℗ 2018 Urania Records
| Released | May 4, 2018 |
| Duration | 2h 20m 32s |
| Record Label | Urania Records |
| Genre | Classical (Cello) |
Bach: Cello Suites
Marianne Dumas
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 1 in G Major, BWV 1007
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1.1
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I. Prelude
Johann Sebastian Bach; Marianne Dumas |
3:10 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Marianne Dumas |
4:08 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Marianne Dumas |
2:54 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Marianne Dumas |
2:49 | |||
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1.5
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V. Menuets I & II
Johann Sebastian Bach; Marianne Dumas |
3:35 | |||
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1.6
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VI. Gigue
Johann Sebastian Bach; Marianne Dumas |
1:32 | |||
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Cello Suite No. 2 in D Minor, BWV 1008
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1.7
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I. Prelude
Johann Sebastian Bach; Marianne Dumas |
4:16 | |||
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1.8
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II. Allemande
Johann Sebastian Bach; Marianne Dumas |
3:39 | |||
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1.9
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III. Courante
Johann Sebastian Bach; Marianne Dumas |
2:15 | |||
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1.10
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IV. Sarabande
Johann Sebastian Bach; Marianne Dumas |
4:17 | |||
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1.11
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V. Menuets I & II
Johann Sebastian Bach; Marianne Dumas |
3:37 | |||
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1.12
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VI. Gigue
Johann Sebastian Bach; Marianne Dumas |
2:41 | |||
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Cello Suite No. 3 in C Major, BWV 1009
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1.13
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I. Prelude
Johann Sebastian Bach; Marianne Dumas |
3:52 | |||
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1.14
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II. Allemande
Johann Sebastian Bach; Marianne Dumas |
3:46 | |||
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1.15
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III. Courante
Johann Sebastian Bach; Marianne Dumas |
3:10 | |||
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1.16
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IV. Sarabande
Johann Sebastian Bach; Marianne Dumas |
3:56 | |||
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1.17
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V. Bourrées I & II
Johann Sebastian Bach; Marianne Dumas |
3:59 | |||
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1.18
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VI. Gigue
Johann Sebastian Bach; Marianne Dumas |
3:25 | |||
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Cello Suite No. 4 in E-Flat Major, BWV 1010
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2.1
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I. Prelude
Johann Sebastian Bach; Marianne Dumas |
4:09 | |||
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2.2
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II. Allemande
Johann Sebastian Bach; Marianne Dumas |
4:13 | |||
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2.3
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III. Courante
Johann Sebastian Bach; Marianne Dumas |
3:55 | |||
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2.4
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IV. Sarabande
Johann Sebastian Bach; Marianne Dumas |
3:59 | |||
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2.5
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V. Bourrées I & II
Johann Sebastian Bach; Marianne Dumas |
5:42 | |||
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2.6
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VI. Gigue
Johann Sebastian Bach; Marianne Dumas |
2:51 | |||
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Cello Suite No. 5 in C Minor, BWV 1011
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2.7
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I. Prelude
Johann Sebastian Bach; Marianne Dumas |
5:49 | |||
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2.8
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II. Allemande
Johann Sebastian Bach; Marianne Dumas |
5:15 | |||
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2.9
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III. Courante
Johann Sebastian Bach; Marianne Dumas |
2:15 | |||
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2.10
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IV. Sarabande
Johann Sebastian Bach; Marianne Dumas |
3:17 | |||
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2.11
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V. Gavottes I & II
Johann Sebastian Bach; Marianne Dumas |
5:00 | |||
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2.12
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VI. Gigue
Johann Sebastian Bach; Marianne Dumas |
2:25 | |||
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Cello Suite No. 6 in D Major, BWV 1012
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2.13
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I. Prelude
Johann Sebastian Bach; Marianne Dumas |
4:59 | |||
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2.14
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II. Allemande
Johann Sebastian Bach; Marianne Dumas |
8:19 | |||
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2.15
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III. Courante
Johann Sebastian Bach; Marianne Dumas |
4:13 | |||
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2.16
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IV. Sarabande
Johann Sebastian Bach; Marianne Dumas |
4:22 | |||
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2.17
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V. Gavottes I & II
Johann Sebastian Bach; Marianne Dumas |
4:44 | |||
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2.18
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VI. Gigue
Johann Sebastian Bach; Marianne Dumas |
4:04 | |||
"In October 2014, because of the similarity between the bass viol and the cello, I tried to inverse the bowing technique of the violoncello in the Bach Cello Suites. I played the basses on the UP bow. During this experiment, I instantaneously felt a better response from the instrument and by consequence, more resonance.
This experience led me to start a project including: a research about the origins, the setup, and the bowing technique of the violoncello, the making of a new Urtext edition, and the recording of this edition on the most authentic set-up.
The sound was my guide. My goal was to reach a connection between the vibration of the violoncello and the harmony in order to let Bach's music make its magic."
- Marianne Dumas
96 kHz / 24-bit PCM – Urania Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | |||||
| 1.1 | I. Prelude | ||||
| 1.2 | II. Allemande | ||||
| 1.3 | III. Courante | ||||
| 1.4 | IV. Sarabande | ||||
| 1.5 | V. Menuets I & II | ||||
| 1.6 | VI. Gigue | ||||
| 1.7 | I. Prelude | ||||
| 1.8 | II. Allemande | ||||
| 1.9 | III. Courante | ||||
| 1.10 | IV. Sarabande | ||||
| 1.11 | V. Menuets I & II | ||||
| 1.12 | VI. Gigue | ||||
| 1.13 | I. Prelude | ||||
| 1.14 | II. Allemande | ||||
| 1.15 | III. Courante | ||||
| 1.16 | IV. Sarabande | ||||
| 1.17 | V. Bourrées I & II | ||||
| 1.18 | VI. Gigue | ||||
| 2.1 | I. Prelude | ||||
| 2.2 | II. Allemande | ||||
| 2.3 | III. Courante | ||||
| 2.4 | IV. Sarabande | ||||
| 2.5 | V. Bourrées I & II | ||||
| 2.6 | VI. Gigue | ||||
| 2.7 | I. Prelude | ||||
| 2.8 | II. Allemande | ||||
| 2.9 | III. Courante | ||||
| 2.10 | IV. Sarabande | ||||
| 2.11 | V. Gavottes I & II | ||||
| 2.12 | VI. Gigue | ||||
| 2.13 | I. Prelude | ||||
| 2.14 | II. Allemande | ||||
| 2.15 | III. Courante | ||||
| 2.16 | IV. Sarabande | ||||
| 2.17 | V. Gavottes I & II | ||||
| 2.18 | VI. Gigue |