℗ 2022 Universal Music Operations Limited; An Island Records release
| Released | November 4, 2022 |
| Duration | 3h 16m 23s |
| Record Label | UMC (Universal Music Catalogue) |
| Genre | Alternative |
B-Sides, Demos & Rarities
PJ Harvey
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Dry (Demo)
PJ Harvey |
3:34 | |||
|
1.2
|
Man-Size (Demo)
PJ Harvey |
3:23 | |||
|
1.3
|
Missed (Demo)
PJ Harvey |
3:59 | |||
|
1.4
|
Highway '61 Revisited (Demo)
PJ Harvey |
3:11 | |||
|
1.5
|
Me-Jane (Demo)
PJ Harvey |
2:56 | |||
|
1.6
|
Daddy
PJ Harvey |
3:17 | |||
|
1.7
|
Lying In The Sun
PJ Harvey |
4:30 | |||
|
1.8
|
Somebody's Down, Somebody's Name
PJ Harvey |
3:40 | |||
|
1.9
|
Darling Be There
PJ Harvey |
3:46 | |||
|
1.10
|
Maniac
PJ Harvey |
4:01 | |||
|
1.11
|
One Time Too Many
PJ Harvey |
2:50 | |||
|
1.12
|
Harder
PJ Harvey |
2:04 | |||
|
1.13
|
Naked Cousin (Demo)
PJ Harvey |
3:55 | |||
|
1.14
|
Losing Ground
PJ Harvey; John Parish; Eric Drew Feldman |
3:15 | |||
|
1.15
|
Who Will Love Me Now?
PJ Harvey; John Parish |
5:17 | |||
|
1.16
|
Why D'Ya Go To Cleveland
PJ Harvey |
3:15 | |||
|
1.17
|
Instrumental #1
PJ Harvey |
1:11 | |||
|
1.18
|
The Northwood
PJ Harvey |
1:53 | |||
|
1.19
|
The Bay
PJ Harvey |
3:14 | |||
|
1.20
|
Sweeter Than Anything
PJ Harvey |
3:10 | |||
|
1.21
|
Instrumental #3
PJ Harvey |
1:02 | |||
|
1.22
|
The Faster I Breathe The Further I Go (4-Track Version)
PJ Harvey |
3:59 | |||
|
1.23
|
Nina In Ecstasy 2
PJ Harvey |
2:18 | |||
|
1.24
|
Rebecca
PJ Harvey |
3:10 | |||
|
1.25
|
Instrumental #2
PJ Harvey |
1:45 | |||
|
1.26
|
This Wicked Tongue
PJ Harvey |
3:42 | |||
|
1.27
|
Memphis
PJ Harvey |
3:51 | |||
|
1.28
|
30
PJ Harvey |
4:12 | |||
|
1.29
|
66 Promises
PJ Harvey |
3:49 | |||
|
1.30
|
As Close As This
PJ Harvey |
2:45 | |||
|
1.31
|
My Own Private Revolution
PJ Harvey |
3:55 | |||
|
1.32
|
Kick It To The Ground (4-Track Demo)
PJ Harvey |
3:14 | |||
|
1.33
|
The Falling
PJ Harvey |
3:56 | |||
|
1.34
|
The Phone Song
PJ Harvey |
4:17 | |||
|
1.35
|
Bows & Arrows
PJ Harvey |
3:48 | |||
|
1.36
|
Angel
PJ Harvey |
3:58 | |||
|
1.37
|
Stone
PJ Harvey |
3:41 | |||
|
1.38
|
97º
PJ Harvey |
2:51 | |||
|
1.39
|
Dance
PJ Harvey |
3:03 | |||
|
1.40
|
Cat On The Wall (Demo)
PJ Harvey |
2:46 | |||
|
1.41
|
You Come Through (Demo)
PJ Harvey |
2:56 | |||
|
1.42
|
Uh Huh Her (Demo)
PJ Harvey |
2:56 | |||
|
1.43
|
Evol (Demo)
PJ Harvey |
3:50 | |||
|
1.44
|
Wait
PJ Harvey |
2:16 | |||
|
1.45
|
Heaven
PJ Harvey |
3:17 | |||
|
1.46
|
Liverpool Tide
PJ Harvey |
2:41 | |||
|
1.47
|
The Big Guns Called Me Back Again
PJ Harvey |
2:44 | |||
|
1.48
|
The Nightingale
PJ Harvey |
4:13 | |||
|
1.49
|
Shaker Aamer
