Johann Sebastian Bach
Yulianna Avdeeva
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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English Suite No. 2 in A Minor, BWV 807
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1.1
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I. Prélude
Johann Sebastian Bach; Yulianna Avdeeva |
5:00 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Yulianna Avdeeva |
3:37 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Yulianna Avdeeva |
1:38 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Yulianna Avdeeva |
3:30 | |||
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1.5
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V. Bourrée I/II
Johann Sebastian Bach; Yulianna Avdeeva |
4:15 | |||
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1.6
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VI. Gigue
Johann Sebastian Bach; Yulianna Avdeeva |
3:33 | |||
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1.7
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Toccata in D Major, BWV 912
Johann Sebastian Bach; Yulianna Avdeeva |
10:30 | |||
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Overture in the French Style in B Minor, BWV 831
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1.8
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I. Ouverture
Johann Sebastian Bach; Yulianna Avdeeva |
12:35 | |||
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1.9
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II. Courante
Johann Sebastian Bach; Yulianna Avdeeva |
2:14 | |||
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1.10
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III. Gavotte I/II
Johann Sebastian Bach; Yulianna Avdeeva |
3:22 | |||
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1.11
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IV. Passepied I/II
Johann Sebastian Bach; Yulianna Avdeeva |
2:27 | |||
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1.12
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VI. Sarabande
Johann Sebastian Bach; Yulianna Avdeeva |
3:35 | |||
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1.13
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VI. Bourrée I/II
Johann Sebastian Bach; Yulianna Avdeeva |
2:29 | |||
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1.14
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VII. Gigue
Johann Sebastian Bach; Yulianna Avdeeva |
2:28 | |||
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1.15
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VIII. Echo
Johann Sebastian Bach; Yulianna Avdeeva |
3:01 | |||
Winner of the 2010 Chopin Competition pianist Yulianna Avdeeva presents Johann Sebastian Bach, a release dedicated to solo piano works by the great Baroque composer. Avdeeva explores Bach's experiments in the English and French styles with the English Suite No. 2 in A Minor and the Overture in the French Style in B Minor, while the German tradition is represented by the central work, the Toccata in D Major, BWV 912.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.72 -6.33 to 0.00 | -21.50 -26.20 to -18.64 | -18.73 -23.00 to -15.60 | 12 10 to 12 | |
| 1 | I. Prélude | -1.99 | -20.76 | -18.1 | 12 |
| 2 | II. Allemande | -4.96 | -23.33 | -20.7 | 11 |
| 3 | III. Courante | -2.89 | -20.62 | -17.8 | 11 |
| 4 | IV. Sarabande | -6.33 | -26.20 | -23.0 | 11 |
| 5 | V. Bourrée I/II | -1.69 | -20.45 | -17.9 | 11 |
| 6 | VI. Gigue | -1.99 | -19.03 | -16.2 | 11 |
| 7 | Toccata in D Major, BWV 912 | -1.22 | -21.21 | -18.3 | 12 |
| 8 | I. Ouverture | -0.88 | -20.00 | -17.3 | 12 |
| 9 | II. Courante | -5.10 | -23.50 | -20.8 | 10 |
| 10 | III. Gavotte I/II | -3.31 | -22.79 | -20.2 | 12 |
| 11 | IV. Passepied I/II | -2.48 | -21.03 | -18.2 | 12 |
| 12 | VI. Sarabande | -4.77 | -23.86 | -21.1 | 12 |
| 13 | VI. Bourrée I/II | -1.43 | -20.68 | -18.1 | 12 |
| 14 | VII. Gigue | -1.81 | -20.40 | -17.7 | 12 |
| 15 | VIII. Echo | 0.00 | -18.64 | -15.6 | 12 |