℗ 2022 Naxos
| Released | November 11, 2022 |
| Duration | 1h 31m 37s |
| Record Label | Naxos |
| Genre | Classical (Classical Crossover) |
Classic Meets Movie: Shaken Not Stirred
Anna Scheps
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Goldeneye (From "Goldeneye")
Bono and the Edge; Klaus Wagenleiter; Anna Scheps; Anna Scheps |
2:42 | |||
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1.2
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Skyfall (From "Skyfall")
Adele Adkins; Anna Scheps; Paul Epworth; Tobias Becker; Anna Scheps |
5:04 | |||
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1.3
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Live and Let Die (From "Live and Let Die")
Linda McCartney; Paul McCartney; Anna Scheps |
3:01 | |||
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1.4
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Now We Are Free (From "Gladiator")
Klaus Badelt; Lisa Gerrard; Anna Scheps |
3:51 | |||
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1.5
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Main Title (From "Patch Adams")
Marc Shaimann; Anna Scheps |
2:02 | |||
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1.6
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La valse d’Amélie (From "Amélie")
Yann Pierre Tiersen; Anna Scheps |
2:39 | |||
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1.7
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Le moulin (From "Amélie")
Yann Pierre Tiersen; Anna Scheps |
3:17 | |||
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Comptine d’un autre été
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1.8
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L’après midi (From "Amélie")
Yann Pierre Tiersen; Anna Scheps |
1:52 | |||
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1.9
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La dispute (From "Amélie")
Yann Pierre Tiersen; Anna Scheps |
2:03 | |||
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1.10
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Comptine d’été No. 2 (From "Amélie")
Yann Pierre Tiersen; Anna Scheps |
2:10 | |||
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1.11
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Comptine d’été No. 3 (From "Amélie")
Yann Pierre Tiersen; Anna Scheps |
2:35 | |||
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He's a Pirate (From "Pirates of the Caribbean
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1.12
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The Curse of the Black Pearl")
Klaus Badelt; Anna Scheps |
2:28 | |||
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1.13
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Tennessee (From "Pearl Harbor")
Hans Florian Zimmer; Anna Scheps |
3:44 | |||
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1.14
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Circle of Life (From "The Lion King")
Elton John; Hans Florian Zimmer; Lebohang Morake; Tim Rice; Anna Scheps |
5:21 | |||
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1.15
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Viva la Vida
Christopher Anthony John Martin; Guy Rupert Berryman; Jonathan Mark Buckland; William Champion; Anna Scheps |
4:06 | |||
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Theme (From "Mission
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2.1
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Impossible")
Lalo Schifrin; Anna Scheps |
3:39 | |||
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2.2
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The Heart Asks Pleasure First (From "The Piano")
Michael Nyman; Anna Scheps |
2:57 | |||
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2.3
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Theme (From "Schindler's List")
John Williams; Anna Scheps |
3:48 | |||
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2.4
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Harry Potter Medley (After J. Williams)
Marco Netzband; Anna Scheps |
4:24 | |||
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2.5