PJ Harvey |
2:48 | |||
|
1.50
|
Guilty (Demo)
PJ Harvey |
4:50 | |||
|
1.51
|
I'll Be Waiting (Demo)
PJ Harvey |
3:28 | |||
|
1.52
|
Homo Sappy Blues (Demo)
PJ Harvey |
2:22 | |||
|
1.53
|
The Age Of The Dollar (Demo)
PJ Harvey |
3:13 | |||
|
1.54
|
The Camp
PJ Harvey; Ramy Essam |
4:40 | |||
|
1.55
|
An Acre Of Land
PJ Harvey; Harry Escott |
6:17 | |||
|
1.56
|
The Crowded Cell (From "The Virtues" Television Series)
PJ Harvey |
3:11 | |||
|
1.57
|
The Sandman (Demo)
PJ Harvey |
2:03 | |||
|
1.58
|
The Moth (Demo)
PJ Harvey |
3:25 | |||
|
1.59
|
Red Right Hand
PJ Harvey |
2:50 |
Following the release of all Harvey’s studio albums, B-Sides, Demos And Rarities, is a 59 track collection spanning decades, with most of the songs previously unavailable physically or digitally, and 14 tracks either previously unreleased or in previously unreleased versions. Mastering for B-Sides, Demos And Rarities has been undertaken by Jason Mitchell at Loud Mastering, under the guidance of long time PJ Harvey producer John Parish.
96 kHz / 24-bit PCM – UMC (Universal Music Catalogue) Studio Masters
Tracks 6, 8, 11, 12, 14, 19, 20, 24, 26, 27, 29, 31, 33, 35, 36, 40, 45, 47-54 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 7, 9, 10, 13, 15, 17, 18, 21-23, 25, 28, 30, 32, 34, 37-39, 41, 44, 46, 56-59 – 44.1 kHz / 24-bit PCM Track 55 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 57, 58 – contains material which has been processed by a perceptual audio coding algorithm Track 16 – 48 kHz / 24-bit PCM
Tracks 6, 8, 11, 12, 14, 19, 20, 24, 26, 27, 29, 31, 33, 35, 36, 40, 45, 47-54 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 7, 9, 10, 13, 15, 17, 18, 21-23, 25, 28, 30, 32, 34, 37-39, 41, 44, 46, 56-59 – 44.1 kHz / 24-bit PCM Track 55 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 57, 58 – contains material which has been processed by a perceptual audio coding algorithm Track 16 – 48 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.90 -6.26 to -0.20 | -16.58 -22.86 to -11.68 | -13.31 -18.60 to -8.50 | 10 6 to 13 | |
| 1 | Dry (Demo) | -0.39 | -16.45 | -13.4 | 10 |
| 2 | Man-Size (Demo) | -1.26 | -17.76 | -13.2 | 10 |
| 3 | Missed (Demo) | -2.85 | -18.00 | -13.6 | 7 |
| 4 | Highway '61 Revisited (Demo) | -2.67 | -16.00 | -12.1 | 8 |
| 5 | Me-Jane (Demo) | -1.39 | -15.23 | -11.0 | 7 |
| 6 | Daddy | -0.20 | -19.38 | -16.3 | 13 |
| 7 | Lying In The Sun | -0.44 | -19.07 | -16.0 | 9 |
| 8 | Somebody's Down, Somebody's Name | -0.33 | -17.55 | -14.1 | 11 |
| 9 | Darling Be There | -2.68 | -18.84 | -16.0 | 10 |
| 10 | Maniac | -2.14 | -17.32 | -14.8 | 10 |
| 11 | One Time Too Many | -0.20 | -17.47 | -13.0 | 11 |
