℗ 2022 Universal Music Operations Limited; A Mercury KX Release
| Released | October 28, 2022 |
| Duration | 40m 13s |
| Record Label | Mercury Classics |
| Genre | Classical (Classical Crossover) |
some kind of peace — piano reworks
Ólafur Arnalds
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Loom — piano reworks
Eydís Evensen; Ólafur Arnalds |
3:57 | |||
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1.2
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Woven Song — piano reworks
Hania Rani; Ólafur Arnalds |
3:48 | |||
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1.3
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Spiral — piano reworks
Dustin O'Halloran; Ólafur Arnalds |
3:34 | |||
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1.4
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Still / Sound – piano reworks
Sophie Hutchings; Ólafur Arnalds |
4:51 | |||
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1.5
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Back To The Sky — piano reworks
Lambert; Ólafur Arnalds |
3:47 | |||
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1.6
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Zero — piano reworks
Alfa Mist; Ólafur Arnalds |
3:26 | |||
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1.7
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New Grass — piano reworks
tstewart; Ólafur Arnalds |
3:42 | |||
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1.8
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The Bottom Line — piano reworks
JFDR; Ólafur Arnalds |
4:29 | |||
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1.9
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We Contain Multitudes — piano reworks
Yiruma; Ólafur Arnalds |
4:24 | |||
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1.10
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Undone — piano reworks
Magnús Jóhann; Ólafur Arnalds |
4:15 |
Grammy Award Nomination, 2024 – Best New Age, Ambient, or Chant Album
Some Kind Of Peace (Piano Reworks)
Ólafur Arnalds
Groundbreaking Icelandic composer and producer Ólafur Arnalds has invited a global line-up of friends, collaborators and artists he admires from across the musical spectrum to reimagine his previous album some kind of peace, which featured Ólafur’s two Grammy-nominated tracks, ‘The Bottom Line’ (feat. Bonobo) and ‘Loom’ (feat. Josin).
some kind of peace — piano reworks celebrates each artist’s individual character, sound and interpretation as the essence of each song and spans modern classical, electronic, jazz and alternative worlds.
“I’ve always maintained the notion that a song is never finished. A piece of music can take on any form, evolve and breathe with whomever is playing it. Thus, for me, the heart of a song lives in the performer.”
- Ólafur Arnalds
96 kHz / 24-bit PCM – Mercury Classics Studio Masters
Tracks 1-4, 8 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 5, 7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-4, 8 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 5, 7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.04 -1.70 to -0.73 | -21.14 -24.70 to -18.87 | -18.19 -21.80 to -15.90 | 13 10 to 16 | |
| 1 | Loom — piano reworks | -0.85 | -18.87 | -15.9 | 10 |
| 2 | Woven Song — piano reworks | -0.79 | -24.70 | -21.8 | 16 |
| 3 | Spiral — piano reworks | -1.37 | -22.22 | -18.5 | 13 |
| 4 | Still / Sound – piano reworks | -1.70 | -21.23 | -18.8 | 13 |
| 5 | Back To The Sky — piano reworks | -1.42 | -19.30 | -17.1 | 13 |
| 6 | Zero — piano reworks | -1.01 | -19.27 | -16.6 | 12 |
| 7 | New Grass — piano reworks | -0.79 | -19.26 | -16.8 | 11 |
| 8 | The Bottom Line — piano reworks | -0.73 | -19.76 | -16.7 | 11 |
| 9 | We Contain Multitudes — piano reworks | -0.79 | -22.42 | -19.5 | 13 |
| 10 | Undone — piano reworks | -0.90 | -24.37 | -20.2 | 15 |