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Griet’s Theme (From "Girl with a Pearl Earring")
Alexandre Desplat; Anna Scheps |
3:55 | |||
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2.6
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Keyboard Sonata in D Minor, Kk. 141
Domenico Scarlatti; Anna Scheps |
3:47 | |||
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2.7
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Keyboard Sonata in E Major, Kk. 380
Domenico Scarlatti; Anna Scheps |
3:59 | |||
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2.8
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Keyboard Sonata in C major, Kk. 159
Domenico Scarlatti; Anna Scheps |
2:17 | |||
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Chants d'Espagne, Op. 232 (Excerpts)
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2.9
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No. 1, Prélude
Isaac Albéniz; Anna Scheps |
5:19 | |||
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2.10
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No. 2, Orientale
Isaac Albéniz; Anna Scheps |
3:08 | |||
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2.11
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No. 3, Sous le Palmier
Isaac Albéniz; Anna Scheps |
3:39 | |||
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2.12
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Una mattina (From "The Intouchables")
Ludovico Einaudi; Anna Scheps |
3:50 | |||
From the late Romanticism of the music from Pearl Harbour to the delicacy and refinement of The Girl with the Pearl Earring, Anna Scheps brings the full resources of the piano to bear on some of the most beautiful and rousing film scores of the last half century. Her arrangements for piano exude eloquent virtuosity and Lisztian rhapsodic lyricism as well as razor-sharp dynamism in the case of Mission: Impossible. She also includes the evocative sound world of Isaac Albéniz and the sparkling elegance of Scarlatti sonatas to create an album of ambitious bravura and poetry.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.67 -13.63 to -0.30 | -23.79 -33.21 to -17.63 | -20.63 -30.10 to -15.00 | 12 11 to 14 | |
| 1.1 | Goldeneye (From "Goldeneye") | -1.05 | -20.48 | -16.9 | 12 |
| 1.2 | Skyfall (From "Skyfall") | -0.67 | -20.24 | -17.0 | 12 |
| 1.3 | Live and Let Die (From "Live and Let Die") | -0.30 | -19.50 | -16.3 | 12 |
| 1.4 | Now We Are Free (From "Gladiator") | -1.52 | -21.60 | -18.3 | 12 |
| 1.5 | Main Title (From "Patch Adams") | -4.01 | -27.28 | -23.4 | 14 |
| 1.6 | La valse d’Amélie (From "Amélie") | -3.30 | -25.38 | -21.9 | 11 |
| 1.7 | Le moulin (From "Amélie") | -6.09 | -29.16 | -26.4 | 14 |
| 1.8 | L’après midi (From "Amélie") | -8.61 | -27.70 | -24.9 | 11 |
| 1.9 | La dispute (From "Amélie") | -6.68 | -27.17 | -24.2 | 12 |
| 1.10 | Comptine d’été No. 2 (From "Amélie") | -11.48 | -30.90 | -28.0 | 12 |
| 1.11 | Comptine d’été No. 3 (From "Amélie") | -5.62 | -23.50 | -20.9 | 11 |
| 1.12 | The Curse of the Black Pearl") | -0.88 | -17.63 | -15.0 | 11 |
| 1.13 | Tennessee (From "Pearl Harbor") | -2.69 | -23.23 | -19.7 | 12 |
| 1.14 | Circle of Life (From "The Lion King") | -1.26 | -22.91 | -19.4 | 13 |
| 1.15 | Viva la Vida | -0.30 | -19.67 | -16.6 | 12 |
| 2.1 | Impossible") | -0.30 | -19.10 | -16.4 | 12 |
| 2.2 | The Heart Asks Pleasure First (From "The Piano") | -3.99 | -21.28 | -18.6 | 11 |
| 2.3 | Theme (From "Schindler's List") | -3.95 | -26.65 | -23.0 | 13 |
| 2.4 | Harry Potter Medley (After J. Williams) | -0.30 | -21.33 | -17.9 | 12 |
| 2.5 | Griet’s Theme (From "Girl with a Pearl Earring") | -2.62 | -23.87 | -21.0 | 13 |
| 2.6 | Keyboard Sonata in D Minor, Kk. 141 | -4.86 | -24.07 | -21.3 | 12 |
| 2.7 | Keyboard Sonata in E Major, Kk. 380 | -5.16 | -24.85 | -22.2 | 13 |
| 2.8 | Keyboard Sonata in C major, Kk. 159 | -4.48 | -24.53 | -21.7 | 13 |
| 2.9 | No. 1, Prélude | -0.30 | -20.64 | -16.4 | 12 |
| 2.10 | No. 2, Orientale | -3.22 | -23.55 | -20.3 | 12 |
| 2.11 | No. 3, Sous le Palmier | -1.83 | -22.88 | -19.1 | 13 |
| 2.12 | Una mattina (From "The Intouchables") | -13.63 | -33.21 | -30.1 | 12 |