℗ 2017 Contrastes Music Records
| Released | September 1, 2017 |
| Duration | 49m 49s |
| Record Label | Contrastes Music Records |
| Genre | Classical |
Paris est une solitude peuplée
Judicaël Perroy
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Suite populaire brésilienne, W020 (1948 version)
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1.1
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I. Mazurka
Heitor Villa-Lobos; Judicaël Perroy |
3:24 | |||
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1.2
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II. Schottische
Heitor Villa-Lobos; Judicaël Perroy |
3:49 | |||
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1.3
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III. Valsa
Heitor Villa-Lobos; Judicaël Perroy |
4:50 | |||
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1.4
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IV. Gavota
Heitor Villa-Lobos; Judicaël Perroy |
5:43 | |||
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1.5
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V. Chorinho
Heitor Villa-Lobos; Judicaël Perroy |
4:38 | |||
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Prelude and Nocturne for the Left Hand, Op. 9
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1.6
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Prelude (arr. for Guitar)
Anonymous; Alexander Scriabin; Judicaël Perroy |
3:08 | |||
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Guitar Sonata No. 3
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1.7
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I. Allegro moderato
Manuel María Ponce; Judicaël Perroy |
7:10 | |||
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1.8
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II. Chanson
Manuel María Ponce; Judicaël Perroy |
3:08 | |||
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1.9
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III. Allegro non troppo
Manuel María Ponce; Judicaël Perroy |
5:37 | |||
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Equinox
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1.10
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Equinox
Toru Takemitsu; Judicaël Perroy |
5:30 | |||
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1.11
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Fantasia No. 13, Op. 59, "Fantaisie élégiaque"
Fernando Sor; Judicaël Perroy |
2:52 | |||
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Digital Booklet
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French classical guitarist Judicaël Perroy presents Paris est une solitude peuplée, a varied collection of solo works containing some unexpected choices. Opening with Villa-Lobos's Suite populaire brésilienne, Perroy moves through a Prelude & Nocturne by Russian composer Scriabin and the Guitar Sonata No. 3 by Mexican composer Manuel María Ponce, followed by contributions from 20th-century Japanese composer Toru Takemitsu and 19th-century Spanish composer Fernando Sor. Perroy approaches these diverse pieces with unified warmth and elegance, making this an expertly crafted release that goes off the beaten track.
44.1 kHz / 24-bit PCM – Contrastes Music Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.38 -12.61 to -2.66 | -30.12 -34.94 to -27.19 | -27.00 -30.60 to -24.30 | 14 12 to 18 | |
| 1 | I. Mazurka | -12.61 | -30.05 | -27.3 | 12 |
| 2 | II. Schottische | -6.42 | -27.93 | -25.2 | 13 |
| 3 | III. Valsa | -9.21 | -28.62 | -25.9 | 13 |
| 4 | IV. Gavota | -9.31 | -29.06 | -26.3 | 13 |
| 5 | V. Chorinho | -4.97 | -27.19 | -24.3 | 15 |
| 6 | Prelude (arr. for Guitar) | -9.33 | -30.15 | -26.9 | 13 |
| 7 | I. Allegro moderato | -7.53 | -28.24 | -25.3 | 13 |
| 8 | II. Chanson | -10.46 | -33.17 | -29.6 | 15 |
| 9 | III. Allegro non troppo | -4.21 | -30.37 | -27.2 | 18 |
| 10 | Equinox | -4.44 | -34.94 | -30.6 | 17 |
| 11 | Fantasia No. 13, Op. 59, "Fantaisie élégiaque" | -2.66 | -31.56 | -28.4 | 16 |