Schubert & Burgmüller: Works for Arpeggione
Lorenz Duftschmid, Chris Pichler, Michael Dangl
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Arpeggione Sonata in A Minor, D. 821
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1.1
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I. Allegro moderato
Lorenz Duftschmid |
13:49 | |||
1.2
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II. Adagio
Lorenz Duftschmid |
4:08 | |||
1.3
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III. Allegretto
Lorenz Duftschmid |
11:14 | |||
1.4
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Hymne an die Jungfrau
Chris Pichler |
2:14 | |||
1.5
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Ellens Gesang III, Hymne an die Jungfrau, Op. 52 No. 6, D. 839 "Ave Maria" (Arr. for Arpeggione & Piano)
Lorenz Duftschmid |
5:08 | |||
1.6
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Ständchen
Michael Dangl |
1:28 | |||
13 Lieder nach Gedichten von Rellstab und Heine, D. 957 "Schwanengesang"
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1.7
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No. 4, Ständchen (Arr. for Arpeggione & Piano)
Lorenz Duftschmid |
3:52 | |||
1.8
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Gute Nacht
Michael Dangl |
2:22 | |||
Winterreise, Op. 89, D. 911
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1.9
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No. 1, Gute Nacht (Arr. for Arpeggione & Piano)
Lorenz Duftschmid |
6:13 | |||
1.10
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Der Tod und das Mädchen
Chris Pichler |
0:52 | |||
1.11
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Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. for Arpeggione & Piano)
Lorenz Duftschmid |
3:34 | |||
1.12
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Gefrorne Tränen
Michael Dangl |
0:46 | |||
1.13
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No. 3, Gefrorne Tränen (Arr. for Arpeggione & Piano)
Lorenz Duftschmid |
3:06 | |||
3 Nocturnes for Cello & Guitar (Arr. for Arpeggione & Guitar)
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1.14
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No. 1, Andantino
Lorenz Duftschmid |
3:26 | |||
1.15
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No. 2, Adagio cantabile
Lorenz Duftschmid |
4:10 | |||
1.16
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No. 3, Allegro moderato
Lorenz Duftschmid |
2:20 | |||
Digital Booklet
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Franz Schubert's so-called "Arpeggione Sonata" owes its peculiar name to a long-forgotten string instrument that was usually referred to in Vienna in the 1820s as the "bowed guitar" or "guitar-violoncello". It was an invention of the Viennese instrument maker Georg Stauffer and was quite popular for about a decade. After that, it disappeared into the annals of history. If Schubert had not dedicated his famous sonata to the instrument, the arpeggione would have been long forgotten. But this way, the memory of the instrument was kept alive. To complement the great "Arpeggione Sonata", soloist Lorenz Duftschmid has recorded five Schubert songs in instrumental versions (the poems in question are recited before the instrumental version in each case) as well as three nocturnes by an almost forgotten Romantic from the Rhineland: Friedrich Burgmüller. His "Trois Nocturnes", available in various versions, sound most beautiful and full of emotion on arpeggione and guitar, the two instruments so closely related.
96 kHz / 24-bit PCM – CPO Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.56 -16.75 to -0.50 | -31.36 -40.87 to -24.99 | -27.36 -35.00 to -21.50 | 14 12 to 17 | |
1 | I. Allegro moderato | -0.50 | -24.99 | -21.5 | 16 |
2 | II. Adagio | -2.09 | -29.04 | -25.6 | 17 |
3 | III. Allegretto | -3.14 | -27.12 | -24.0 | 16 |
4 | Hymne an die Jungfrau | -15.67 | -39.19 | -34.3 | 15 |
5 | Ellens Gesang III, Hymne an die Jungfrau, Op. 52 No. 6, D. 839 "Ave Maria" (Arr. for Arpeggione & Piano) | -9.31 | -30.36 | -27.6 | 13 |
6 | Ständchen | -16.75 | -40.72 | -35.0 | 16 |
7 | No. 4, Ständchen (Arr. for Arpeggione & Piano) | -1.39 | -26.22 | -23.4 | 14 |
8 | Gute Nacht | -10.87 | -40.87 | -34.3 | 17 |
9 | No. 1, Gute Nacht (Arr. for Arpeggione & Piano) | -5.38 | -26.63 | -23.8 | 12 |
10 | Der Tod und das Mädchen | -13.57 | -37.72 | -32.0 | 14 |
11 | Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. for Arpeggione & Piano) | -4.83 | -30.78 | -27.3 | 13 |
12 | Gefrorne Tränen | -14.40 | -39.25 | -33.6 | 16 |
13 | No. 3, Gefrorne Tränen (Arr. for Arpeggione & Piano) | -5.41 | -26.15 | -22.2 | 12 |
14 | No. 1, Andantino | -7.01 | -28.75 | -25.6 | 13 |
15 | No. 2, Adagio cantabile | -4.77 | -26.34 | -23.0 | 14 |
16 | No. 3, Allegro moderato | -5.84 | -27.61 | -24.6 | 12 |