℗ 2022 Delphian Records
| Released | November 18, 2022 |
| Duration | 1h 05m 38s |
| Record Label | Delphian Records |
| Genre | Classical (Baroque) |
La Notte: Concertos & Pastorales for Christmas Night
Bojan Čičić, The Illyria Consort
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concerto for Violin and Strings in G Minor, RV 104 "La notte"
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1.1
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I. Largo
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
2:08 | |||
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1.2
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II. Fantasmi: Presto - Largo - Andante
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
1:44 | |||
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1.3
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III. Presto
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
1:04 | |||
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1.4
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IV. Il sonno
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
1:38 | |||
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1.5
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V. Allegro
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
2:36 | |||
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Sonata ‘Pastorella’
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1.6
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I.
Heinrich Ignaz Franz von Biber; Bojan Čičić; The Illyria Consort |
2:09 | |||
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1.7
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II.
Heinrich Ignaz Franz von Biber; Bojan Čičić; The Illyria Consort |
1:33 | |||
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1.8
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III.
Heinrich Ignaz Franz von Biber; Bojan Čičić; The Illyria Consort |
1:26 | |||
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Sonata Laetitiae for 2 Violins, 3 Viols and Basso Continuo
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1.9
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I. Allegro
Pavel Josef Vejvanovský; Bojan Čičić; The Illyria Consort |
2:18 | |||
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1.10
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II. Presto
Pavel Josef Vejvanovský; Bojan Čičić; The Illyria Consort |
1:34 | |||
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Sonata No. 10 for 3 Violins and Basso Continuo, ‘Pastorella’
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1.11
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I. Vivace
Johann Georg Rauch; Bojan Čičić; The Illyria Consort |
1:40 | |||
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Sonata No. 10 for 3 Violins and Basso Continuo ‘Pastorella’
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1.12
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II. Adagio
Johann Georg Rauch; Bojan Čičić; The Illyria Consort |
1:57 | |||
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1.13
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III. Pastorella - Adagio
Johann Georg Rauch; Bojan Čičić; The Illyria Consort |
2:01 | |||
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Minoritenkonvent Wien, No. 87, MS XIV.726 "Sonate Wie schön leuchtet die Morgenstern"
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1.14
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I. Contrapunct sopra la Baßigaylos d’Altr.
Anonymous; Bojan Čičić; The Illyria Consort |
5:15 | |||
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1.15
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II.
Anonymous; Bojan Čičić; The Illyria Consort |
3:51 | |||
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1.16
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III. Adagio - Allegro
Anonymous; Bojan Čičić; The Illyria Consort |
2:48 | |||
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1.17
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IV.
Anonymous; Bojan Čičić; The Illyria Consort |
2:58 | |||
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Minoritenkonvent Wien, No. 68, MS XIV.726
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1.18
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Sonate ‘Musikalisch Uhrwerk’
Anonymous; Bojan Čičić; The Illyria Consort |
7:08 | |||
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Pastoralle for 3 Viols and Basso Continuo
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1.19
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I. Adagio
Gottfried Finger; Bojan Čičić; The Illyria Consort |
1:40 | |||
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1.20
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II. Allegro - Adagio
Gottfried Finger; Bojan Čičić; The Illyria Consort |
2:09 | |||
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1.21
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III. Adagio
Gottfried Finger; Bojan Čičić; The Illyria Consort |
1:37 | |||
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1.22
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IV. Allegro - Adagio
Gottfried Finger; Bojan Čičić; The Illyria Consort |
2:50 | |||
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Sacro-Profanus Concentus Musicus, Sonata a 3 ‘Pastorale’
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1.23
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I.
Johann Heinrich Schmelzer; Bojan Čičić; The Illyria Consort |
1:04 | |||
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1.24
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II. Adagio
Johann Heinrich Schmelzer; Bojan Čičić; The Illyria Consort |
0:42 | |||
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1.25
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III.
Johann Heinrich Schmelzer; Bojan Čičić; The Illyria Consort |
2:08 | |||
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Concerto for Strings, RV 270a in E Major ‘Il riposo – per il santissimo Natale’
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1.26
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I. Allegro
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
3:49 | |||
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1.27
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II. Andante (Reconstructed by Olivier Fourés)
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
1:38 | |||
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1.28
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III. Allegro
Antonio Vivaldi; Bojan Čičić; The Illyria Consort |
2:13 | |||
Bojan Čičić and the Illyria Consort’s latest Delphian recording revels in the great variety of musical styles and traditions that grew up around Christmas and its related feasts in Catholic Europe in the seventeenth century – a time when the introduction of ‘rustic’ effects into instrumental music changed the sound of Christmas forever.
The vivid theatricality of Baroque evocations of the shepherds and their milieu and the unusual combinations of instruments in much of this music, here given in performances brimming with energy and the joy of rediscovery, make this a Christmas album to reach for every year.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.52 -12.88 to -0.40 | -20.51 -30.51 to -18.41 | -17.42 -28.10 to -14.50 | 11 10 to 14 | |
| 1 | I. Largo | -3.88 | -21.94 | -18.5 | 11 |
| 2 | II. Fantasmi: Presto - Largo - Andante | -0.40 | -20.73 | -16.6 | 12 |
| 3 | III. Presto | -0.40 | -18.41 | -15.3 | 12 |
| 4 | IV. Il sonno | -12.88 | -30.51 | -28.1 | 10 |
| 5 | V. Allegro | -0.92 | -19.42 | -16.2 | 12 |
| 6 | I. | -3.35 | -19.57 | -16.7 | 11 |
| 7 | II. | -2.95 | -19.57 | -16.6 | 12 |
| 8 | III. | -1.91 | -19.20 | -15.9 | 11 |
| 9 | I. Allegro | -0.40 | -19.12 | -15.7 | 12 |
| 10 | II. Presto | -0.42 | -18.53 | -14.5 | 12 |
| 11 | I. Vivace | -1.07 | -19.45 | -16.1 | 12 |
| 12 | II. Adagio | -3.07 | -20.33 | -17.1 | 12 |
| 13 | III. Pastorella - Adagio | -1.70 | -19.58 | -15.9 | 12 |
| 14 | I. Contrapunct sopra la Baßigaylos d’Altr. | -2.38 | -21.19 | -17.9 | 11 |
| 15 | II. | -2.75 | -19.33 | -16.4 | 12 |
| 16 | III. Adagio - Allegro | -1.17 | -21.45 | -18.0 | 12 |
| 17 | IV. | -1.10 | -19.46 | -16.3 | 12 |
| 18 | Sonate ‘Musikalisch Uhrwerk’ | -3.27 | -23.78 | -20.1 | 14 |
| 19 | I. Adagio | -1.31 | -18.70 | -16.5 | 10 |
| 20 | II. Allegro - Adagio | -1.82 | -18.91 | -16.6 | 10 |
| 21 | III. Adagio | -1.52 | -19.15 | -16.6 | 10 |
| 22 | IV. Allegro - Adagio | -2.06 | -19.77 | -17.3 | 10 |
| 23 | I. | -3.35 | -19.96 | -16.9 | 11 |
| 24 | II. Adagio | -2.62 | -18.54 | -15.7 | 10 |
| 25 | III. | -1.74 | -19.06 | -15.9 | 11 |
| 26 | I. Allegro | -2.77 | -22.40 | -19.5 | 12 |
| 27 | II. Andante (Reconstructed by Olivier Fourés) | -5.22 | -23.61 | -21.0 | 11 |
| 28 | III. Allegro | -4.24 | -22.77 | -19.9 | 12 |