|
7 Virtuoso Études After Gershwin
|
|||||
|
1.1
|
No. 1. Liza
Earl Wild; Joanne Polk |
4:07 | |||
|
1.2
|
No. 2. Somebody Loves Me
Earl Wild; Joanne Polk |
3:28 | |||
|
1.3
|
No. 3. The Man I Love
Earl Wild; Joanne Polk |
2:58 | |||
|
1.4
|
No. 4. Embraceable You
Earl Wild; Joanne Polk |
3:52 | |||
|
1.5
|
No. 5. Lady Be Good
Earl Wild; Joanne Polk |
4:35 | |||
|
1.6
|
No. 6. I Got Rhythm
Earl Wild; Joanne Polk |
2:40 | |||
|
1.7
|
No. 7. Fascinatin' Rhythm
Earl Wild; Joanne Polk |
2:05 | |||
|
1.8
|
Improvisation in the Form of a Theme & Variations on Gershwin's "Someone to Watch Over Me"
Earl Wild; Joanne Polk |
15:15 | |||
|
Sonata 2000
|
|||||
|
1.9
|
I. March. Allegro
Earl Wild; Joanne Polk |
7:29 | |||
|
1.10
|
II. Adagio
Earl Wild; Joanne Polk |
8:08 | |||
|
1.11
|
III. Toccata (à la Ricky Martin)
Earl Wild; Joanne Polk |
5:19 | |||
|
Digital Booklet
|
|||||
Known for her interpretations of works by Amy Beach and Clara Schumann, renowned pianist Joanne Polk here turns to the works of American pianist and composer Earl Wild. The 20th-century artist became known for his transcriptions, on full display here in this collection comprised entirely of Wild's reimaginings of songs by George Gershwin. Polk's lush and romantic readings make for a thoroughly enjoyable journey through Gershwin's oeuvre as seen by Wild.
96 kHz / 24-bit PCM – Steinway and Sons Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.52 -6.01 to -0.37 | -24.21 -25.82 to -20.97 | -20.90 -22.70 to -17.90 | 14 12 to 15 | |
| 1 | No. 1. Liza | -6.01 | -24.25 | -21.2 | 12 |
| 2 | No. 2. Somebody Loves Me | -1.59 | -25.42 | -21.7 | 15 |
| 3 | No. 3. The Man I Love | -2.82 | -23.62 | -20.4 | 13 |
| 4 | No. 4. Embraceable You | -2.12 | -24.45 | -21.2 | 15 |
| 5 | No. 5. Lady Be Good | -1.75 | -25.82 | -22.7 | 15 |
| 6 | No. 6. I Got Rhythm | -1.65 | -23.77 | -20.6 | 14 |
| 7 | No. 7. Fascinatin' Rhythm | -5.45 | -24.43 | -21.1 | 12 |
| 8 | Improvisation in the Form of a Theme & Variations on Gershwin's "Someone to Watch Over Me" | -2.93 | -25.56 | -22.6 | 15 |
| 9 | I. March. Allegro | -1.19 | -22.46 | -19.0 | 14 |
| 10 | II. Adagio | -1.89 | -25.52 | -21.5 | 15 |
| 11 | III. Toccata (à la Ricky Martin) | -0.37 | -20.97 | -17.9 | 13 |