℗ 2022 Gothic
| Released | November 4, 2022 |
| Duration | 1h 17m 58s |
| Record Label | Gothic |
| Genre | Classical (Solo Instrumental) |
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1.1
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Litanies, JA 119
Jehan Alain; Emma Whitten |
5:14 | |||
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12 Chorale Preludes on Gregorian Chant Themes, Op. 8
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1.2
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No. 3, Attende Domine
Jeanne Demessieux; Emma Whitten |
4:40 | |||
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1.3
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Prélude et fugue sur le nom d'Alain, Op. 7
Maurice Duruflé; Emma Whitten |
14:08 | |||
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1.4
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Passacaglia in C Minor, BWV 582
Johann Sebastian Bach; Emma Whitten |
14:01 | |||
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Flores del Desierto
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1.5
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II. Espuelita
Pamela Decker; Emma Whitten |
5:20 | |||
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1.6
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Prélude et fugue in G Minor, Op. 7 No. 3
Marcel Dupré; Emma Whitten |
8:18 | |||
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1.7
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Trumpet Tune
Frederick Swann; Emma Whitten |
4:06 | |||
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1.8
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Retrospection (An Elf on a Moonbeam)
Florence Price; Emma Whitten |
3:54 | |||
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1.9
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Variations on an Easter Theme (O filii et filiae)
John Rutter; Emma Whitten; David Ball |
8:54 | |||
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1.10
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Es ist ein Ros' entsprungen
Margaretha Christina de Jong; Emma Whitten |
3:22 | |||
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1.11
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Sine nomine
John Weaver; Emma Whitten |
6:01 | |||
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Digital Booklet
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Emma Whitten performs on the re-envisioned and restored Hazel Wright Organ in Christ Cathedral’s fresh acoustical space. “Every time I play The Hazel Wright Organ, I discover something new - it is truly a joy to play! I’m thrilled that the music on this recording showcases the entire instrument, from exquisite solo colors to the breathtaking power of full organ.”
Emma Whitten is an accomplished organist specializing in early Baroque and contemporary repertoire. Dr. Whitten serves as Associate Organist at Christ Cathedral (formerly Crystal Cathedral) in the Roman Catholic Diocese of Orange County, California. As Associate Organist, Emma plays for major liturgies at the Cathedral and accompanies the Diocesan Choir. Emma also acts as Music Coordinator at the historic Church of the Immaculate Conception in San Diego, and maintains a private teaching studio in Oceanside, California. Emma holds degrees in organ performance from the University of Notre Dame (2009), University of Kansas (2011), and Arizona State University (2014), where she received her D.M.A. studying with Kimberly Marshall.
96 kHz / 24-bit PCM – Gothic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -23.01 -31.52 to -16.91 | -40.20 -47.40 to -33.89 | -40.80 -49.30 to -36.50 | 9 7 to 11 | |
| 1 | Litanies, JA 119 | -19.49 | -39.37 | -36.5 | 11 |
| 2 | No. 3, Attende Domine | -22.47 | -37.71 | -38.3 | 8 |
| 3 | Prélude et fugue sur le nom d'Alain, Op. 7 | -23.57 | -41.10 | -42.0 | 10 |
| 4 | Passacaglia in C Minor, BWV 582 | -24.51 | -43.33 | -43.0 | 11 |
| 5 | II. Espuelita | -27.70 | -43.92 | -47.6 | 7 |
| 6 | Prélude et fugue in G Minor, Op. 7 No. 3 | -23.39 | -41.31 | -42.7 | 9 |
| 7 | Trumpet Tune | -21.69 | -38.42 | -37.5 | 10 |
| 8 | Retrospection (An Elf on a Moonbeam) | -20.77 | -37.01 | -37.0 | 9 |
| 9 | Variations on an Easter Theme (O filii et filiae) | -16.91 | -33.89 | -37.3 | 8 |
| 10 | Es ist ein Ros' entsprungen | -31.52 | -47.40 | -49.3 | 8 |
| 11 | Sine nomine | -21.02 | -38.80 | -37.6 | 11 |