Sophie Kauer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Track 1
Hildur Guðnadóttir |
1:12 | |||
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1.2
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Track 2
Hildur Guðnadóttir; London Contemporary Orchestra |
3:37 | |||
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1.3
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Track 3
Hildur Guðnadóttir |
0:20 | |||
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1.4
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Track 4
London Contemporary Orchestra; Robert Ames |
8:18 | |||
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1.5
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Track 5
Hildur Guðnadóttir |
0:15 | |||
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1.6
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Track 6
London Contemporary Orchestra |
5:45 | |||
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1.7
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Track 7
London Contemporary Orchestra |
4:15 | |||
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1.8
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Track 8
London Contemporary Orchestra |
4:56 | |||
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1.9
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Track 9
Cate Blanchett; Jan Wolf; Dresdner Philharmonie |
3:19 | |||
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1.10
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Track 10
Cate Blanchett; Dresdner Philharmonie |
4:24 | |||
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1.11
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Track 11
Rachel Smith; Natalie Murray Beale; Sophie Kauer |
0:22 | |||
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1.12
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Track 12
Sophie Kauer; London Symphony Orchestra; Natalie Murray Beale |
1:32 | |||
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1.13
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Track 13
Rachel Smith; Natalie Murray Beale; Sophie Kauer; Todd Field |
1:20 | |||
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1.14
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Track 14
Sophie Kauer; London Symphony Orchestra; Natalie Murray Beale |
12:09 | |||
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1.15
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Track 15
Rachel Smith; Natalie Murray Beale |
0:20 | |||
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1.16
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Track 16
Sophie Kauer; London Symphony Orchestra; Natalie Murray Beale |
3:45 | |||
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1.17
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Track 17
Al Kay; New Trombone Collective; Martijn Sohier |
2:42 | |||
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1.18
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Track 18
Cate Blanchett; Zethphan Smith-Gneist |
1:28 | |||
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1.19
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Track 19
Cate Blanchett; Elisa Vargas Fernandez |
0:31 | |||
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1.20
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Track 20
Elisa Vargas Fernandez |
3:21 | |||
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Digital Booklet
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Deutsche Grammophon presents Hildur Guðnadóttir’s exciting new film project – a groundbreaking concept album for the much-anticipated TÁR, premiered in September at the Venice Film Festival. The recording features music from and inspired by the movie, including a series of stunning new tracks by Guðnadóttir, as well as extracts from major works by Elgar and Mahler. The concept album complements the film by presenting completed, real-life versions of the music on which we see the fictional protagonist working. The aim of the album is to reveal something of the rehearsal and recording process of orchestral music-making.
Written and directed by three-time Oscar-nominated filmmaker Todd Field, and starring two-time Oscar winner Cate Blanchett, TÁR tells the story of high-powered composer-conductor Lydia Tár. Blanchett immersed herself in every aspect of her character’s life and can be seen – and heard on the DG album – conducting rehearsals of a Mahler symphony with extraordinary skill.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Tracks 1-3, 5-8, 10, 17-20 – 48 kHz / 24-bit PCM Tracks 4, 9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 11-16 – contains material which utilizes a limited amount of the available bandwidth Track 1 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 1-3, 5-8, 10, 17-20 – 48 kHz / 24-bit PCM Tracks 4, 9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 11-16 – contains material which utilizes a limited amount of the available bandwidth Track 1 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.92 -18.51 to -0.90 | -27.08 -39.00 to -17.37 | -22.87 -34.90 to -13.20 | 12 9 to 17 | |
| 1 | Track 1 | -13.82 | -30.34 | -26.6 | 9 |
| 2 | Track 2 | -6.75 | -27.03 | -24.4 | 11 |
| 3 | Track 3 | -18.51 | -39.00 | -34.9 | 13 |
| 4 | Track 4 | -0.90 | -22.97 | -20.0 | 14 |
| 5 | Track 5 | -15.03 | -38.36 | -32.4 | 15 |
| 6 | Track 6 | -3.34 | -21.84 | -16.8 | 10 |
| 7 | Track 7 | -0.98 | -17.37 | -14.0 | 11 |
| 8 | Track 8 | -1.90 | -21.32 | -16.5 | 10 |
| 9 | Track 9 | -0.90 | -18.97 | -13.2 | 10 |
| 10 | Track 10 | -4.07 | -29.30 | -24.4 | 14 |
| 11 | Track 11 | -9.51 | -33.21 | -28.8 | 11 |
| 12 | Track 12 | -0.90 | -23.61 | -18.8 | 13 |
| 13 | Track 13 | -4.18 | -31.52 | -27.1 | 17 |
| 14 | Track 14 | -0.90 | -21.53 | -17.6 | 12 |
| 15 | Track 15 | -8.77 | -32.97 | -27.8 | 13 |
| 16 | Track 16 | -0.90 | -21.63 | -16.4 | 11 |
| 17 | Track 17 | -4.97 | -21.09 | -18.7 | 10 |
| 18 | Track 18 | -4.83 | -27.87 | -24.7 | 14 |
| 19 | Track 19 | -8.03 | -34.40 | -30.0 | 17 |
| 20 | Track 20 | -9.21 | -27.23 | -24.2 | 11 |