| 12 | Harder | -0.35 | -14.07 | -10.6 | 9 |
| 13 | Naked Cousin (Demo) | -0.23 | -13.76 | -10.0 | 9 |
| 14 | Losing Ground | -0.21 | -16.68 | -13.3 | 11 |
| 15 | Who Will Love Me Now? | -1.52 | -20.42 | -18.2 | 12 |
| 16 | Why D'Ya Go To Cleveland | -0.34 | -14.18 | -11.5 | 9 |
| 17 | Instrumental #1 | -2.68 | -22.28 | -18.2 | 9 |
| 18 | The Northwood | -1.49 | -19.37 | -15.0 | 12 |
| 19 | The Bay | -1.52 | -17.28 | -15.0 | 11 |
| 20 | Sweeter Than Anything | -0.53 | -15.33 | -13.4 | 9 |
| 21 | Instrumental #3 | -0.42 | -22.02 | -17.2 | 12 |
| 22 | The Faster I Breathe The Further I Go (4-Track Version) | -0.40 | -14.59 | -11.9 | 9 |
| 23 | Nina In Ecstasy 2 | -6.26 | -21.32 | -18.3 | 8 |
| 24 | Rebecca | -0.20 | -15.40 | -13.7 | 10 |
| 25 | Instrumental #2 | -1.62 | -22.86 | -18.6 | 13 |
| 26 | This Wicked Tongue | -0.20 | -11.68 | -8.5 | 6 |
| 27 | Memphis | -0.20 | -13.26 | -9.9 | 8 |
| 28 | 30 | -1.94 | -20.81 | -16.7 | 11 |
| 29 | 66 Promises | -0.20 | -15.43 | -10.5 | 9 |
| 30 | As Close As This | -0.29 | -15.23 | -13.4 | 10 |
| 31 | My Own Private Revolution | -0.42 | -14.10 | -10.8 | 8 |
| 32 | Kick It To The Ground (4-Track Demo) | -0.24 | -17.09 | -12.9 | 9 |
| 33 | The Falling | -0.20 | -14.56 | -11.6 | 10 |
| 34 | The Phone Song | -0.65 | -14.37 | -11.1 | 9 |
| 35 | Bows & Arrows | -0.20 | -15.05 | -11.9 | 10 |
| 36 | Angel | -0.25 | -17.01 | -11.5 | 9 |
| 37 | Stone | -0.67 | -16.47 | -13.0 | 10 |
| 38 | 97º | -1.25 | -12.71 | -9.7 | 6 |
| 39 | Dance | -0.86 | -15.26 | -11.5 | 9 |
| 40 | Cat On The Wall (Demo) | -0.20 | -12.64 | -9.2 | 8 |
| 41 | You Come Through (Demo) | -0.97 | -17.19 | -15.2 | 11 |
| 42 | Uh Huh Her (Demo) | -0.20 | -12.67 | -9.9 | 8 |
| 43 | Evol (Demo) | -0.20 | -13.27 | -10.5 | 8 |
| 44 | Wait | -0.56 | -15.06 | -12.6 | 9 |
| 45 | Heaven | -0.20 | -14.85 | -12.1 | 10 |
| 46 | Liverpool Tide | -2.19 | -15.66 | -12.4 | 7 |
| 47 | The Big Guns Called Me Back Again | -0.20 | -16.18 | -13.4 | 10 |
| 48 | The Nightingale | -0.20 | -16.97 | -13.6 | 11 |
| 49 | Shaker Aamer | -0.20 | -16.96 | -13.4 | 11 |
| 50 | Guilty (Demo) | -0.20 | -17.84 | -15.0 | 12 |
| 51 | I'll Be Waiting (Demo) | -0.20 | -17.67 | -14.9 | 12 |
| 52 | Homo Sappy Blues (Demo) | -0.20 | -15.61 | -12.5 | 10 |
| 53 | The Age Of The Dollar (Demo) | -0.25 | -18.87 | -15.1 | 12 |
| 54 | The Camp | -0.24 | -14.76 | -12.4 | 9 |
| 55 | An Acre Of Land | -2.67 | -18.11 | -15.1 | 9 |
| 56 | The Crowded Cell (From "The Virtues" Television Series) | -1.43 | -14.53 | -11.6 | 8 |
| 57 | The Sandman (Demo) | -1.64 | -16.16 | -13.4 | 9 |
| 58 | The Moth (Demo) | -0.67 | -17.36 | -14.2 | 10 |
| 59 | Red Right Hand | -0.71 | -20.08 | -17.5 | 12 |